This book critically approaches contemporary meanings of materiality and discuses ways in which we understand, experience, and engage with objects through popular culture in our private, social and professional lives. Appropriating Arjun Appadurai’s famous phrase: "the social life of things", with which he inspired scholars to take material culture more seriously and, as a result, treat it as an important and revealing area of cultural studies, the book explores the relationship between material culture and popular practices, and points to the impact they have exerted on our co-existence with material worlds in the conditions of late modernity.

In this 7th edition of his award-winning Cultural Theory and Popular Culture: An Introduction, John Storey has extensively revised the text throughout. As before, the book presents a clear and critical survey of competing theories of and various approaches to popular culture. Its breadth and theoretical unity, exemplified through popular culture, means that it can be flexibly and relevantly applied across a number of disciplines. Also retaining the accessible approach of previous editions, and using appropriate examples from the texts and practices of popular culture, this new edition remains a key introduction to the area. New to this edition: • Extensively revised, rewritten and updated • Improved and expanded content throughout • A new section on ‘The Contextuality of Meaning’ that explores how context impacts meaning • A brand new chapter on ‘The Materiality of Popular Culture’ that examines popular culture as material culture • Extensive updates to the companion website at www.routledge.com/cw/storey, which includes practice questions, extension activities and interactive quizzes, links to relevant websites and further reading, and a glossary of key terms. The new edition remains essential reading for undergraduate and postgraduate students of cultural studies, media studies, communication studies, the sociology of culture, popular culture and other related subjects.

The Wiley Blackwell Companion to Religion and Materiality provides a thoughtfully organized, inclusive, and vibrant project of the multiple ways in which religion and materiality intersect. The contributions explore the way that religion is shaped by, and has shaped, the material world, embedding beliefs, doctrines, and texts into social and cultural contexts of production, circulation, and consumption. The Companion not only contains scholarly essays but has an accompanying website to demonstrate the work of performers, architects, and expressive artists, ranging from musicians and dancers to religious practitioners. These examples offer specific illustrations of the interplay of religion and materiality in everyday life. The project is organized from a comparative perspective, highlighting examples and case studies from traditions originating in both East and West. To summarize, the volume: Brings together the leading figures, theories and ideas in the field in a systematic and comprehensive way Offers an interdisciplinary approach drawing together religious studies, anthropology, archaeology, history, sociology, geography, the cognitive sciences, ecology, and media studies Takes a comparative perspective, covering all the major faith traditions

Despite the fact that Christianity is understood to be thoroughly intertwined with matter, objects, and things, Christians struggle to cope with this materiality in their daily lives. This volume argues that the ambivalent relationships many Christians have with materiality is a driving force that contributes to the way people in different Christian traditions and in different parts of the world understand and live out their religion. By placing the questions of limits and boundary-work to the fore, the volume addresses the question of exactly how Christianity takes place materially, addressing a gap in studies to date. Christianity and the Limits of Materiality presents ground-breaking research on the frameworks and contexts in relation to and within which Christian logics of materiality operate. The volume places the negotiations at the limits of materiality within the larger framework of Christian identities and politics of belonging. The chapters discuss case studies from North and South America, Europe, and Africa, and demonstrate that the limits preoccupying Christians delimit their lives but also enable many things. Ultimately, Christianity and the Limits of Materiality demonstrates that it is at the interfaces of materiality and the transcendent that Christians create and legitimise their religion.

The Routledge Handbook of Material Religion places objects and bodies at the center of scholarly studies of religious life and practice. Propelling forward the study of material religion, the Handbook first reveals the deep philosophical roots of its key categories and then advances new critical analytics, such as queer materialities, inescapable material entanglements, and hyperobjects that explode the small-scale personal view on religions. The Handbook comprises thirty chapters, written by an international team of contributors who offer a global perspective of religious pasts and presents, divided into four thematic parts: Genealogies of Material Religion Materializing the Terms of the Study of Religion Entanglements, Entrapment, Escaping Hyperobjects, or How Ginormous Things Affect Religions In these four parts, the study of material religion is redirected towards systematic, critical interrogations of the imbrication of religious structures of power with racial, economic, political, and gendered forms of domination. From Spinoza’s political theology to African philosophies of ubuntu; from the queer materialities of Mesoamerican religion to the Satanic Temple of the United States; from Islamic love and sacrifice in human-animal entanglements to Shia militants’ attachment to weaponry; from epidemic cataclysm in Latin America to vast infrastructures and the gathering of millions in India’s Kumbh Mela, the study of material religion proves to be the study par excellence of the human condition. The Handbook is essential reading for students and researchers in religious studies, anthropology, history, and media studies, and will also be of interest to those in related fields such as archeology, sociology, and philosophy.

Prague in the seventeenth century is known as home to a scintillating imperial court crammed with exotic goods, scientists, and artisans, receiving ambassadors from Persia, and also as a city suffering plagues, riots, and devastating military attacks. But Prague was also the setting for a complex and shifting spiritual world. At the beginning of the century it was a multiconfessional city, but by 1700 it represented one of the most archetypical Catholic cities in Europe. Through a material approach, Cosmos and Materiality pieces together how early modern men and women experienced this transformation on a daily basis. Cosmos and Materiality in Early Modern Prague presents a bold alternative understanding of the history of early modern religion in Central Europe. The history of religion in the early modern period has overwhelmingly been analysed through a confessional lens, but this book shows how Prague's spiritual worlds were embedded in their natural environment and social relations as much if not more than in confessional identity in the seventeenth century. While texts in this period trace emerging discourses around notions of religion, superstition, magic, and what it was to be Catholic or Protestant, a material approach avoids these category mistakes being applied to everyday practice. It is through a rich seam of material evidence in Prague - spoons, glass beakers, and amulets as much as traditional devotional objects like rosaries and garnet encrusted crucifixes - that everyday beliefs, practices, and identities can be recovered.

The study of the reciprocal relationship between the Bible and popular culture has blossomed in the past few decades, and the time seems ripe for a broadly-conceived work that assesses the current state of the field, offers examples of work in that field, and suggests future directions for further study. This Handbook includes a wide range of topics organized under several broad themes, including biblical characters (such as Adam, Eve, David and Jesus) and themes (like Creation, Hell, and Apocalyptic) in popular culture; the Bible in popular cultural genres (for example, film, comics, and Jazz); and "lived" examples (such as museums and theme parks). The Handbook concludes with a section taking stock of methodologies and the impact of the field on teaching and publishing. The Oxford Handbook of the Bible and American Popular Culture represents a major contribution to the field by some of its leading practitioners, and will be a key resource for the future development of the study of both the Bible and its role in American popular culture.

Memory matters. It matters because memory brings the past into the present, and opens it up to the future. But it also matters literally, because memory is mediated materially. Materiality is the stuff of memory. Meaningful objects that we love (or hate) function not only as aide-mémoire but are integral to memory. Drawing on previous scholarship on the interrelation of memory and materiality, this book applies recent theories of new materialism to explore the material dimension of memory in art and popular culture. The book’s underlying premise is twofold: on the one hand, memory is performed, mediated, and stored through the material world that surrounds us; on the other hand, inanimate objects and things also have agency on their own, which affects practices of memory, as well as forgetting. Chapters 1, 4, and 5 of this book are freely available as downloadable Open Access PDFs at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 3.0 license.

The centrality and importance of the intersection of Christianity and culture when it comes to English-speaking countries and particularly American culture, history, and politics is beyond doubt. The Routledge Handbook of Christianity and Culture is an outstanding reference source to the key topics, problems, and debates in this exciting subject. Comprising over 35 chapters by a team of international contributors, the handbook is divided into five parts: • Practicing Christianity • Christianity and the Word • Social and Political Aspects of Christianity and Culture • Christianity and Culture in a Global Context • Christianity and the Arts Within these parts, central issues, debates, and problems are examined including liturgy, material Christianity, education, missions, religion and science, hermeneutics, Bible translations, Christian wars, human rights, law, social action, the secular, ecumenicalism, inter-religious relations, visual arts, literature, music, theatre, and film. The Routledge Handbook of Christianity and Culture is essential reading for students and researchers of religious studies and Christian studies. The handbook will also be very useful for those in related fields, such as cultural studies, area studies, visual studies, literature, and material religion.

This volume contributes towards to developments in the study of religion that illuminate the plural nature of religious change in modern Britain. It makes a critical intervention in British studies of religion by bringing the analytical insights of material culture, to bear on religion in the British World.