Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy. Volume 49 contains four articles ranging from medieval literature (discovery of the Self in the twelfth century) and philosophy (reception of Moses Maimonides in Latin) to Humanist poetry (Boccaccio on leisure) and panegyrics (Nagonio on Henry VII and Prince Arthur, with an appendix containing a couple of poems hitherto unedited, along with an English translation). In addition, there are five book reviews which cover various epochs, genres, and discourses.

Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy. Medievalia et Humanistica Editorial Board and Submissions Guidelines

Volume 37— Literary Appropriations—examines medieval literature in a different light. This volume features six original articles, focusing on the art of appropriation, as well as fourteen reviews of recent scholarly publications. The first article “The Oldest Manuscript Witness of the First Life of Blessed Francis of Assisi” by Jacques Dalarun reveals the oldest known source of the writings of Francis of Assisi, until of late only found in an Italian church publication. Lisa Bansen-Harp’s essay “Ironic Patterning and Numerical Composition in the Vie de saint Alexis: Form and Effect/Affect” takes an ironic look at the oppositions used throughout the work to offer a rich analysis of patterns. Reexamining genealogy as spiritual rather than biological is Nicole Leapley’s essay “Rewriting Paternity: The Meaning of Renovating Westminster in La Esoire de seint Aedward le rei.” David Lummus’s essay “Boccaccio’s Three Venuses: On the Convergence of Celestial and Transgressive Love in the Genealogie Deorum Gentilium Libri” provides a comparative look of how love—celestial and transgressive—can be seen in the Decameron. “Dante’s Justinian, Cino’s Corpus: The Hermeneutics of Poetry and Law” by Lorenzo Valterza compares and contrasts Dante’s own view of law versus that of his friend Cino da Pistoia. Lastly, editor Paul Clogan contributes his own article “Dante’s Appropriation of Lucan’s Cato and Erichtho” to demonstrate the importance of Lucan’s characters in Dante’s own work Along with these articles, fourteen reviews, from the United States and all over the world, are included, truly making Medievalia et Humanistica an international publication. To reflect the submissions and audience for Medievalia et Humanistica, the editorial and review boards include ten members from the United States and ten international members, making thisa truly international publication. For submission guidelines, please contact Jin Yu at jyu@rowman.com. Please submit books for review consideration to: Attention: Reinhold F. Glei Medievalia et Humanistica Ruhr-University Bochum Seminar fuer Klassische Philologie D-44780 Bochum, Germany

Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Volume 38 showcases a broad range of medieval scholarship, including five original articles, one review article, and seven review notices.

Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy. Volume 36—Reviews—emphasizes new research in the field, with a particular focus on work from emerging scholars. Thus, this volume includes twenty-four reviews and three review articles of recent scholarly publications, along with five original articles. The first article “The Ultimate Transgression of the Courtly World” by Albrecht Classen analyzes German texts and melodies to reveal the social strife between the lower and upper classes. John Garrison’s essay “One Mind, One Heart, One Purse,” referencing the text Troilus and Criseyde, suggests that a medieval treatise on friendship is appropriate and engaging. Offering a solution to one of history’s most vexing problems is John Bugbee’s essay “Solving Dorigen Trilemma” by examining the tension between oath and law in the Franklin’s and Physician’s Tales. Karen Green’s essay “What Were the Ladies in the City Reading? The Libraries of Christine de Pizaan’s Contemporaries” provides a clearer insight into the intellect of Christine and her colleagues. Along with these articles, twenty-four reviews, from the United States and all over the world, are included, truly making Medievalia et Humanistica an international publication. To reflect the submissions and audience for Medievalia et Humanistica, the editorial and review boards have been expended to include ten members from the United States and ten international

Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy. Volume 44 showcases the interdisciplinary nature of the series with articles on the role of women in Old English martyrology, the blending of sacred and mundane subjects in medieval biblical plays (Spiele), the relationship between reality and literary topoi in the humanist praise of cities (Städtelob), and reflections on the absence of the bull in early modern European discourse. Volume 44 also includes five review notices that illustrate the journal’s interdisciplinary scope.

Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy. Volume 48 is a special issue that presents the outcome of an international workshop (“Transnational Aspects of Early Modern Drama”) held (virtually) at Ruhr-Universität Bochum in June 2021. The conference was hosted by Jan Bloemendal, one of the most distinguished scholars in the field. This volume contains six transnational and/or translingual case studies of early modern theatre and four reviews which cover various epochs, genres and discourses.

Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy. Volume 40 showcases the interdisciplinary nature of the series with five articles on topics such as the image of Jews in Christian medieval literature, Trojan legends in Dante, and thirteenth-century French love poetry. Volume 40 also includes eight review notices that illustrate the volume’s interdisciplinary scope.

Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy. Volume 43 showcases the interdisciplinary nature of the series with articles on death in Middle High German maeren (verse narratives), narrative technique (‘involved narrating’) in a fifth-century cento on a biblical theme (Eudocia’s Homeric centos), philological methods and argumentative strategies in Poliziano’s Miscellanea (a case study of the chapter ‘Elephanti’), and the treatment of time (based on Paul Ricoeur’s techniques) in Jan Długosz’s fifteenth-century historical and hagiographical works. Volume 43 also includes seven review notices that illustrate the journal’s interdisciplinary scope.

Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy. Volume 41 is a special issue which features twelve outstanding articles from the International Conference on Medieval and Renaissance Scottish Language and Literature.