Numerous archaeological projects have found substantial evidence of the military nature of Maya society, and warfare is a frequent theme of Maya art. Maya Gods of War investigates the Classic period Maya gods who were associated with weapons of war and the flint and obsidian from which those weapons were made. Author Karen Bassie-Sweet traces the semantic markers used to distinguish flint from other types of stone, surveys various types of Chahk thunderbolt deities and their relationship to flint weapons, and explores the connection between lightning and the ruling elite. Additional chapters review these fire and solar deities and their roles in Maya warfare and examine the nature and manifestations of the Central Mexican thunderbolt god Tlaloc, his incorporation into the Maya pantheon, and his identification with meteors and obsidian weapons. Finally, Bassie-Sweet addresses the characteristics of the deity God L, his role as an obsidian merchant god, and his close association with the ancient land route between the highland Guatemalan obsidian sources and the lowlands. Through analysis of the nature of the Teotihuacán deities and exploration of the ways in which these gods were introduced into the Maya region and incorporated into the Maya worldview, Maya Gods of War offers new insights into the relationship between warfare and religious beliefs in Mesoamerica. This significant work will be of interest to scholars of Maya religion and iconography.

Author Stephen Currie provides readers with an intriguing look at the mythology of the Mayan culture. He explains how the beliefs, values, and experiences of that culture are represented in its treasured stories. Topics covered include creation stories, myths of culture heroes such as the Hero Twins, and tales of the gods of maize, rain, and wind, as well as the malevolent spirits of the underworld, Xilbaba. This volume has a map of the Mayan civilization, a genealogy grid for the Hero Twins, a table of major characters with name pronunciations and brief descriptions, a glossary, sidebars, fact boxes, a bibliography of sources for further study, and a subject index.

In Maya Narrative Arts, authors Karen Bassie-Sweet and Nicholas A. Hopkins present a comprehensive and innovative analysis of the principles of Classic Maya narrative arts and apply those principles to some of the major monuments of the site of Palenque. They demonstrate a recent methodological shift in the examination of art and inscriptions away from minute technical issues and toward the poetics and narratives of texts and the relationship between texts and images. Bassie-Sweet and Hopkins show that both visual and verbal media present carefully planned narratives, and that the two are intimately related in the composition of Classic Maya monuments. Text and image interaction is discussed through examples of stelae, wall panels, lintels, benches, and miscellaneous artifacts including ceramic vessels and codices. Bassie-Sweet and Hopkins consider the principles of contrast and complementarity that underlie narrative structures and place this study in the context of earlier work, proposing a new paradigm for Maya epigraphy. They also address the narrative organization of texts and images as manifested in selected hieroglyphic inscriptions and the accompanying illustrations, stressing the interplay between the two. Arguing for a more holistic approach to Classic Maya art and literature, Maya Narrative Arts reveals how close observation and reading can be equally if not more productive than theoretical discussions, which too often stray from the very data that they attempt to elucidate. The book will be significant for Mesoamerican art historians, epigraphers, linguists, and archaeologists.

Though Mayan culture has existed for more than 3,500 years, researchers and historians have only recently started unlocking some of the mysteries behind this Central American society. Thoroughly researched text guides readers through the gripping history of the Maya, including a detailed description of Maya culture. The main text is supplemented with engaging sidebars, full-color photographs, historical images, and expert, annotated analysis from leading scholars.

Sharing many common beliefs, deities, and rituals, the religion of the Maya, Aztec, and Inca was rooted in both the earth and the sky, the rhythms of the seasons, and the movements of the sun, moon, and stars. Readers will meet rain and sun gods, corn gods and fertility gods, earth mothers who are both creators and destroyers, and even a feathered serpent. Lavish primary-source images of arts and artifacts are paired with text that is both information-packed and enthralling. Readers who enter this pantheon are in for an awe-inspiring cultural journey through the divine mysteries of time and space.

“A prodigious work of unmatched interdisciplinary scholarship” on Maya astronomy and religion (Journal of Interdisciplinary History). Observations of the sun, moon, planets, and stars played a central role in ancient Maya lifeways, as they do today among contemporary Maya who maintain the traditional ways. This pathfinding book reconstructs ancient Maya astronomy and cosmology through the astronomical information encoded in Pre-Columbian Maya art and confirmed by the current practices of living Maya peoples. Susan Milbrath opens the book with a discussion of modern Maya beliefs about astronomy, along with essential information on naked-eye observation. She devotes subsequent chapters to Pre-Columbian astronomical imagery, which she traces back through time, starting from the Colonial and Postclassic eras. She delves into many aspects of the Maya astronomical images, including the major astronomical gods and their associated glyphs, astronomical almanacs in the Maya codices and changes in the imagery of the heavens over time. This investigation yields new data and a new synthesis of information about the specific astronomical events and cycles recorded in Maya art and architecture. Indeed, it constitutes the first major study of the relationship between art and astronomy in ancient Maya culture. “Milbrath has given us a comprehensive reference work that facilitates access to a very broad and varied body of literature spanning several disciplines.” ―Isis “Destined to become a standard reference work on Maya archeoastronomy . . . Utterly comprehensive.” —Andrea Stone, Professor of Art History, University of Wisconsin, Milwaukee

The Mayan people were natural storytellers, and their imagination knew no bounds. They took the traditional Mesoamerican versions of creation and the gods of the universe and molded them into their own, adding and shaping their unique version of mythology and folktales. This left us with a significant pantheon of gods and goddesses, each with a memorable and captivating story. The Mayans had an image of the universe and their place in it, and they told stories of gods and heroes that rival Greek Mythology.

This book explores and details the experiences and trials of both the Journalist Romano known here as the First Man Adam and his celestial ancient Persian guide Zarathustra while they travel to the Inferno and Limboland Arenas of the Pre-Historic Paleo Heroes; the Ancient Greek Gods & Goddesses; the Ancient Roman Gods & Goddesses; the Sumerian & Babylonian & Egyptian Gods; the Norse Viking Gods; the Indian Hindoo Vedic Gods; the Chinese Gods & Emperors; the Koreans; the Vietnamese; the Amerikan Experimental; the Cambodian & Laotian Encampments; the Burmese; the Hodgepodge of Nations On The Fringe Desiring Anonymity; the Japanese; the Irish Republican Army & Sinn Fein; the Native Americans; the Incas & Aztecs & Mayas; and Cuba & Nicaragua.

Journey through a mammoth timeline, richly illustrated with over 1,500 photos, maps, and illustrations. Written in association with the esteemed Smithsonian Institution. A beautiful visual reference book with key events of world history, written in an elementary language for budding historians. Take chronological steps through human history, starting long before we even began to write. Learn about significant global events like the rise of different societies, revolutions, invasions, and new discoveries. Meet the most memorable people from the history books. The charismatic leaders, brutal dictators, influential thinkers, and innovative scientists from all around the globe. Written with kids ages 9 to 12 in mind, this book uses unpretentious language and gives straightforward fun facts. The "Child Of The Time" feature encourages young people to imagine themselves in the past and lets them know that children had a place in history. Older readers will love this engaging educational book too! Dive in and discover the parts of the past you haven't yet discovered. The multitude of photos, maps, and graphics make reading about history simple and enjoyable. This visual reference guide provides the reader with an overview of the most fascinating events in history, with concise and bite-sized information. Follow the timeline from our most distant past, all the way through to recent events that you may still remember happening! The History Of The World, From The Stone Age To The Digital Age Go beyond American history and explore the world in this modern twist on an old-fashioned history book. It is easier to follow, organized along a timeline with photos of archaeological artifacts, old maps, and exciting pictures. You won't just read about world history. You'll see it too, right from your armchair. Take a step back in time! - 6.5 MYA - 3000 BCE Before History Began - 3000 BCE - 700 BCE Really Ancient History - 700 BCE - 500 CE Much More Civilization - 500 - 1450 The Marvelous Middle Ages - 1450 - 1750 Exploring and Reforming - 1750 - 1850 Time for Change - 1850 - 1945 Empires and World Wars - 1945 - Present Fast Forward