Max Richter: Piano Works presents, for the first time in print, 15 of Max Richter’s piano pieces, suitable for the intermediate pianist. Each piece is accompanied by notes specially written by the composer. This ground-breaking collection represents a unique drawing together of Max Richter’s varied output, embracing his work with the London Philharmonic (Memoryhouse), The Blue Notebooks, Royal Ballet-commissioned Infra and subsequent his acclaimed concept albums. Innovative and imaginative, yet at the same time accessible and easy to play, some of Max Richter's most famous Piano Works are at last available in what will surely become an instant classic collection. This volume includes: - Andras - The Blue Notebooks - Circles from the rue Simon-Crubellier - Departure - The Family - Fragment - From the rue Villin - H in New England - Horizon Variations - INFRA 3 - Leo's Journal - The Tartu Piano - The Twins (Prague) - Vladimir's Blues - Written On The Sky

The Library Of Modern Piano Music strives to illustrate the vigour and variety of modern piano music. These original compositions span standalone pieces, albums, suites and arrangements from talents as diverse as Igor Stravinsky, Francis Poulenc, Lennox Berkeley, Witold Lutosławski , Hans Werner Henze, Peter Maxwell Davies, Philip Glass and Ludovico Einaudi. As well as these concert pieces, a number of works have been written specially for screen. From Michael Nyman’s celebrated music for ‘The Piano’ to Richard Rodney Bennett’s score for the now rarely seen but superb 1980s miniseries of ‘Tender Is The Night’, there is ample proof of the richness added to international screen dramas by first-rate composers. These and over 100 more piano pieces make The Library Of Modern Piano Music a true classic.

*** With a foreword by James Naughtie Within the pages of this book lie musical prescriptions that offer comfort, solace and strength in the face of dark times. Whether you suffer from loneliness or laziness, from bereavement or betrayal, a heartbreak or a mere hangover, here you'll find the perfect piece of classical music to heal the heart, soothe the soul and cure the maladies of the modern world. Musician and writer Oliver Condy takes the role of musical physician, using his years of experience to prescribe remedies for all manner of ailments in the form of classical music. A beautifully-packaged gift book with more than 100 recommendations, Symphonies for the Soul is filled with fascinating stories behind the pieces and composers selected, and how in their own unique ways they can nourish the spirit in times of need.

Twenty-Four Contemporary Pieces For Solo Piano includes a diverse selection of works from 16 of the world's leading composers. The 24 pieces featured in this collection represent the best of contemporary classical Piano music being composed today. As well as being a compilation of fantastically enjoyable compositions, the book also features interesting notes by each composer to accompany their music.These Contemporary Pieces For Solo Piano are at once accessible and musically inspiring, featuring some of the most talented and respected composers and their most definitive contributions to Piano music.Song List: - Words Of Amber [Ólafur Arnalds] - Berlin Song [Ludovico Einaudi] - The Earth Prelude [Ludovico Einaudi] - Waterways [Ludovico Einaudi] - Ambre [Nils Frahm] - Over There, It's Raining [Nils Frahm] - Etude No.11 [Philip Glass] - Three Secrets From The Abyss - II. Unutterable Sadness [John Harle] - Can You Dance For Me [Hauschka] - Early In The Park [Hauschka] - Until It's Dawn [Hauschka] - Cadena Acuática [Angel Illarramendi] - A Model Of The Universe [Jóhann Jóhannsson] - An Uncertainty [David Julyan] - The Inescapable Light #1 [Kris Lennox] - A Hudson Cycle [Nico Muhly] - Fine [Dustin O'Halloran] - Opus 26 [Dustin O'Halloran] - Lines Of Desire [Tarik O'Regan] - Horizon Variations [Max Richter] - Vladimir's Blues [Max Richter] - Cloud Watching [Joby Talbot] - Transit Of Venus [Joby Talbot] - Moving Ground [James Whitbourn]

Creative Research in Music explores what it means to be an artistic researcher in music in the twenty-first century. The book delineates the myriad processes that underpin successful artistic research in music, providing best practice exemplars ranging from Western classical art to local indigenous traditions, and from small to large-scale, multi-media and cross-cultural work formats. Drawing on the richness of creative research work at key institutions in South-East Asia and Australian, this book examines the social, political, historical and cultural driving forces that spur and inspire excellence in creative research to extend and to cross boundaries, to sustain our music industry, to advocate for the importance of music in our world, and to make it clear that music matters. In the chapters, our authors present the ideas of informed practice, innovation and transcendence from diverse international perspectives. Each of these three themes has an introductory section where the theme is explored and the chapters in that section introduced. Taken as a whole, the book discusses how the themes in combination, with reference to the authorial group, are able to transform music pedagogy and performance for our global and complex world. Chapter 9 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

The Routledge Companion to Applied Musicology brings together academics, artist-researchers, and practitioners to provide readers with an extensive and authoritative overview of applied musicology. Once a field that addressed music’s socio-political or performative contexts, applied musicology today encompasses study and practice in areas as diverse as psychology, ecomusicology, organology, forensic musicology, music therapy, health and well-being, and other public-oriented musicologies. These rapid advances have created a fast-changing field whose scholarship and activities tend to take place in isolation from each other. This volume addresses that shortcoming, bringing together a wide-ranging survey of current approaches. Featuring 39 authors, The Routledge Companion to Applied Musicology falls into five parts—Defining and Theorising Applied Musicology; Public Engagement; New Approaches and Research Methods; Representation and Inclusion; and Musicology in/for Performance—that chronicle the subject’s rich history and consider the connections that will characterise its future. The book offers an essential resource for anyone exploring applied musicology.

A free open access ebook is available upon publication. Learn more at www.luminosoa.org. Many recent works of contemporary art, performance, and film turn a spotlight on sleep, wresting it from the hidden, private spaces to which it is commonly relegated. At the Edges of Sleep considers sleep in film and moving image art as both a subject matter to explore onscreen and a state to induce in the audience. Far from negating action or meaning, sleep extends into new territories as it designates ways of existing in the world, in relation to people, places, and the past. Defined positively, sleep also expands our understanding of reception beyond the binary of concentration and distraction. These possibilities converge in the work of Thai filmmaker and artist Apichatpong Weerasethakul, who has explored the subject of sleep systematically throughout his career. In examining Apichatpong’s work, Jean Ma brings together an array of interlocutors—from Freud to Proust, George Méliès to Tsai Ming-liang, Weegee to Warhol—to rethink moving images through the lens of sleep. Ma exposes an affinity between cinema, spectatorship, and sleep that dates to the earliest years of filmmaking, and sheds light upon the shifting cultural valences of sleep in the present moment.

Outlandia is an off-grid artists’ fieldstation, a treehouse imagined by artists London Fieldworks (Bruce Gilchrist & Jo Joelson) and designed by Malcolm Fraser Architects, situated in Glen Nevis, opposite Ben Nevis. It is performative architecture that immerses its occupants in a particular environment, provoking creative interaction between artists and the land. This book explores the relationship between place and forms of thought and creative activity, relating Outlandia and the artists there to the tradition of generative thinking and making structures that have included Goethe’s Gartenhaus in Weimar, Henry Thoreau's cabin at Walden Pond and Dylan Thomas’s writing shack in Laugharne. Based on a series of residencies and radio broadcasts produced by London Fieldworks in collaboration with Resonance 104.4fm, the Remote Performances project enabled twenty invited artists to consider and engage in transmissions, sound performances and dialogues on their artmaking strategies immersed in this specific rural environment of mountain, forest and river; flora and fauna. Some artists engaged in dialogue with people living and working in the area with a range of specialisms and experience in, for examples, forestry, mountain culture, wildlife, tourism, and local history. This book explores the ways in which being in the field impacts on artists and permeates through to the artworks they create. It considers the relationship between geography and contemporary art and artists’ use of maps and fieldwork. It charts these artists’ explorations of the ecological and cultural value of the natural environment, questioning our perceptions and relationships to landscape, climate and their changes. The book is an inspiring collection of ways to think differently about our relationship with the changing natural environment. The book includes essays by Jo Joelson, Francis McKee, Tracey Warr and Bruce Gilchrist, and texts, images and drawings by the artists: Bram Thomas Arn

Enacting History is a practical guide for educators that provides methodologies and resources for teaching the Holocaust through a variety of theatrical means, including scripted texts, verbatim testimony, devised theater techniques and process-oriented creative exercises. A close collaboration with the USC Shoah Foundation I Witness program and the National Jewish Theater Foundation Holocaust Theater International Initiative at the University of Miami Miller Center for Contemporary Judaic Studies resulted in the ground-breaking work within this volume. The material facilitates teaching the Holocaust in a way that directly connects students to individual people and historical events through the art of theater. Each section is designed to help middle and high school educators meet curricular goals, objectives and standards and to integrate other educational disciplines based upon best practices. Students will gain both intellectual and emotional understanding by speaking the words of survivors, as well as young characters in scripted scenes, and developing their own performances based on historical primary sources. This book is an innovative and invaluable resource for teachers and students of the Holocaust; it is an exemplary account of how the power of theater can be harnessed within the classroom setting to encourage a deeper understanding of this defining event in history.

As featured in the Telegraph and on Radio 4's Today programme. 'A magnificent treasury . . . a fascinating tour de force.' Observer 'Year of Wonder is an absolute treat - the most enlightening way to be guided through the year.' Eddie Redmayne Classical music for everyone - an inspirational piece of music for every day of the year, celebrating composers from the medieval era to the present day, written by award-winning violinist and BBC Radio 3 presenter Clemency Burton-Hill. Have you ever heard a piece of music so beautiful it stops you in your tracks? Or wanted to discover more about classical music but had no idea where to begin? Year of Wonder is a unique celebration of classical music by an author who wants to share its diverse wonders with others and to encourage a love for this genre in all readers, whether complete novices or lifetime enthusiasts. Clemency chooses one piece of music for each day of the year, with a short explanation about the composer to put it into context, and brings the music alive in a modern and playful way, while also extolling the positive mindfulness element of giving yourself some time every day to listen to something uplifting or beautiful. Thoughtfully curated and expertly researched, this is a book of classical music to keep you company: whoever you are, wherever you're from. 'The only requirements for enjoying classical music are open ears and an open mind.' Clemency Burton-Hill Playlists are available on most streaming music platforms including Apple Music.