This study uses popular literature to offer a fresh account of Victorian manliness as it was transformed by imperial and colonial politics.

Sport is far more than a national and international entertainment: it is a source of political identity, morale, pride and superiority. Tribal Identities explores the influence of sport on the nations of Europe as a mechanism of national solidarity promoting a sense of identity, unity, status and esteem; as an instrument of confrontation between nations, stimulating aggression, stereotyping, and images of inferiority and superiority; and as a cultural bond linking nations across national boundaries, providing common enthusiasm, shared experiences, the transcendence of national allegiances, and opportunities for association, understanding and goodwill.

Romans in Victorian literature are at once pagan persecutors, pious statesmen, pleasure-seeking decadents, and heroes of empire: this volume examines how these manifold and often contradictory representations are deployed in a range of ways in the works of authors from Thomas Macaulay to Rudyard Kipling to create useable models of masculinity.

The impact of the Cold War on German male identities can be seen in the nation’s cinematic search for a masculine paradigm that rejected the fate-centered value system of its National- Socialist past while also recognizing that German males once again had become victims of fate and fatalism, but now within the value system of the Soviet and American hegemonies that determined the fate of Cold War Germany and Central Europe. This monograph is the first to demonstrate that this Cold War cinematic search sought out a meaningful masculine paradigm through film adaptations of late-Victorian and Edwardian male writers who likewise sought a means of self-determination within a hegemonic structure that often left few opportunities for personal agency. In contrast to the scholarly practice of exploring categories of modern masculinity such as Victorian imperialist manliness or German Cold-War male identity as distinct from each other, this monograph offers an important, comparative corrective that brings forward an extremely influential century-long trajectory of threatened masculinity. For German Cold-War masculinity, lessons were to be learned from history—namely, from late-Victorian and Edwardian models of manliness. Cold War Germans, like the Victorians before them, had to confront the unknowns of a new world without fear or hesitation. In a Cold-War mentality where nuclear technology and geographic distance had trumped face-to-face confrontation between East and West, Cold-War German masculinity sought alternatives to the insanity of mutual nuclear destruction by choosing not just to confront threats, but to resolve threats directly through personal agency and self-determination.

Seminar paper from the year 2012 in the subject English Language and Literature Studies - Literature, grade: 6.0, University of Basel, language: English, abstract: King Solomon's Mines was written at a time when Victorian society was confronted with a long-term cultural shift that took place towards the fin de siècle. Women’s rights movements had emerged since the 1860’s. Their demands focused on extending their role in Victorian society and hence threatened the patriarchal establishment. In this milieu, male writers perceived these female advancements, which also took place in literature, as jeopardy of their own creative space. Many female writers were writing about social observations, and were thus considered as only writing about the unexciting and ordinary. As a reaction, efforts were made towards reclaiming the novel as a male exclusivity. This process was detectable in the foundation of literature clubs only for men, and the revival of the adventurous, exciting romance. With this came the emergence of literary characters, such as Allan Quatermain, who act as the heroic male and express their patriarchal demands. They can be seen as an attempt to preserve the social position of the male from its own fragmentation. In this paper, I want to analyze this attempted preservation of white masculinity and its conflict with the notions of race, gender and class from a post-colonial perspective. It is vital to notice that the recuperation of masculinity took place not in the home country, but in the colonies, where its regeneration was still considered possible. As a result, this notion of colonial masculinity is closely aligned with the appearance of Imperialism. For decades, the collective myth of colonialism had been nurtured by the adventurous tales that were circulating in Britain since Defoe’s Robinson Crusoe. It intensified again during the Age of Imperialism and stimulated its readers to imitate the heroic protagonist. The new Imperialism presented itself as a purely male sphere of influence and its administration lay entirely in the hands of men. Its masculine representation was further boosted by the appearances of soldiers and hunters as colonial heroes and the supply for its administration was fuelled by the aforementioned crisis of masculinity taking place in later Victorian Britain. The journey to the colonies promised freedom from the restrictions of the male social roles back home, and it opened new possibilities for the development of a new type of masculinity, that of the imperial hero. Victorian Imperialism thus contained and enforced the "masculine imperative".

This book shows how interpretations of suicidal motives were guided by gendered expectations of behaviour, and that these expectations were constructed to create meaning and understanding for family, friends and witnesses. Providing an insight into how people of this era understood suicidal behaviour and motives, it challenges the assertion that suicide was seen as a distinctly feminine act, and that men who took their own lives were feminized as a result. Instead, it shows that masculinity was understood in a more nuanced way than gender binaries allow, and that a man's masculinity was measured against other men. Focusing on four common narrative types; the love-suicide, the unemployed suicide, the suicide of the fraudster or speculator, and the suicide of the dishonoured solider, it provides historical context to modern discussions about the crisis of masculinity and rising male suicide rates. It reveals that narratives around male suicides are not so different today as they were then, and that our modern model of masculinity can be traced back to the 19th century.

A heavily illustrated history of two centuries of male beauty in British culture. Spanning the decades from the rise of photography to the age of the selfie, this book traces the complex visual and consumer cultures that shaped masculine beauty in Britain, examining the realms of advertising, health, pornography, psychology, sport, and celebrity culture. Paul R. Deslandes chronicles the shifting standards of male beauty in British culture—from the rising cult of the athlete to changing views on hairlessness—while connecting discussions of youth, fitness, and beauty to growing concerns about race, empire, and degeneracy. From earlier beauty show contestants and youth-obsessed artists, the book moves through the decades into considerations of disfigured soldiers, physique models, body-conscious gay men, and celebrities such as David Beckham and David Gandy who populate the worlds of television and social media. Deslandes calls on historians to take beauty and gendered aesthetics seriously while recasting how we think about the place of physical appearance in historical study, the intersection of different forms of high and popular culture, and what has been at stake for men in “looking good.”

This is a study of masculinity as a metaphor and especially of the muscular male body as a moral symbol. It explores the Nazi's preoccupation with the male body as an icon of political power, and the ideology and theories which propelled it.

The Great War has been largely ignored by historians of sport. However sport was an integral part of cultural conditioning into both physiological and psychological military efficiency in the decades leading up to it. It is time to acknowledge that the Great War also had an influence on sport in post-war European culture. Both are neglected topics. Sport, Militarism and the Great War deals with four significant aspects of the relationship between sport and war before, during and immediately after the 1914-1918 conflict. First, it explores the creation and consolidation of the cult of martial heroism and chivalric self-sacrifice in the pre-war era. Second, it examines the consequences of the mingling of soldiers from various nations on later sport. Third, it considers the role of the Great War in the transformation of the leisure of the masses. Finally, it examines the links between war, sport and male socialisation. The Great War contributed to a redefinition of European masculinity in the post-war period. The part sport played in this redefinition receives attention. Sport, Militarism and the Great War is in two parts: the Continental (Part I) and the "Anglo-Saxon" (Part II). No study has adopted this bilateral approach to date. Thus, in conception and execution, it is original. With its originality of content and the approaching centenary of the advent of the Great War in 2014, it is anticipated that the book will capture a wide audience. This book was originally published as a special issue of The International Journal of the History of Sport.

The late Victorian and Edwardian officer class viewed hunting and big game hunting in particular, as a sound preparation for imperial warfare. For the imperial officer in the making, the ‘blooding’ hunting ritual was a visible ‘hallmark’ of stirling martial masculinity. Sir Henry Newbolt, the period poet of subaltern self-sacrifice, typically considered hunting as essential for the creation of a ‘masculine sporting spirit’ necessary for the consolidation and extension of the empire. Hunting was seen as a manifestation of Darwinian masculinity that maintained a pre-ordained hierarchical order of superordinate and subordinate breeds. Militarism, Hunting, Imperialism examines these ideas under the following five sections: martial imperialism: the self-sacrificial subaltern ‘blooding’ the middle class martial male the imperial officer, hunting and war martial masculinity proclaimed and consolidated martial masculinity adapted and adjusted. This book was published as a special issue of the International Journal of the History of Sport.