To honor the late renowned art historian C.R. Dodwell, a collection of papers by leading scholars are combined to provide an illuminating perspective on a richly varied selection of topics, not the least of which recognizes Dodwell's significant achievement in restoring Lambeth Palace Library during the 1950s. 8 color and 101 bandw illustrations.

This study of medieval monastic life in an Augustinian order integrates the results of modern archaeological investigation with conventional history and architecture.

Who were the medieval illuminators? How were their hand-produced books illustrated and decorated? In this beautiful book Jonathan Alexander presents a survey of manuscript illumination throughout Europe from the fourth to the sixteenth century. He discusses the social and historical context of the illuminators' lives, considers their methods of work, and presents a series of case studies to show the range and nature of the visual sources and the ways in which they were adapted, copied, or created anew. Alexander explains that in the early period, Christian monasteries and churches were the main centers for the copying of manuscripts, and so the majority of illuminators were monks working in and for their own monasteries. From the eleventh century, lay scribes and illuminators became increasingly numerous, and by the thirteenth century, professional illuminators dominated the field. During this later period, illuminators were able to travel in search of work and to acquire new ideas, they joined guilds with scribes or with artists in the cities, and their ranks included nuns and secular women. Work was regularly collaborative, and the craft was learned through an apprenticeship system. Alexander carefully analyzes surviving manuscripts and medieval treatises in order to explain the complex and time-consuming technical processes of illumination - its materials, methods, tools, choice of illustration, and execution. From rare surviving contracts, he deduces the preoccupation of patrons with materials and schedules. Illustrating his discussion with examples chosen from religious and secular manuscripts made all over Europe, Alexander recreates the astonishing variety and creativity ofmedieval illumination. His book will be a standard reference for years to come.

Volume 105 of the Proceedings of the British Academy contains 11 British Academy lectures and 15 obituaries of Fellows of the British Academy.

The "Iter Italicum" serves as a useful reference work for scholars in the history of philosophy, the sciences, classical learning, grammar and rhetoric, Neolatin literature, historiography of the theory of the arts and of music and related subjects. By scanning the volume or through this index, scholars will be able to find source material for individual writers as well as for certain subjects, problems or themes. By indicating for each manuscript its location and shelf-mark, scholars will find it easier to order microfilms or to pursue more detailed studies of some of the manuscripts listed. The volumes should also prove useful for librarians as a reference for the holdings of their own or other libraries.

The essays in this volume discuss princely courts north of the Alps and Pyrenees between 1450-1650 as focal points for products of medieval and renaissance culture such as literature, music, political ideology, social and governmental structures, the fine arts and devotional practice.

Accompanying CD-ROM contains digital facsimile of the Murthly Hours with commentary.

In the second of four volumes that will catalog these holdings at the Walters, the curator of the collection describes in detail 113 manuscripts produced in France from the 1420s to 1540.

This volumes offers a study of all known manuscripts and incunabular editions of four classical texts: Vitruvius' De architectura, Cato's De agri cultura, Varro's De re rustica, Porphyrio's Commentary on Horace, and Priscian's Periegesis. The total number of witnesses involved comes to over 200; many of the manuscripts were produced in France or Italy, but English, German, Polish, and Swiss manuscripts also feature. For each text, the genealogical affiliations of its manuscript copies are determined (in many cases for the first time), as is the manner in which each was dispersed throughout medieval Europe and transmitted from antiquity through the Middle Ages to the first printed editions. S. P. Oakley shows that clear and decisive results can be achieved by application of the so-called stemmatic method and establishes which manuscripts future editors should use in editing these texts. Manuscripts that are not needed by future editors are discussed as fully as those that are, and many localizations and derivations are established. The result is a detailed study that deepens knowledge of the transmission of classical Latin texts, especially in the Renaissance, of scribal practice, and of techniques that can be deployed in the genealogical study of manuscripts and incunables.