This collection of papers, first delivered at the BAA's annual conference in 2002, celebrates medieval Rochester, including both cathedral and castle, an outstanding pair of surviving monuments to the power of contemporary church and state. The contributions demonstrate the great interest of these understudied buildings, their furnishings, and historical and archaeological contexts: from the rich documentary evidence for the Anglo-Saxon town to the substantial surviving fabric of the 11th, 12th and 13th centuries. Shrines, monuments, woodwork and seals are all fully covered, as well as the medieval monks themselves. There is also a piece on Archbishop Courtenay's foundation of the nearby collegiate church at Maidstone, Kent.

Medieval stairs, galleries and upper chambers in cathedrals, abbeys, and parish churches have been an enduring source of fascination to historians and archaeologists since the eighteenth century, but their practical purposes have long been shrouded in mystery and speculation. From libraries to lights, clocks to dovecotes, from secret games of skittles played over the vaults to the daring exploits of the twelfth-century Flying Monk, Toby Huitson explores the lofty spaces, nooks and crannies of medieval upper spaces though the interrogation of a wide range of documentary, visual and archaeological materials. Evidence is revealed for over 30 different functions during the period from around AD 1000 to 1550. Generously illustrated and fully-referenced, the text is accompanied by a set of special features and a quick-reference section, making it indispensable to all those interested in medieval history and architecture. Dr Toby Huitson teaches at the University of Kent, Canterbury.

This is a comprehensive survey of English medieval church monuments. It examines all types of monument-cross slabs, brasses, incised slabs, and sculpted effigies. It analyzes them in an historical context to show what they reveal of the self image and religious aspirations of those they commemorate.--Summary by the editor.

Princes of the Church brings together the latest research exploring the importance of bishops’ palaces for social and political history, landscape history, architectural history and archaeology. It is the first book-length study of such sites since Michael Thompson’s Medieval Bishops’ Houses (1998), and the first work ever to adopt such a wide-ranging approach to them in terms of themes and geographical and chronological range. Including contributions from the late Antique period through to the eighteenth and nineteenth centuries, it deals with bishops’ residences in England, Scotland, Wales, the Byzantine Empire, France, and Italy. It is structured in three sections: design and function, which considers how bishops’ palaces and houses differed from the palaces and houses of secular magnates, in their layout, design, furnishings, and functions; landscape and urban context, which considers the relationship between bishops’ palaces and houses and their political and cultural context, the landscapes and towns or cities in which they were set, and the parks, forests, and towns that were planned and designed around them; and architectural form, which considers the extent of shared features between bishops’ palaces and houses, and their relationship to the houses of other Church potentates and to the houses of secular magnates.

The British Archaeological Association’s 2013 conference was devoted to the study of Westminster Abbey and the Palace of Westminster. It also embraced Westminster School, which was founded at the Reformation in the Abbey precinct. Collectively, these institutions occupy a remarkable assemblage of medieval and later buildings, most of which are well documented. Although the Association had held a conference at Westminster in 1902, this was the first time that the internationally important complex of historic buildings was examined holistically, and the papers published here cover a wide range of subject matter. Westminster came into existence in the later Anglo-Saxon period, and by the mid-11th century, when Edward the Confessor’s great new abbey was built, it was a major royal centre two miles south-west of the City of London. Within a century or so, it had become the principal seat of government in England, and this series of twenty-eight papers covers new research on the topography, buildings, art-history, architecture and archaeology of Westminster’s two great establishments — Abbey and Palace. Part I begins with studies of the topography of the area, an account of its Roman-period finds and an historiographical overview of the archaeology of the Abbey. Edward the Confessor’s enigmatic church plan is discussed and the evidence for later Romanesque structures is assembled for the first time. Five papers examine aspects of Henry III’s vast new Abbey church and its decoration. A further four cover aspects of the later medieval period, coronation, and Sir George Gilbert Scott’s impact as the Abbey’s greatest Surveyor of the Fabric. A pair of papers examines the development of the northern precinct of the Abbey, around St Margaret’s Church, and the remarkable buildings of Westminster School, created within the remains of the monastery in the 17th and 18th centuries. Part II part deals with the Palace of Westminster and its wider topography between the late 11th century and the devastating fire of 1834 that largely destroyed the medieval palace. William Rufus’s enormous hall and its famous roofs are completely reassessed, and comparisons discussed between this structure and the great hall at Caen. Other essays reconsider Henry III’s palace, St Stephen’s chapel, the king’s great chamber (the ‘Painted Chamber’) and the enigmatic Jewel Tower. The final papers examine the meeting places of Parliament and the living accommodation of the MPs who attended it, the topography of the Palace between the Reformation and the fire of 1834, and the building of the New Palace which is better known today as the Houses of Parliament.

Shortlisted for the Wolfson History Prize A radical rethinking of the Anglo-Saxon world that draws on the latest archaeological discoveries This beautifully illustrated book draws on the latest archaeological discoveries to present a radical reappraisal of the Anglo-Saxon built environment and its inhabitants. John Blair, one of the world's leading experts on this transformative era in England's early history, explains the origins of towns, manor houses, and castles in a completely new way, and sheds new light on the important functions of buildings and settlements in shaping people's lives during the age of the Venerable Bede and King Alfred. Building Anglo-Saxon England demonstrates how hundreds of recent excavations enable us to grasp for the first time how regionally diverse the built environment of the Anglo-Saxons truly was. Blair identifies a zone of eastern England with access to the North Sea whose economy, prosperity, and timber buildings had more in common with the Low Countries and Scandinavia than the rest of England. The origins of villages and their field systems emerge with a new clarity, as does the royal administrative organization of the kingdom of Mercia, which dominated central England for two centuries. Featuring a wealth of color illustrations throughout, Building Anglo-Saxon England explores how the natural landscape was modified to accommodate human activity, and how many settlements--secular and religious—were laid out with geometrical precision by specialist surveyors. The book also shows how the Anglo-Saxon love of elegant and intricate decoration is reflected in the construction of the living environment, which in some ways was more sophisticated than it would become after the Norman Conquest.

This volume is a compilation of papers presented in British Archaeological Association's annual conference in 1992. It focuses on the long tradition of archaeological and historical enquiry which has provided a framework for understanding Chester's development from the Roman period.

This book is the first major investigation of a subject of seminal importance in the study of church history and archaeology. The two stone thrones, at Wells and Durham, the three timber monuments, at Exeter, St Davids and Hereford, and the mid-14th-century bishop's chair at Lincoln, all come under a searching empirical enquiry. The Exeter throne is the largest and most impressive in Europe. It is a distinguished innovatory example of the English Decorated style, with antecedents passing back to the court of Edward I. It exemplifies most of the historical and formal strands that suffuse the entire book – visual appearance, distinctiveness within the building, prestige, construction, stylistic context, finance, and the patronage and personal role of the bishop himself; as well as the subtler issues of the personal and collective politics of bishop and chapter, the monument's liturgical applications, its relationship with the cathedral's relics, its symbolism and what it tells us about the aspirations of the institution within the existing ecclesiastical hierarchy. The thrones also reveal much about the personal circumstances of an individual bishop, and where he stood on the scale of a good diocesan on the one hand, and ambitious politician on the other, as exemplified at Exeter and Durham. The text is by the art historian, Dr Charles Tracy, a seasoned expert on church furniture both in Britain and on the continent of Europe. The chapter on the stone thrones was prepared by Andrew Budge who is currently preparing a Ph.D thesis on 'English Chantry Churches' at Birkbeck College. The polychromy authority, Eddie Sinclair, spent many hours on the scaffold to bring forward her remarkable report on the Exeter throne. Her full report is to be published online.The Exeter throne is also interpreted by the established timber conservation practitioner, Hugh Harrison, and the St Davids throne by the experienced draughtsman, Peter Ferguson. In an age of the CAD, his meticulous measured drawings of the Exeter and St Davids monuments are one of the most remarkable features of book. The architect, Paul Woodfield prepared the drawings for the Lincoln chair.

Excavations at the site of the medieval chapter house of St Albans Abbey in 1978 uncovered fragments of decorated floor tiles of the Anglo-Saxon abbey and associated burials, along with the magnificent floor of relief-decorated tiles of the medieval chapter house, and the graves of 16 known figures of the late 11th-to 15th-century abbey.

This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.