In November 2005, Sunni insurgents attacked a U.S. Marine squad en route to Haditha with an improvised explosive device (IED). One Marine died and two others were wounded. Within minutes, squad members killed 24 Iraqi civilians, including an elderly couple, four women and six children. It was the worst incident of its kind in the Iraq War. Thirteen months later, four officers and four enlisted men were accused of crimes ranging from dereliction of duty to murder. The legal proceedings dragged on for five years, longer than any in U.S. military history. The only conviction was that of an NCO who pleaded guilty to a misdemeanor. Unlike other legal actions conducted during the 60-year history of the present military justice system, these proceedings were held mostly in secret. This book investigates the tactics adopted by Marine Corps commanders and the ineptness of the proceedings, which raise serious questions about the need for reform of the Code of Military Justice.

This edited volume provides a critical and comparative discussion of the changing synergy between the military and society in the dramatically transforming global security climate, drawing on examples from the Asian, Pacific, African, Middle Eastern, European and South American regions. The book is interdisciplinary and covers wide-ranging issues relating to civil military relations, democratization, regional security, ethnicity, peace-building and peace keeping, civilian oversight, internal repression, gender, regime change and civil society.

American Cinema in the Shadow of 9/11 is a ground-breaking collection of essays by some of the foremost scholars writing in the field of contemporary American film. Through a dynamic critical analysis of the defining films of the turbulent post-9/11 decade, the volume explores and interrogates the impact of 9/11 and the 'War on Terror' on American cinema and culture. In a vibrant discussion of films like American Sniper (2014), Zero Dark Thirty (2012), Spectre (2015), The Hateful Eight (2015), Lincoln (2012), The Mist (2007), Children of Men (2006), Edge of Tomorrow (2014) and Avengers: Age of Ultron (2015), noted authors Geoff King, Guy Westwell, John Shelton Lawrence, Ian Scott, Andrew Schopp, James Kendrick, Sean Redmond, Steffen Hantke and many others consider the power of popular film to function as a potent cultural artefact, able to both reflect the defining fears and anxieties of the tumultuous era, but also shape them in compelling and resonant ways.

This book is a radical piece of counter-intuitive rethinking of the clash of civilizations theory and global politics. In this richly detailed criticism of contemporary politics, Hamid Dabashi argues that after 9/11 we have not seen a new phase in a long running confrontation between Islam and the West, but that such categories have in fact collapsed and exhausted themselves. The West is no longer a unified actor and Islam is ideologically depleted in its confrontation with colonialism. Rather we are seeing the emergence of the US as a lone superpower, and a confrontation between a form of imperial globalized capital and the rising need for a new Islamic theodicy. The combination of political salience and theoretical force makes Islamic Liberation Theology a cornerstone of a whole new generation of thinking about political Islamism and a compelling read for anyone interested in contemporary Islam, current affairs and US foreign policy. Dabashi drives his well-supported and thoroughly documented points steadily forward in an earnest and highly readable style.

An Unflinching Look at a Black Chapter in Our War in Iraq and America’s Failure to Serve Justice In the waning days of 2005, twelve Marines were ambushed by Sunni Muslim insurgents on Route Chestnut, an ancient Mesopotamian road at the south edge of Haditha, Iraq, when an IED detonated under one of four Humvees they occupied, killing or wounding a quarter of their number. The surviving Marines quickly counterattacked. Their merciless response killed twenty-four Iraqi citizens, including an old man and ten women and children. This horrific encounter was quickly dubbed the Haditha Massacre and compared to My Lai, and its echoes still resonate today. Prompted by international condemnation, the Pentagon and Marine Corps initiated court-martial proceedings against the Marines involved. No Time for the Truth is the first book to show how the subsequent seven-year investigation and trial—which resulted in only a single minor conviction—was no more than theater meant to appease an outraged public and salvage US-Iraq relations. Authors Nathaniel Helms and Haytham Faraj, who served as defense counsel, reveal how the Pentagon pressured prosecutors to protect the integrity of the Marine Corps by hiding the fully gruesome nature of killings perpetrated by “battle-rattled” soldiers, with the intention of laying blame at the feet of a single staff sergeant. This is a stunning account of one of the darkest moments in the war in Iraq, a critical examination of whether justice was even sought after, and a powerful statement that in war, “truth is the first casualty.” Skyhorse Publishing, as well as our Arcade imprint, are proud to publish a broad range of books for readers interested in history—books about World War II, the Third Reich, Hitler and his henchmen, the JFK assassination, conspiracies, the American Civil War, the American Revolution, gladiators, Vikings, ancient Rome, medieval times, the old West, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

Acy and human rights.

Transnational Politics in the Post-9/11 Novel suggests that literature after September 11, 2001 reflects the shift from bilateral nation-state politics to the multilateralism of transnational politics. While much of the criticism regarding novels of 9/11 tends to approach these works through theories of personal and collective trauma, this book argues for the evolution of a post-9/11 novel that pursues a transversal approach to global conflicts that are unlikely to be resolved without diverse peoples willing to set aside sectarian interests. These novels embrace not only American writers such as Don DeLillo, Dave Eggers, Ken Kalfus, Thomas Pynchon, and Amy Waldman but also the countervailing perspectives of global novelists such as J. M. Coetzee, Orhan Pamuk, Mohsin Hamid, and Laila Halaby. These are not novels about terror(ism), nor do they seek comfort in the respectful cloak of national mourning. Rather, they are instances of the novel in terror, which recognizes that everything having been changed after 9/11, only the formally inventive presentation will suffice to acknowledge the event’s unpresentability and its shock to the political order.

This funny and intelligently written memoir of a Vietnam veterans search for self is based on the actual cross-country hitchhiking trip the author took when he was 30 and living in Madison, Wisconsin. At the end of the book, the author has a conversation with an old friend who inadvertently helps him put the pieces of his life back together as they watch horses cavort in a corral at sunset on the outskirts of Ft. Collins, Colorado.