“[A] splendid collection . . . By turns wry, tender, pointed, and laugh-out-loud funny.” —Publishers Weekly “Untangles the many truths about hair, and the lives we lead underneath it.” —Pamela Druckerman, author of Bringing Up Bébé Ask a woman about her hair, and she just might tell you the story of her life. Ask a whole bunch of women about their hair, and you could get a history of the world. Surprising, insightful, frequently funny, and always forthright, the essays in Me, My Hair, and I are reflections and revelations about every aspect of women’s lives from family, race, religion, and motherhood to culture, health, politics, and sexuality. They take place in African American kitchens, at Hindu Bengali weddings, and inside Hasidic Jewish homes. The conversation is intimate and global at once. Layered into these reminiscences are tributes to influences throughout history: Jackie Kennedy, Lena Horne, Farrah Fawcett, the Grateful Dead, and Botticelli’s Venus. The long and the short of it is that our hair is our glory—and our nemesis, our history, our self-esteem, our joy, our mortality. Every woman knows that many things in life matter more than hair, but few bring as much pleasure as a really great hairdo.

IS IT ME, IS IT MY HAIR, IS IT MY SKIN COLOR, IS IT MY EYES, OR IS IT YOU?: The Real Relationship Between African American Women and White American Women and Our Perspective is sometimes a conversation between two friends as well as a serious account of real issues that exist between the two cultures. Evidence of past history that still lingers today is brought to the forefront for examination. This book is ideal for women studies, book clubs, workshops, seminars, and conferences.

Lyrical, hilarious, and heartbreaking collection exploring Asian American identity, love, community, and power. In the aftermath of a messy divorce, Frances Kai-Hwa Wang writes in the hope of beginning to build a new life with four children, bossy aunties, unreliable suitors, and an uncertain political landscape. The lyric essays in You Cannot Resist Me When My Hair Is in Braids deftly navigate the space between cultures and reflect on lessons learned from both Asian American elders and young multiracial children, punctuated by moments rich with cultural and linguistic nuance. In her prologue, Wang explains, "Buddhists say that suffering comes from unsatisfied desire, so for years I tried to close the door to desire. I was so successful, I not only closed the door, I locked it, barred it, nailed it shut, then stacked a bunch of furniture in front of it. And now that door is open, wide open, and all my insides are spilling out." Full of current events of the day and #HashtagsOfTheMoment, the topics in the collection are wide ranging, including cooking food to show love, surviving Chinese School, being an underpaid lecturer, defending against yellow dildos, navigating immigration issues, finding love in a time of elections, crying with children separated from their parents at the border, charting the landscape of frugal/hoarder elders during the pandemic, witnessing COVID-inspired anti–Asian American violence while reflecting on the death of Vincent Chin, teaching her sixteen-year-old son to drive after the deaths of Trayvon Martin and George Floyd, and trusting the power of writing herself into existence. Within these lyric essays, some of which are accompanied by artwork and art installations, Wang finds the courage and hope to speak out for herself and for an entire generation of Asian American women. A notable work in the landscape of Asian American literature as well as Midwest and Michigan-based literature, You Cannot Resist Me When My Hair Is in Braids features a clear and powerful voice that brings all people together in these political and pandemic times.

Encounters with Animals, Lessons from God What do an ailing goat, a high-strung Australian Shepherd, and a raucous rooster all have in common? Professional pet sitter Christi Grace has cared for them all, and each of their stories reveal sweet spiritual truths about our relationship with God. In her twelve years of working with animals and their owners, Christi has experienced emotions ranging from happiness to heartache and everything in between. Let her introduce you to some of her most unforgettable clients: Ginger — a goat whose value far outweighs her $35 price tag Zinnia — a medium-sized dog with big trust issues Rocko — a barnyard bully of a rooster who guards the chicken yard with unabandoned zeal Shiloh — a horse who lives up to his name by bringing peace to all he meets Joy — a woman who proves that sometimes it’s not the animal but the owner whose life is impacted when a pet sitter comes to call These and other memorable characters make this book a must-read for animal lovers or anyone who needs a little more faith and inspiration from above.

An extraordinary memoir from an Iranian journalist in exile about leaving her country, challenging tradition and sparking an online movement against compulsory hijab. A photo on Masih's Facebook page: a woman standing proudly, face bare, hair blowing in the wind. Her crime: removing her veil, or hijab, which is compulsory for women in Iran. This is the self-portrait that sparked 'My Stealthy Freedom,' a social media campaign that went viral. But Masih is so much more than the arresting face that sparked a campaign inspiring women to find their voices. She's also a world-class journalist whose personal story, told in her unforgettably bold and spirited voice, is emotional and inspiring. She grew up in a traditional village where her mother, a tailor and respected figure in the community, was the exception to the rule in a culture where women reside in their husbands' shadows. As a teenager, Masih was arrested for political activism and was surprised to discover she was pregnant while in police custody. When she was released, she married quickly and followed her young husband to Tehran where she was later served divorce papers to the shame and embarrassment of her religiously conservative family. Masih spent nine years struggling to regain custody of her beloved only son and was forced into exile, leaving her homeland and her heritage. Following Donald Trump's notorious immigration ban, Masih found herself separated from her child, who lives abroad, once again. A testament to a spirit that remains unbroken, and an enlightening, intimate invitation into a world we don't know nearly enough about, The Wind in My Hair is the extraordinary memoir of a woman who overcame enormous adversity to fight for what she believes in, and to encourage others to do the same.

Audisee® eBooks with Audio combine professional narration and sentence highlighting for an engaging read aloud experience! With rhythmic, rhyming verse, this picture book follows two girls—one non-Black Puerto Rican, one Black—as they discover the stories their hair can tell. Preciosa has hair that won’t stay straight, won’t be confined. Rudine’s hair resists rollers, flat irons, and rules. Together, the girls play hair salon! They take inspiration from their moms, their neighbors, their ancestors, and cultural icons. They discover that their hair holds roots of the past and threads of the future. With rhythmic, rhyming verse and vibrant collage art, author NoNieqa Ramos and illustrator Keisha Morris follow two girls as they discover the stories hair can tell.

Hair Power – Skin Revolution is a collection of poetry and personal essays from a diverse group of black and mixed-race women – everyday women expressing themselves in their own unique style. The collection includes contributions from forty-eight authors, that explore the issues, interests, cultural and historical influences that have shaped their times and their imaginations. The writers offer empowering and creative ways of understanding and relating to the themes of hair and skin. They tell their narratives, presenting their views in passionate, intelligent, humorous, strong and reflective voices, some unheard; some previously published in the former two Shangwe anthologies.This third Shangwe anthology, by nature of its cultural diversity components successfully contributes towards representing and promoting the writing of women from African and African-Caribbean backgrounds. As well as being a contribution towards Black British literature, this anthology celebrates, reflects upon and embraces our diverse female identities and the common-thread that unites us living the UK experience.

If I’m So Zen, Why is My Hair Falling Out? helps those struggling with hair loss take back their confidence and regrow their hair for good by guiding them through the healing and regrowth process. After spending a year meeting with doctors, naturopaths, dermatologists, and trying every fad hair growth product on the market only to have another patch of hair fall out, Amanda Lera knew there had to be another way. The tools Amanda implements in If I’m So Zen, Why is My Hair Falling Out? teaches those struggling with hair loss how to: Regrow their hair fast without expensive, smelly treatments, or harmful medications Identify the true cause of their hair loss Prevent hair loss from happening again Grow fuller, longer, and healthier hair than before Relieve anxiety and rebuild their confidence Break up with WebMD for good

Good hair, bad hair registers the author in the genealogical tree of the great Caribbean writers such as Olive Senior, Jamaica Kincaid, and Mayra Santos-Febres. The speakers of this novel, shown through fragmented monologues, become archetypical voices that intertwine in the main character as if all of them were only one. The changes of narrative perspective create metaphors of the inherent ambiguity in the Caribbean amalgam. But beyond the tension that the title could imply, this novel is the story of a woman who, in spite of her restlessness or her fears, takes control over her life. Elidio La Torre Lagares Professor, Universidad de Puerto Rico