A New York Times Best Book of the Year Nobel Prize Laureate Mazurka for Two Dead Men, the culmination of Camilo José Cela‘s literary art, opens in 1936 at the beginning of the Spanish Civil War: Lionheart Gamuzo is savagely murdered. In 1939, as the war ends, his brother avenges his death. For both deaths, the blind accordion player Gaudencio plays the same mazurka. Set in backward rural Galicia, Cela’s excellent novel portrays a reign of fools, and works like contrapuntal music, its themes calling and responding, alternately brutal, melancholy, funny, lyrical, and coarse.

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Essays on a variety of Spanish authors who shaped the development of Spanish fiction in the twentieth century. Entries focus on the interconnections between life and writing and trace the writers' personal response to the cultural, intellectual and political concerns of the day, as well as to the traditions and literary styles that shaped their imagination. Provides a condensed assessment of the authors' aesthetic and personal preferences as shown through their writings.

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