In 1895, the newly formed Greater Japan Martial Virtue Association (Dainippon Butokukai) held its first annual Martial Virtue Festival (butokusai) in the ancient capital of Kyoto. The Festival marked the arrival of a new iteration of modern Japan, as the Butokukai’s efforts to define and popularise Japanese martial arts became an important medium through which the bodies of millions of Japanese citizens would experience, draw on, and even shape the Japanese nation and state. This book shows how the notion and practice of Japanese martial arts in the late Meiji period brought Japanese bodies, Japanese nationalisms, and the Japanese state into sustained contact and dynamic engagement with one another. Using a range of disciplinary approaches, Denis Gainty shows how the metaphor of a national body and the cultural and historical meanings of martial arts were celebrated and appropriated by modern Japanese at all levels of society, allowing them to participate powerfully in shaping the modern Japanese nation and state. While recent works have cast modern Japanese and their bodies as subject to state domination and elite control, this book argues that having a body – being a body, and through that body experiencing and shaping social, political, and even cosmic realities – is an important and underexamined aspect of the late Meiji period. Martial Arts and the Body Politic in Meiji Japan is an important contribution to debates in Japanese and Asian social sciences, theories of the body and its role in modern historiography, and related questions of power and agency by suggesting a new and dramatic role for human bodies in the shaping of modern states and societies. As such, it will be valuable to students and scholars of Japanese studies, Japanese history, modern nations and nationalisms, and sport and leisure studies, as well as those interested in the body more broadly.

There is more to Japanese sport than sumo, karate and baseball. This study of social sport in Japan pursues a comprehensive approach towards sport as a distinctive cultural sphere at the intersection of body culture, political economy, and cultural globalization. Bridging the gap between Bourdieu and Foucault, it explains the significance of the body as a field of action and a topic of discourse in molding subject and society in modern Japan. More specifically, it provides answers to questions such as how and to what purposes are politics of the body articulated in Japan, particularly in the realm of sport? What is the agenda of state actors that develop politics aiming at the body, and to what degree are political and societal objectives impacted by commercial and non-political actors? How are political decisions on the allocation of resources made, and what are their consequences for sporting opportunities and practices of the body in general? Without neglecting the significance of sport spectatorship, this study takes a particular angle by looking at sport as a field of practice, pain and pleasure.

Masculinities and the Nation in the Modern World sheds new light on the interrelationship between gender and the nation, focusing on the role of masculinities in various processes of nation-building in the modern world between 1800 and the 1960s.

In 1895, the newly formed Greater Japan Martial Virtue Association "(Dainippon Butokukai) "held its" "first annual Martial Virtue Festival "(butokusai) "in the ancient capital of Kyoto. The Festival marked the arrival of a new iteration of modern Japan, as the "Butokukai"'s efforts to define and popularise Japanese martial arts became an important medium through which the bodies of millions of Japanese citizens would experience, draw on, and even shape the Japanese nation and state. This book shows how the notion and practice of Japanese martial arts in the late Meiji period brought Japanese bodies, Japanese nationalisms, and the Japanese state into sustained contact and dynamic engagement with one another. Using a range of disciplinary approaches, Denis Gainty shows how the metaphor of a national body and the cultural and historical meanings of martial arts were celebrated and appropriated by modern Japanese at all levels of society, allowing them to participate powerfully in shaping the modern Japanese nation and state. While recent works have cast modern Japanese and their bodies as subject to state domination and elite control, this book argues that having a body - being a body, and through that body experiencing and shaping social, political, and even cosmic realities - is an important and underexamined aspect of the late Meiji period. Martial Arts and the Body Politic in Meiji Japan is an important contribution to debates in Japanese and Asian social sciences, theories of the body and its role in modern historiography, and related questions of power and agency by suggesting a new and dramatic role for human bodies in the shaping of modern states and societies. As such, it will be valuable to students and scholars of Japanese studies, Japanese history, modern nations and nationalisms, and sport and leisure studies, as well as those interested in the body more broadly.

A comprehensive guide to the history, beliefs, concepts, practices, and major figures of religions past and present.

The history of Japanese body suit tattooing is a fascinating one that encompasses much more that just the application of inks to skin. An understanding of the subject requires knowledge of the social and political forces at work from prehistoric times to the present day. This book traces the development of those forces, their role in the growth of the military government and its efforts to control a people often less than willing to be controlled. With reference to the Edo period (1600-1867), urbanisation and the growth of Edo (modern Tokyo), the background to tattooing is carefully explained. The yakuza (Japanese mafia), their forebears and their attitudes to life, crime and tattooing are explored in great depth. The technical aspects of tattooing are similarly detailed and Horikazu, a modern practitioner of this traditional craft, is profiled. The authors visited Japan at the invitation of one of Tokyo's yakuza gangs, where they also interviewed other tattoo artists and conducted research, and they have produced a book that will doubtless serve its field as an outstanding reference resource for a generation. Tattooing is again fashionable. The authors hope this book contributes to calls for some tattoo practices to be elevated to the realm of art, of which the Japanese body suit must be the supreme example. The authors visited Japan to complete their research by interviewing the bosses of two Asakusa gangs, the tattooist Horikazu as well as other tattoo artists and tattoo specialists. They accessed documents hitherto unpublished in a European Language and returned with much exclusive illustrative material. Book jacket.