Shorter Scottish Fiction. Introduced by Roderick Watson. Ever since its first appearance in 1886, Robert Louis Stevenson’s Strange Case of Dr Jekyll and Mr Hyde has proved itself to be a tale of undiminished power for readers all over the world. It remains one of the great masterpieces of psychological fiction and yet it is not alone in Stevenson’s work, for he had explored similar themes in several other stories too, all inextricably linked with his native country. This collection makes a strong case for the essentially Scottish origins of Stevenson’s best short fiction, derived as it is from Calvinism’s feeling for the immanence of evil, and driven by a sense of man’s darker, divided self which goes back to Hogg’s Justified Sinner. Thus it is that the story of the respectable Dr Jekyll, even in a London setting, has links that stretch back to the narrow wynds of Edinburgh and the bleak moors and shores of the North. In this company stories of possession, doubleness and terror such as ‘The Merry Men’, ‘The Body Snatcher’, ‘Markheim’, ‘Thrawn Janet’ and others, reveal more clearly than ever their Scottish roots, and that fascination with the uncanny which brought the creator of Mr Hyde screamingly awake one winter’s night over a hundred years ago.

First published to critical acclaim in 1886, this mesmerising thriller is a terrifying study of the duality of man's nature. This volume also includes a collection of Stevenson's short stories

This volume considers the major themes, texts and authors of Scottish literature of the twentieth and, so far, twenty-first century. It identifies the contexts and impulses that led Scottish writers to adopt their creative literary strategies. Moving beyond traditional classifications, it draws on the most recent critical approaches to open up new perspectives on Scottish literature since 1900. The volume's innovative thematic structure ensures that the most important texts or authors are seen from different perspectives whether in the context of empire, renaissance, war and post-war, literary genre, generation, and resistance. In order to provide thorough coverage, these thematic chapters are complemented by chronological 'Arcade' chapters, which outline the contexts of the literature of the period by decades, and by 'Overview' chapters which trace developments across the century in theatre, language and Gaelic literature. Taken together, the chapters provide a thorough and thought-provoking account of the century's literature.

In this fascinating book, Reid examines Robert Louis Stevenson's writings in the context of late-Victorian evolutionist thought, arguing that an interest in 'primitive' life is at the heart of his work. She investigates a wide range of Stevenson's writing, including Dr Jekyll and Mr Hyde and Treasure Island as well as previously unpublished material from the Stevenson archive at Yale. Reid's interpretation offers a new way of understanding the relationship between his Scottish and South Seas work. Her analysis of Stevenson's engagement with anthropological and psychological debate also illuminates the dynamic intersections between literature and science at the fin de siècle.

A major reconsideration of our understanding of the development of Scottish culture from the Enlightenment to the present day.

A landmark study which reconsiders in fresh and illuminating ways the classic themes of the nation's history since the sixteenth century, as well as a number of new topics which are only now receiving detailed attention. Places the Scottish experience firmly in an international historical experience.

First published in 1886 as a "shilling shocker," Dr Jekyll and Mr Hyde takes the basic struggle between good and evil and adds to the mix bourgeois respectability, urban violence, and class conflict. The result is a tale that has taken on the force of myth in the popular imagination. This Broadview edition provides a fascinating selection of contextual material, including contemporary reviews of the novel, Stevenson's essay "A Chapter on Dreams," and excerpts from the 1887 stage version of Dr Jekyll and Mr Hyde. Also included are historical documents on criminality and degeneracy, the "Jack the Ripper" murders, and London in the 1880s. New to this second edition are an updated critical introduction and, in the appendices, writings on Victorian psychology by Thomas Carlyle, Richard Krafft-Ebing, and Henry Maudsley, among others.

Horror and Religion provides new readings of contemporary horror fiction in conjuncture with debates in religious studies and theology. It gives a broad analysis of a wide range of contemporary and historical horror texts in a new interdisciplinary way. This study establishes the importance of discussing theology and contemporary horror fiction in present scholarship.

'Half Scotland sniggered and the other half scowled, when in letters to the Scotsman and the Glasgow Herald, I put forward my suggestion that prisoners in Scottish jails be allowed to wear their kilts as their national birthright if such be their wish.' From his origins as an illegitimate child in the slums of Glasgow, Fergus Lamont sets out to reclaim his inheritance and to remake his identity as soldier, poet and would-be aristocrat. Covering the years from the turn of the century to the Second World War, Fergus's unforgettable voice recounts a tale of vanity, success and betrayal which shines its own sardonic light on Scotland and the cultural and political issues of the day. At odds with his origins and unsettled in his aristocratic pretensions, Fergus Lamont reaches middle age before he is offered at least the hope of redemption in a love affair with an island woman. How it turns out and what he learns too late, adds a tragic dimension to the scathing humour of this, Robin Jenkins's most searching exploration of the modern Scottish psyche.

The women of the tiny town of Fetter-Rothnie have grown used to a life without men, and none more so than the tangle of mothers and daughters, spinsters and widows living at the Weatherhouse. Returned from war with shellshock, Garry Forbes is drawn into their circle as he struggles to build a new understanding of the world from the ruins of his grief. In The Weatherhouse Nan Shepherd paints an exquisite portrait of a community coming to terms with the brutal losses of war, and the small tragedies, yearnings and delusions that make up a life.