Includes reports from the Chancery, Probate, Queen's bench, Common pleas, and Exchequer divisions, and from the Irish land commission.

At the end of almost every day of their fifty-five years of married life, the publicity-shy author Margaret Forster would ask her naturally gregarious and outgoing husband Hunter Davies to describe to her the highlights of his working day spent in the worlds of journalism and publishing. In the six years that have elapsed since Margaret's death, Hunter has continued these conversations with his wife, regaling her with accounts of the events and developments in his life – domestic, social, romantic, book-related, health-related and others – through a sequence of 'Letters to Margaret'. Whether recounting adventures in online dating, the pleasures and pitfalls of buying a new house by the seaside, the trauma of major operations on his heart and gall bladder, a chance encounter at a book-signing session that led to a new romantic attachment, or a visit to A&E when he was supposed to be watching the World Cup final, these twenty-three letters weave together strands of confession, self-mockery, anecdote and touching remembrance of married happiness with Margaret. Letters to Margaret reveals Hunter Davies raging happily against the dying of the light in his late eighties, and seeking consolation for life's frustrations and disappointments through a sustained conversation with the woman he shared his life with for more than half a century.

Shedding new light on British expansion in the seventeenth and eighteenth centuries, this collection of essays examines how the first British Empire was received and shaped by its subject peoples in Scotland, Ireland, North America, and the Caribbean. An introduction surveys British imperial historiography and provides a context for the volume as a whole. The essays focus on specific ethnic groups -- Native Americans, African-Americans, Scotch-Irish, and Dutch and Germans -- and their relations with the British, as well as on the effects of British expansion in particular regions -- Ireland, Scotland, Canada, and the West Indies. A conclusion assesses the impact of the North American colonies on British society and politics. Taken together, these essays represent a new kind of imperial history -- one that portrays imperial expansion as a dynamic process in which the oulying areas, not only the English center, played an important role in the development and character of the Empire. The collection interpets imperial history broadly, examining it from the perspective of common folk as well as elites and discussing the clash of cultures in addition to political disputes. Finally, by examining shifting and multiple frontiers and by drawing parallels between outlying provinces, these essays move us closer to a truly integrated story that links the diverse ethnic experiences of the first British Empire. The contributors are Bernard Bailyn, Philip D. Morgan, Nicholas Canny, Eric Richards, James H. Merrell, A. G. Roeber, Maldwyn A. Jones, Michael Craton, J. M. Bumsted, and Jacob M. Price.

What is a New Zealander? What does it mean to be a citizen of or a resident in this country? How do we understand what makes New Zealand complex, and unique? And what creates a sense of belonging and identity, both here and in the world?Now's a critical time to be thinking about these sorts of things. In a post-Trump, post-Brexit world, easy slogans have taken the place of reasoning and reasonableness, empathy is in retreat, and intolerance is on the march. History tells us that this is never a good mix.In this engaging book, experts and thinkers direct their sharp analysis at these and other important issues. Written for university students, it will appeal to anyone interested in where we have come from and where we are headed. It's a book for active participants in Aotearoa New Zealand and in global society.

Taking its title from Umberto Eco's postscript to The Name of the Rose, the novel that inaugurated the New Historical Fiction in the early 1980s, Constructing the World provides a guide to the genre's defining characteristics. It also serves as a lively account of the way Shakespeare, Marlowe, Raleigh, Queen Elizabeth I, and their contemporaries have been depicted by such writers as Anthony Burgess, George Garrett, Patricia Finney, Barry Unsworth, and Rosalind Miles. Innovative historical novels written during the past two or three decades have transformed the genre, producing some extraordinary bestsellers as well as less widely read serious fiction. Shakespearean scholar Martha Tuck Rozett engages in an ongoing conversation about the genre of historical fiction, drawing attention to the metacommentary contained in "Afterwords" or "Historical Notes"; the imaginative reconstruction of the diction and mentality of the past; the way Shakespearean phrases, names, and themes are appropriated; and the counterfactual scenarios writers invent as they reinvent the past.