This research measures the creative potential for a representative sample of pre-high school students in Kosovo, it also investigates and develops on both teacher’s and student’s explicit and implicit understandings of creativity and its impact in the classroom. Using mixed methods, the integrated results are utilised to cultivate a rationale for the student’s level of creative potential and offer solutions for moving forward.

This mixed-methods study examined teachers' responses on the Imagination, Creativity, and Innovation (ICI) Index instrument's confirmatory data set (n=220). ICI Index scores represented teachers' predictions of how students would rate their school's support for student creativity, which was assumed to represent the teachers' perspective of the actual support for student creativity at the school. Teachers of grades 6-8 (n=55) had significantly lower ICI Index scores than teachers of grades 3-5 (n=155; pn=151) did not differ significantly from gifted and talented teachers (n=49) on their ICI scores. Qualitative analysis found that, when asked to give examples of products, performances, and services produced by students that were points of pride, most teachers discussed their own creative teaching practices rather than student-initiated projects. Most major content areas were represented in these points of pride, and about one-quarter of responses were interdisciplinary. The most common audience for these points of pride was the school community. Time was often discussed as a support for creativity by respondents, and special periods, including Enrichment Clusters and Genius Hour, were common periods of time that teachers reserved for student creativity. Teachers with high ICI Index scores usually discussed how the entire school community provided opportunities for all students to be creative, whereas teachers with low ICI Index scores reported that support for student creativity was absent or limited to specific groups, such as gifted students or the school chorus. Implications for practice and future research are offered in the conclusion of this study.

The need to develop better pedagogical methods to impact learners at different levels has risen, driven by technological advancements. National governments, in response to research or critical evaluations, have instituted curriculum changes to enhance creative learning, especially among younger learners. The use of imagination in the Arts though supported by evidence of benefits has been implemented with mixed results in some contexts. The purpose of the study is to examine the effectiveness of imagination in the Arts education from the perspectives of students, teachers, and supervisors in elementary schools in the State of Kuwait. To achieve this purpose, data was collected from elementary school children, teachers, and supervisors. The research adopted mixed methods of both quantitative and qualitative approaches. Quantitative data was analysed using descriptive, and inferential statistics utilising SPSS version 24. Qualitative data was transcribed, translated, coded, and thematically analysed using NVIVO version 12. Results show that the teaching approach of the majority of teachers in the Arts ( 60% ) is based solely on the current curriculum, with little emphasis on imagination. Despite teachers and students acknowledging the importance of the Arts education majority of elementary students still do not demonstrate an interest in the use of classroom . imagination in the A large percentage of elementary students surveyed did not like attending the Arts classes 48%, and more than 76% of the pupils found difficulty creating images. Given that the current Kuwaiti curriculum does not require the implementation of imagination, supervisors found it difficult to enforce, other than recommending it as a preferable approach in teaching. The findings from this research contend that promoting imagination in the Arts education is an essential learning component for Kuwaiti elementary students and argues for its explicit inclusion and effective implementation in the newly revised state curriculum.