A newly freed three-thousand-year-old genie and a widowed cop with baggage. What could go wrong? Plenty goes wrong when Melody finally gets her wish and is freed from her lamp. With her previous master dead, Melody assumes she's free to pick her next one. Jerry, the cop who's trying to help her, isn't going for it. He tried to save his wife from cancer, and failed. Which means he's no one to depend on. And why does he get all the crazy-lady cases? He doesn't want to run anyone's life, even one belonging to a hot self-professed genie who insists he should be her master. As Melody learns to become her own master, she also discovers a thing or two about friendship. . .and dating men. The more independence Melody gains, the more Jerry realizes being needed isn't such a bad thing, and being wanted feels downright good. But, is Jerry too late to win Melody from a handsome firefighter? CONTENT WARNING: Meddling coworkers, complicated bus fare and crime fighting. 21,279 Words

Time for another wedding! Lexi and Max are finally getting married! Delaney's twins are due any moment! And Sophie and Zach are as strong as ever. It seems like everything is great in Charles Town. Until Michael's birth mother shows up demanding custody. Melody and Reid have to navigate through the complicated legal system to ensure they get to keep their son. Thank goodness Casey is the best lawyer in town. Still, it's difficult to argue with a mother who wants to see her child. Can they win? And... who will get engaged next? Charles Town Brides is a sweet, Christian romance series based on popular The Heartwarming Holidays Sweet romance series. While you don't have to have read HHS to enjoy these books, it is recommended you start with From This Moment: Charles Town Brides Book 1. Get to know the gals of Charles Town and put a smile on your face and a song in your heart!

Samara’s a fire witch with a legacy. She’s a royal and she’s an heir to the seat of the fire witches on the council. The council ranges from from the more human-looking mages and witches, to the beautiful light haired fae and dark-haired vampires, as well as the more feeble, ashen skinned shifters alongside red-eyed demons with their charred flesh. Because her brother was murdered, her parents have become overprotective. She’s grown, by damn, but they don’t want to allow her to attend the Eternal Light Academy, which has been her dream for nothing short of forever. Until they change their minds and allow her to attend. Under one condition. They chain her magic. That’s right. Put it in a prison of sorts, one controlled by a magic bracelet. Oh, and she has to have a bodyguard. One that follows her everywhere. One that’s hot. Things just became a whole lot more complicated.

Theory for Today’s Musician, Third Edition, recasts the scope of the traditional music theory course to meet the demands of the professional music world, in a style that speaks directly and engagingly to today’s music student. It uses classical, folk, popular, and jazz repertoires with clear explanations that link music theory to musical applications. The authors help prepare students by not only exploring how music theory works in art music, but how it functions within modern music, and why this knowledge will help them become better composers, music teachers, performers, and recording engineers. This broadly comprehensive text merges traditional topics such as part writing and harmony (diatonic, chromatic, neo-tonal and atonal), with less traditional topics such as counterpoint and musical process, and includes the non-traditional topics of popular music songwriting, jazz harmony and the blues. The accompanying companion website provides interactive exercises that allow students to practice foundational theory skills. Written by experienced authors, both active classroom teachers for many years, Theory for Today’s Musician is the complete and ideal theory text to enable today’s student to accomplish their musical goals tomorrow. Updated and corrected throughout, the Third Edition includes: Expanded coverage of atonality and serialism, now separated into two chapters. Broadened treatment of cadences, including examples from popular music. Substantially rewritten chapter on songwriting. Interactive features of the text simplified to two types, "Concept Checks" and "Review and Reinforcement," for greater ease of use. New and updated musical examples added throughout. Charts, illustrations, and musical examples revised for increased clarity. Audio of musical examples now provided through the companion website. The accompanying Workbook offers exercises and assignments to accompany each chapter in the book. A companion website houses online tutorials with drills of basic concepts, as well as audio. The hardback TEXTBOOK is also paired with the corresponding paperback WORKBOOK in a discounted PACKAGE (9780815371731).

“Everybody has to start somewhere. Businessmen start on the ground floor and try to work their way up the corporate ladder. Baseball players bide their time in the minor leagues wishing for an opportunity to move up and play in the majors. Musical compositions aren’t very different—some songs just don’t climb the charts the first time they’re recorded. However, with perseverance, the ideal singer, the right chemistry, impeccable timing, vigorous promotion, and a little luck, these songs can become very famous.” So writes Bob Leszczak in the opening pages of Who Did It First? Great Pop Cover Songs and Their Original Artists. In this second volume in the Who Did It First?series, Leszczak explores the hidden history of the most famous, indeed legendary, pop songs and standards. As he points out, the version you purchased, swayed to, sang to, and grew up with is often not the first version recorded. Like wine and cheese, some tunes do get better with age, and behind each there is a story. Included are little-known facts and amusing anecdotes, often gathered through Leszczak’s vast archive of personal interviews with the singers and songwriters, record producers and label owners, who wrote, sang, recorded, and distributed either the original first cut or one of its classic covers. The second in a series of titles devoted to the story of great songs and their revival as great covers, Who Did It First?Great Pop Cover Songs and Their Original Artists is the perfect playlist builder. So whether quizzing friends at a party, answering a radio station contest, or just satisfying an insatiable curiosity to know who really did do it first, this work is a must-have.

They all tried, but few singers and musicians from the 1950s became stars. Yet many of them had stories to tell that were far more interesting than the ones you already know. Author Hank Davis was bitten by the music bug as a teenager. By the time he entered college in 1959, he was no stranger to New York's recording studios and had a few 45s of his own on the market. Spanning a 45 year career in music journalism, Davis has spent time backstage, in motel rooms, and on tour buses to uncover stories that rarely made the official annals of pop music history. Based on hundreds of hours of interviews and new research, Ducktails, Drive-Ins, and Broken Hearts offers a fascinating, behind-the-scenes look at the winners and losers during rock 'n' roll's formative era. How did a decade as uptight and puritanical as the '50s produce so much cringe-worthy, politically incorrect music? What was it like to see a pale cover version of your latest record climb the charts while yours sat unplayed by mainstream radio stations? How did precious Elvis tapes end up in a Memphis landfill? And who was that thirteen-year-old girl who made a five-dollar vanity record at Sun just two years after Elvis had—and ended up singing backup on "Suspicious Minds" and "In the Ghetto?" This book is a must-read for all fans of '50s music. In the words of Jerry Phillips, son of Sun Records founder, Sam Phillips, "Hank Davis is one of the few guys who really gets it."