With her repulsive face and head full of living, venomous snakes, Medusa is petrifying—quite literally, since looking directly at her turned people to stone. Ever since Perseus cut off her head and presented it to Athena, she has been a woman of many forms: a dangerous female monster that had to be destroyed, an erotic power that could annihilate men, and, thanks to Freud, a woman whose hair was a nest of terrifying penises that signaled castration. She has been immortalized by artists from Leonardo da Vinci to Salvador Dalí and was the emblem of the Jacobins after the French Revolution. Today, she’s viewed by feminists as a noble victim of patriarchy and used by Versace in the designer’s logo for men’s underwear, haute couture, and exotic dinnerware. She even gives her name to a sushi roll on a Disney resort menu. Why does Medusa continue to have this power to transfix us? David Leeming seeks to answer this question in Medusa, a biography of the mythical creature. Searching for the origins of Medusa’s myth in cultures that predate ancient Greece, Leeming explores how and why the mythical figure of the gorgon has become one of the most important and enduring ideas in human history. From an oil painting by Caravaggio to Clash of the Titans and Dungeons and Dragons, he delves into the many depictions of Medusa, ultimately revealing that her story is a cultural dream that continues to change and develop with each new era. Asking what the evolution of the Medusa myth discloses about our culture and ourselves, this book paints an illuminating portrait of a woman who has never ceased to enthrall.

In the Greek mythological pantheon, the Gorgon Medusa stands a head above all others in her power to terrify. This book gives readers a close-up look at this snake-haired horror. Starting with details about Medusa's history, physical features, and supernatural powers, the text continues with a retelling of the classic myth of Perseus. It then takes a look at some of Medusa's other manifestations in classic art and literature as well as her role in modern pop culture. From fable to film, sculpture to song, the Gorgon continues to work her ancient magic on modern audiences.

Ranging from classical times to pop culture, this collection will appeal to art historians, feminists, classicists, cultural critics, and anyone interested in mythology.

A vivid and moving reimagining of the myth of Medusa and the sisters who loved her. The end of the story is only the beginning… Even before they were transformed into Gorgons, Medusa, Stheno, and Euryale were unique among their immortal family. Curious about mortals and their lives, Medusa and her sisters entered the human world in search of a place to belong, yet quickly found themselves at the perilous center of a dangerous Olympian rivalry and learned—too late—that a god's love is a violent one. Forgotten by history and diminished by poets, the other two Gorgons have never been more than horrifying hags, damned and doomed. But they were sisters first, and their journey from lowly sea-born origins to the outskirts of the pantheon is a journey that rests, hidden, underneath their scales. Monsters, but not monstrous, Stheno and Euryale will step into the light for the first time to tell the story of how all three sisters lived and were changed by each other, as they struggle against the inherent conflict between sisterhood and individuality, myth and truth, vengeance and peace.

The story of Medusa Gorgonis is partly based on the classical Medusa, one of the three Gorgon sisters, and Greek mythology. It depicts the untold story of Medusa: the brave girl who becomes a powerful leader of women warriors, the monstrous Serpent Priestess and outlaw who serves justice with the power of her gaze. Replete with graphic epic battle and martial art scenes, romance, and dramatic poetry, Medusa Gorgonis will appeal to an adult readership interested in mythology and classical Greek drama, as well as symbolism and women’s self-empowerment.

Medusa Pilot Captain TiCara X273, ex-street kid and former bondslave, thought she wanted nothing more than to be captain of her own starship. Or, at least, that was all that she thought she wanted until Sherin Khan came back into her life. A bar singer turned corporate rep, Sherin is now working for Ser Trin Vahn, one of TiCara's best clients and head of Vahn Corp. Once they are thrown together on TiCara’s ship, TiCara and Sherin can no longer deny their simmering attraction to each other. A simple mission to transport the ailing Vahn to the legendary asteroid, Electra 12, for medical treatments turns dark and dangerous as betrayal leads to betrayal. TiCara's greatest enemy is pursuing them, there's a traitor on her crew and Sherin has a secret that can tear them apart. Can they learn to trust each other before it's too late?

Loving Medusa is a fictionalised memoir of a folie a deux of the goddess Athena and the mortal Medusa; two women emotionally entangled with each other. Both women have a longing to be free of each other and the toxic emotions they generate together. The struggle for that costs them dearly. How do they find a way?

"Introduces the concept of point of view through Medusa's retelling of the classic Greek myth 'Medusa'"--

Medusa, the monstrous Gorgon of Greek mythology whose gaze turned beholders to stone, became increasingly anthropomorphic and feminine beginning in the fifth century B.C. A similar transformation occurred in representations of other female half-human beings from Greek myth, such as sphinxes, sirens, and the sea monster Scylla. Believed to have protective powers, these mythical hybrid creatures were frequently employed on sepulchral monuments, sacred architecture, military equipment, drinking vessels, and the luxury arts. Their metamorphosis was a consequence of the idealizing humanism of Greek art of the Classical period (480–323 B.C.), which understood beauty as the result of harmony and ideal proportions, a concept that influenced not only the representation of the human body but also that of mythological beings. “Dangerous Beauty: Medusa in Classical Art,” on view at The Met until January 6, 2019, is organized by Kiki Karoglou, Associate Curator in the Department of Greek and Roman Art, who is also the author of this Bulletin. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}

Medusa, once a bewitching beauty, has become a hideous monster with snakes for hair. When men look at her, they turn to stone. When King Polydectes sends Perseus for Medusa's head, he thinks Perseus will soon be another one of Medusa's stone men. Or will he?