This book is dedicated to Anna Wierzbicka, one of the most influential and innovative linguists of her generation. Her work spans a number of disciplines, including anthropology, cultural psychology, cognitive science, philosophy and religious studies, as well as her home base of linguistics. She is best known for the Natural Semantic Metalanguage (NSM) approach to meaning—a versatile tool for exploring ‘big questions’ concerning the diversity and universals of people’s experience in the world. In this volume, Anna Wierzbicka’s former students, old and current colleagues, ‘kindred spirits’ and ‘sparring partners’ engage with her ideas and diverse body of work. These authors cover topics from the grammar of action verbs to cross-cultural pragmatics, and over 30 languages from around the world are represented. The chapters in Part 1 focus on the NSM approach and cover four themes: lexico-grammatical semantics, cultural keywords, semantics of nouns, and emotion. In Part 2, the contributors connect with a meaning-based approach from their own intellectual perspectives, including syntax, anthropology, cognitive linguistics and sociolinguistics. The deep humanistic perspective, wide-ranging themes and interdisciplinary nature of Wierzbicka’s research are reflected in the contributions. The common thread running through all chapters is the primacy of meaning to the understanding of language and culture.

"Can there be a more flagrant challenge to the recent - and classic - relativisms, scepticisms and 'deconstructivisms' toward reason, rationality, logos than the Vision of the Manifestation of Life?" As Tymieniecka writes in the introduction to this second book on the constructive appreciation of reason (first book: Analecta Husserliana, Vol. XXXIX), the works of the logos manifest themselves indubitably in the edifice of life. Among perspectives in the compass of reason of this collection: individualisation of life, human existence, reason and doxa (studies by Tymieniecka, Kelkel, Schrag, Buscaroli, Kelly, Laycock, and others) the emphasis falls upon 'inner rationalities' of the spirit, creativity, culture (Bosio, D'Ippolito, Delle Site, Barral, Wittkowski, Regina, Haney, Ales Bello, Sivak, Elosequi), culminating in the issues of historiography and history by Mario Sancipriano, to whom the book is dedicated. This collection stems from the work of The World Phenomenology Institute, mainly its two congresses held in Dubrovnik, Yugoslavia, and Verona, Italy.

Rationality in its various expressions and innumerable applications sustains understanding and our sense of reality. It is traditionally differentiated according to its sources in the soul: in consciousness, in reason, in experience, and in elevation. Such a functional approach, however, leaves us searching for the common foundation harmonizing these rationalities. The perennial quest to resolve the aporias of rationality is finding in contemporary science’s focus on origins, on the generative roots of reality, tantalizing hints as to how this may be accomplished. This project is enhanced by the wave of recent phenomenology/ontopoiesis of life, which reveals/expresses the workings of the logos at the root of beingness and all rationality, whereby we gaze upon the prospect of a New Enlightenment. In the rays of this vision the revival of the intuitions of classical Islamic metaphysics, particularly intuition of the continuity of beingness in the gradations of life, receive fresh confirmation.

The late twentieth century witnessed rapid changes not only in Taiwan’s economy, but also in its identity. Both economic as well as ideological restructuring have been basic elements in the transformation of postwar Taiwan, as rapid democratization opened a Pandora’s Box, and stirred a whirlwind of social discord. This volume considers such important questions as whether the old Taiwanese work ethic is a relic of the past, and whether Taiwan is likely to become a battleground of ideological wars. The book addresses Taiwanese nostalgia for Chinese culture; the rise and fall of postwar Taiwanese agrarian culture; the transformation of farmers’ social consciousness in the period 1950–1970; the place of Confucianism in postwar Taiwan; and the awakening of the "self" and the development of a Taiwanese national identity in the post–World War II period. Finally, it considers whether "mutual historical understanding" may be the basis for Taiwan-Mainland relations in the twenty-first century. This second edition includes a new chapter on the history of Taiwan after World War II, incorporating additional developments in Taiwan in the past decade. Insights extrapolated from an understanding of history are essential for grasping and solving the basic problems Taiwan now faces and, above all, the conflicted relationship between Taiwan and Mainland China. The book’s thematic undercurrent is the question of Taiwan and Mainland China: How do we deal with the tension between cultural China and political China?

`A scholarly lexicon and stimulating "rough guide" for cultural studies as it confronts and navigates the shifting sands of past, present and future′ - Tim O′Sullivan, Head of Media and Cultural Production, De Montfort University `I′m certain undergraduate and postgraduate readers will consider the Dictionary to be a highly useful resource. Taken together, the definitions provide a effective overview of the field′ - Stuart Allan, Reader in Cultural Studies, University of the West of England, Bristol `Any student wishing to acquaint her or himself with the field of cultural studies will find this an enormously useful book′ - Joke Hermes, Editor, European Journal of Cultural Studies and Lecturer in Television Studies, University of Amsterdam Containing over 200 entries on key concepts and theorists, the Dictionary provides an unparalled guide to the terrain of cultural studies. The definitions are authoritative, stimulating and written in an accessible style. There are up-to-date entries on new concepts and innovative approaches. An ideal teaching and research resource, the Dicitionary can also be used as a companion to Chris Barker′s highly successful Cultural Studies: Theory and Practice (Second Edition, SAGE, 2003) and in conjunction with his Making Sense of Cultural Studies (SAGE, 2002)

For the edition of A Second Collection prepared for the Collected Works of Bernard Lonergan, editors Robert M. Doran and John D. Dadosky have added archival materials directly related to almost every one of the papers, bringing the reader closer to the original compositions. The papers date from 1966 to 1973, and span the most creative period in Lonergan’s development. Two major themes run through these papers: the primacy of the fourth, existential level of human consciousness, and the significance of historical mindedness with all its implications for culture, hermeneutics, and phenomenological thinking. The theme of conversion makes a grand entrance in ‘Theology in Its New Context,’ a paper that charted the course for the unfolding of Method in Theology. This new edition makes extensive use of original manuscripts, variants in drafts of the essays, and hand-written corrections.

The new edition of The Digital Media Handbook presents an essential guide to the historical and theoretical development of digital media, emphasising cultural continuity alongside technological change, and highlighting the emergence of new forms of communication in contemporary networked culture. Andrew Dewdney and Peter Ride present detailed critical commentary and descriptive historical accounts, as well as a series of interviews from a range of digital media practitioners, including producers, developers, curators and artists. The Digital Media Handbook highlights key concerns of today’s practitioners, analysing how they develop projects, interact and solve problems within the context of networked communication. The Digital Media Handbook includes: Essays on the history and theory of digital media Essays on contemporary issues and debates Interviews with digital media professionals A glossary of technical acronyms and key terms.

ÿ The experience of the divine has been referred to by many artists over the centuries, whether their subject was the human figure, landscape, still life or indeed religious or biblical themes. Art therefore requires a kind of openness; a willingness to mediate rather than to control. This sensitivity can best be described as humility, an obeisance to something we are part of. Therefore, to 'see' the 'unseen' in visual arts brings about awe and requires 'iconic viewing'. The spiritual realm, as portrayed by icons, has a healing quality in a world where the news and the arts are so full of tragedy and where the church's message so often sounds escapist or na‹ve.

`To say that the scope of the book's coverage is wide-ranging would be an under-statement. Few texts come to mind that have attempted such a thorough overview of the central tenets of cultural studies' - Stuart Allan, University of West of England This is a book for anyone who wants an unfussy, authoritative critical introduction to Cultural Studies. It equips you with all that you need to know about theories of cultural studies: what they say, how they differ from one another and what are the strengths and weaknesses of each position. It provides biographical information on major theorists plus assessments of key texts. Unlike other competing books in the field, Cultural Studies - The Basics demonstrates what a Cultural Studies approach can do to illuminate basic areas of contemporary culture. Included are chapters on: - Feminism - The Body - Cultural Space - Communications Technology - Cultural Policy - Language and Culture. The book is designed to be used and read by students who face the pressures of essay dead-lines, examinations and dissertations. Above all it approaches Cultural Studies as something that needs to be used as well as studied.

Fowler's Concise Dictionary of Modern English Usage is an invaluable reference work that offers the best advice on English usage. Known in previous editions as the 'Pocket Fowler', this third edition is a descendant of the original 1926 edition of A Dictionary of Modern English Usage by Henry Fowler. Based on the unrivalled evidence and research of the Oxford Languages Programme, the new edition answers your most frequently asked questions about language use. Should you use a split infinitive, or a preposition at the end of a sentence? Is it infer or imply? Who or whom? What are the main differences between British and American English? Over 4,000 entries offer clear recommendations on issues of grammar, pronunciation, spelling, confusable words, and written style. Real examples are drawn from OUP's vast database of classic and contemporary literary sources, newspapers and magazines, and the Internet. Jeremy Butterfield has judiciously revised the text to reflect the English usage practices and con