In Mark Twain and the American West, Joseph Coulombe explores how Mark Twain deliberately manipulated contemporary conceptions of the American West to create and then modify a public image that eventually won worldwide fame. He establishes the central role of the western region in the development of a persona that not only helped redefine American manhood and literary celebrity in the late nineteenth century, but also produced some of the most complex and challenging writings in the American canon. Coulombe sheds new light on previously underappreciated components of Twain's distinctly western persona. Gathering evidence from contemporary newspapers, letters, literature, and advice manuals, Coulombe shows how Twain's persona in the early 1860s as a hard-drinking, low-living straight-talker was an implicit response to western conventions of manhood. He then traces the author's movement toward a more sophisticated public image, arguing that Twain characterized language and authorship in the same manner that he described western men: direct, bold, physical, even violent. In this way, Twain capitalized upon common images of the West to create himself as a new sort of western outlaw--one who wrote. Coulombe outlines Twain's struggle to find the proper balance between changing cultural attitudes toward male respectability and rebellion and his own shifting perceptions of the East and the West. Focusing on the tension between these goals, Coulombe explores Twain's emergence as the moneyed and masculine man-of-letters, his treatment of American Indians in its relation to his depiction of Jim in Adventures of Huckleberry Finn, the enigmatic connection of Huck Finn to the natural world, and Twain's profound influence on Willa Cather's western novels. Mark Twain and the American West is sure to generate new interest and discussion about Mark Twain and his influence. By understanding how conventions of the region, conceptions of money and class, and constructions of manhood intersect with the creation of Twain's persona, Coulombe helps us better appreciate the writer's lasting effect on American thought and literature through the twentieth century and into the twenty-first.

In Mark Twain and the American West, Joseph Coulombe explores how Mark Twain deliberately manipulated contemporary conceptions of the American West to create and then modify a public image that eventually won worldwide fame. He establishes the central role of the western region in the development of a persona that not only helped redefine American manhood and literary celebrity in the late nineteenth century, but also produced some of the most complex and challenging writings in the American canon. Coulombe sheds new light on previously underappreciated components of Twain's distinctly western persona. Gathering evidence from contemporary newspapers, letters, literature, and advice manuals, Coulombe shows how Twain's persona in the early 1860s as a hard-drinking, low-living straight-talker was an implicit response to western conventions of manhood. He then traces the author's movement toward a more sophisticated public image, arguing that Twain characterized language and authorship in the same manner that he described western men: direct, bold, physical, even violent. In this way, Twain capitalized upon common images of the West to create himself as a new sort of western outlaw--one who wrote. Coulombe outlines Twain's struggle to find the proper balance between changing cultural attitudes toward male respectability and rebellion and his own shifting perceptions of the East and the West. Focusing on the tension between these goals, Coulombe explores Twain's emergence as the moneyed and masculine man-of-letters, his treatment of American Indians in its relation to his depiction of Jim in Adventures of Huckleberry Finn, the enigmatic connection of Huck Finn to the natural world, and Twain's profound influence on Willa Cather's western novels. Mark Twain and the American West is sure to generate new interest and discussion about Mark Twain and his influence. By understanding how conventions of the region, conceptions of money and class, and constructions of manhood intersect with the creation of Twain's persona, Coulombe helps us better appreciate the writer's lasting effect on American thought and literature through the twentieth century and into the twenty-first.

Literary histories, of course, do not have a reason for being unless there exists the literature itself. This volume, perhaps more than others of its kind, is an expression of appreciation for the talented and dedicated literary artists who ignored the odds, avoided temptations to write for popularity or prestige, and chose to write honestly about the American West, believing that experiences long knowns to be of historical importance are also experiences that need and deserve a literature of importance.

As the railroads opened up the American West to settlers in the last half of the 19th Century, the Plains Indians made their final stand and cattle ranches spread from Texas to Montana. Eminent Western author Dee Brown here illuminates the struggle between these three groups as they fought for a place in this new landscape. The result is both a spirited national saga and an authoritative historical account of the drive for order in an uncharted wilderness, illustrated throughout with maps, photographs and ephemera from the period.

This four-part chronology presents the unfolding of the American West from 23,000 B.C.E. to A.D. 2001 Not long ago, the story of the American West was an uncomplicated tale. Its theme was "The Winning of the West," and its plot simply followed Euro-Americans as they galloped across the continent. But throughout the last two decades, historians like Scott C. Zeman have begun to examine the story and separate the myths from the facts. Today the history of the American West is about the land itself; about conquest and colonization; about migration and social change. Its heroes are not only white men, but also women and children, and peoples of African, Asian, Native American, and European descent. In this up to date chronology, readers can explore hundreds of political, social, and cultural plot points, from the arrival of the continent's first migrants more than 20,000 years ago to the Wounded Knee Massacre in 1890, and from the completion of the trans-Alaska pipeline in 1977 to the shootings at Columbine High School in 2000.

The Encyclopedia of Politics in the American West is an A to Z reference work on the political development of one of America’s most politically distinct, not to mention its fastest growing, region. This work will cover not only the significant events and actors of Western politics, but also deal with key institutional, historical, environmental, and sociopolitical themes and concepts that are important to more fully understanding the politics of the West over the last century.

This book is a literary exploration of Mark Twain's writings on crime in the American West and its intersection with morality, gender and justice. Writing from his office at the Enterprise newspaper in the Nevada Territory, Twain employed a distinct style of crime writing--one that sensationalized facts and included Twain's personal philosophies and observations. Covering Twain's journalism, fictional works and his own personal letters, this book contextualizes the writer's coverage of crime through his anxieties about westward expansion and the promise of a utopian West. Twain's observations on the West often reflected common perceptions of the day, positioning him as a "voice of the people" on issues like crime, punishment and gender.

Explores the importance of economics and prosperity throughout Samuel Clemens's writing and personal life

"Decoding the Enigma of “Natural Man” in Mark Twain’s Works" is an unexpected journey to the very heart of the utterly brightest American author, Mark Twain, the way he presented the phenomenon of “natural man” one of Jean-Jacques Rousseau’s philosophy cornerstones. In this book, completely new for the genre, Taro Maeyashiki reveals the unique plan of Mark Twain’s fantastic worlds of literary characters using the one of the most noble and philosophical topics prisms. Maeyashiki, noticing, as the thick conceptual fog dissipates around the concept of “natural man,” explores how “natural man” can in fact be truly natural or free or innocent but at the same time, individual who has his sense of justice and injustice before a faceless society. Maeyashiki’s work is impressive not only due to derivative because, by analyzing, he tried to mean Twain’s perception of “natural man.” This work is not only to do with the literary world but venture into Twain’s internal essence analysis, his life, his philosophy, skepticism about the course of society development, and barely noticeable ideal simplification tendency, from the moral point of view. Referring to Rousseau’s theoretical notion of “natural man,” Maeyashiki writes that, essentially, Mark Twain was depicting the concept in his stories’ characters. This book is the readers’ dedication, as it allows us to look at Twain differently, through the high philosophical issues prism related to the essence of human nature and the destructibility of outer constrictions.

Praise for the previous edition:RASD/ALA "Outstanding Reference Source, 1996""'Essential' is the word for it!