In this book, Xiaolong Wu offers a comprehensive and in-depth study of the Zhongshan state during China's Warring States Period (476?221 BCE). Analyzing artefacts, inscriptions, and grandiose funerary structures within a broad archaeological context, he illuminates the connections between power and identity, and the role of material culture in asserting and communicating both. The author brings an interdisciplinary approach to this study. He combines and cross-examines all available categories of evidence, including archaeological, textual, art historical, and epigraphical, enabling innovative interpretations and conclusions that challenge conventional views regarding Zhongshan and ethnicity in ancient China. Wu reveals the complex relationship between material culture, cultural identity, and statecraft intended by the royal patrons. He demonstrates that the Zhongshan king Cuo constructed a hybrid cultural identity, consolidated his power, and aimed to maintain political order at court after his death through the buildings, sculpture, and inscriptions that he commissioned.

This book is a comprehensive and in-depth study of a mysterious state of China's Warring States Period (476-221 BCE): the Zhongshan.

Many Worlds Under One Heaven analyzes a wide range of newly excavated materials to offer a new perspective on political and cultural change under the Western Zhou. Examining tombs, bronze inscriptions, and other artifacts, Yan Sun challenges the Zhou-centered view with a frontier-focused perspective that highlights the roles of multiple actors.

Applies the 'life history' of objects approach to China's prehistoric, early dynastic and more recent material culture.

"This is the first English-language monograph on the early history of cartography in China. Its chief players are three maps found in tombs that date from the fourth to the second century BCE and together constitute the entire known corpus of ancient Chinese maps (ditu). A millennium separates them from the next available map from 1136 CE. Most scholars study them through the lens of modern, empirical definitions of maps and their use. This book offers an alternative view by drawing on methods not just from cartography but from art history, archaeology, and religion. It argues that, as tomb objects, the maps were designed to be simultaneously functional for the living and the dead-that each map was drawn to serve navigational purposes of guiding the living from one town to another as well as to diagram ritual order, thereby taming the unknown territory of the dead. In contrast with traditional scholarship, The Art of Terrestrial Diagrams in Early China proposes that ditu can "speak" through their forms. Departing from dominant theories of representation that forge a narrow path from form to meaning, the book braids together two main strands of argumentation to explore the multifaceted and multifunctional diagrammatic tradition of rendering space in early China"--

This volume examines the role of objects in the region north of early dynastic state centers, at the intersection of Ancient China and Eurasia, a large area that stretches from Xinjiang to the China Sea, from c.3000 BCE to the mid-eighth century BCE. This area was a frontier, an ambiguous space that lay at the margins of direct political control by the metropolitan states, where local and colonial ideas and practices were reconstructed transculturally. These identities were often merged and displayed in material culture. Types of objects, styles, and iconography were often hybrids or new to the region, as were the tomb assemblages in which they were deposited and found. Patrons commissioned objects that marked a symbolic vision of place and person and that could mobilize support, legitimize rule, and bind people together. Through close examination of key artifacts, this book untangles the considerable changes in political structure and cultural makeup of ancient Chinese states and their northern neighbors

An epic new history of Ancient China told through the prism of a dozen extraordinary tombs The three millennia up to the establishment of the first imperial Qin dynasty in 221 BC cemented many of the distinctive elements of Chinese civilisation still in place today: an extraordinarily challenging geography and environment, formidable infrastructure, a society based on the strict hierarchy of the family, a shared written script of characters, a cuisine founded on rice and millet, a material culture of ceramics, bronze, silk and jade, and a unique concept of the universe, in which ancestors continue to exist alongside the living. Records of these early achievements, and their diverse and unexpected expressions, often lie not in written history, but in how people marked the end of their lives: their dwellings for the afterlife. Tombs, and the treasures within them, are almost the only artefacts to survive from Ancient China; their scale and sophistication rivals their equivalents in Ancient Egypt. Jessica Rawson, one of the most eminent Western scholars of China, explores twelve grand tombs - each from a specific historical moment and place - showing how they reveal wider political, dynastic and cultural developments, culminating in the lavish ambition of the First Emperor's monument, guarded by his army of terracotta warriors. Beautifully illustrated and drawing on the latest archaeological discoveries, Life and Afterlife in Ancient China illuminates a constellation of beliefs about life and death very different from our own and provides a remarkable new perspective on one of the oldest civilisations in the world.

In the Later Han period the region covering the modern provinces of Gansu, southern Ningxia, eastern Qinghai, northern Sichuan, and western Shaanxi, was a porous frontier zone between the Chinese regimes and their Central Asian neighbours, not fully incorporated into the Chinese realm until the first century BCE. Not surprisingly the region had a large concentration of men of martial background, from which a regional culture characterized by warrior spirit and skills prevailed. This military elite was generally honoured by the imperial centre, but during the Later Han period the ascendancy of eastern-based scholar-officials and the consequent increased emphasis on civil values and de-militarization fundamentally transformed the attitude of the imperial state towards the northwestern frontiersmen, leaving them struggling to achieve high political and social status. From the ensuing tensions and resentment followed the capture of the imperial capital by a northwestern military force, the deposing of the emperor and the installation of a new one, which triggered the disintegration of the empire. Based on extensive original research, and combining cultural, military and political history, this book examines fully the forging of military regional identity in the northwest borderlands and the consequences of this for the early Chinese empires.

In the mid-eleventh century BCE, the Zhou overthrew the Shang, a dynastic power that had dominated much of northern and central China. Over the next three centuries, they would extend the borders of their political control significantly beyond those of the Shang. The Zhou introduced a political ideology centered on the Mandate of Heaven to justify their victory over the Shang and their territorial expansion, portraying the Zhou king as ruling the frontier from the center of civilization. Present-day scholarship often still adheres to this core-periphery perspective, emphasizing cultural assimilation and political integration during Zhou rule. However, recent archaeological findings present a more complex picture. Many Worlds Under One Heaven analyzes a wide range of newly excavated materials to offer a new perspective on political and cultural change under the Western Zhou. Examining tombs, bronze inscriptions, and other artifacts, Yan Sun challenges the Zhou-centered view with a frontier-focused perspective that highlights the roles of multiple actors. She reveals the complexity of identity construction and power relations in the northern frontiers of the Western Zhou, arguing that the border regions should be seen as a land of negotiation that witnessed cultural hybridization and experimentation. Rethinking a critical period for the formation of Chinese civilization, Many Worlds Under One Heaven unsettles the core-periphery model to reveal the diversity and flexibility of identity in early China.