The Real Matilda book investigates the Australian experience of women in colonial times, and asks how far Australians have moved beyond formative influences - elites, convicts, the Irish - which have led to discriminatory attitudes towards women.

In a country where land disputes were the chief cause of conflict between the coloniser and the colonised, surveying could never be a neutral, depoliticised pastime. In a groundbreaking piece of scholarship, Giselle Byrnes examines the way surveyors became figuratively and literally ‘the cutting edge of colonisation’. Clearing New Zealand’s vast forests, laying out town plans and deciding on place names, they were at every moment asserting British power. Boundary Markers also shows how the surveyors’ ‘commercial gaze’, a view of the countryside coloured by the desire for profit, put them at odds with the Māori view of land.

Since its publication in 1903, Joseph Furphy’s Such is Life has become established as an Australian classic. But which version of the novel is the authoritative text, and what does its history reveal about Australian cultural life? From Furphy’s handwritten manuscript through numerous editions, a controversial abridgement for the British market (condemned by A.D. Hope as a “mutilation”), and periods of obscurity and rediscovery, the text has been reshaped and repackaged by many hands. Furphy’s first editors at the Bulletin diluted his socialist message and “corrected” his Australian slang to create a more marketable book. Later, literary players including Vance and Nettie Palmer, Miles Franklin, Kate Baker and Angus & Robertson all took an interest in how Furphy’s work should be published. In a fascinating piece of literary detective work, Osborne traces the book’s journey and shows how economic and cultural forces helped to shape the novel we read today.

In the years since the Second World War, Australia has seen a period of literary creativity which outshines any earlier period in the nation's literary history. This creativity has its beginnings in the arguments and alignments which emerged at the end of the War, and the changes in perceptions of art and society which occurred during the fifties and early sixties. A Question of Commitment examines the attitudes of writers as diverse as James McAuley, Frank Hardy, Judith Wright, Patrick White and A. D. Hope, as they responded to a changing Australian society during the postwar years. Through their work and that of many others, it considers the debates about literary nationalism, the artistic politics of the Cold War, the threat of technology to art in the Atomic Age, and the nature of the writer's role in the new society. It documents the way in which the political commitments of some writers and the resistance to commitment of others were challenged by political and social changes of the late fifties. Susan McKernan's lively exploration of Australia's writers in a time of innovation provides the reader with the context needed to understand the creative choices they made and, in so doing, introduces wider intellectual and cultural issues which remain relevant to this day.

No other writer has journeyed further into the soul of Australia and returned to tell the tale Watsonia collects the fruits of a writing life. It covers everything from Australian bush humour to America gone berserk; from Don Bradman to Oscar Wilde; from Animal Farm to the Australian parliament. Wherever Watson turns his incisive gaze, the results are as illuminating as they are enjoyable. Artfully arranged, Watsonia showcases the many sides of Don Watson: historian, speechwriter, commentator, humourist, nature writer and biographer. It also features several previously unpublished lectures and a wide-ranging introduction by the author. This comprehensive anthology – replete with wit, wisdom and diverse pleasures – is essential reading.

The Council of the National Library, in arranging a one day seminar, an evening public lecture and an exhibition for 23 November, 1970 to honour the centenary of Henry Handel Richardson's birth, decided also to publish a Henry Handel Richardson bibliography. This bibliography records not only printed works, but also a range of other source materials including the writer's original manuscripts held in the National Library. It has been compiled by Gay Howells who has also chosen the items for exhibition.