This volume studies some of Edward Burne-Jones’s paintings, focusing specifically on his approach to nature, both through his observations about the real, physical world and through his symbolic interpretations of earthly and celestial realms. Burne-Jones’s appreciation for natural formations grew from his interests in astronomy and geography, and was expanded by his aesthetic sensibility for physical and metaphysical beauty. His drawings and watercolors carefully recorded the physical world he saw around him. These studies provided the background for a collection of paintings about landscapes with flora and fauna, and ignited an artistic furor that inspired the imagery he used in his allegorical, fantasy, and dream cycles about forests, winding paths, and sweet briar roses. This study focuses on two main ideas: Burne-Jones’s concept of ideal and artificial or magical nature expressed and represented in his drawings and paintings, and the way in which he fused his scientific knowledge about nature with some of the symbolism in his paintings.

One of the great exponents of the late Pre-Raphaelite style, Edward Burne-Jones produced romantic paintings noted for their medieval imagery and mythological settings, impassioned with pure and variegated colour. His vivid imagination delighted in the tales of Arthurian legend, fashioning new worlds, far from the restraints of late Victorian England. Burne-Jones also helped revive the ideal of the “artist-craftsman”, influencing the development of twentieth century industrial design. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing readers to explore the works of great artists in comprehensive detail. This volume presents Burne-Jones’ collected works, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1) * The collected works of Edward Burne-Jones – over 400 images, fully indexed and arranged in chronological and alphabetical order * Includes reproductions of rare works * Features a special ‘Highlights’ section, with concise introductions to the masterpieces, giving valuable contextual information * Enlarged ‘Detail’ images, allowing you to explore Burne-Jones’ celebrated works in detail, as featured in traditional art books * Hundreds of images in colour – highly recommended for viewing on tablets and smartphones or as a valuable reference tool on more conventional eReaders * Special chronological and alphabetical contents tables for the paintings * Easily locate the artworks you wish to view * Includes a selection of Burne-Jones’ other media – explore his varied works * Features two bonus biographies – discover Burne-Jones’ artistic and personal life CONTENTS: The Highlights Sidonia von Borcke (1860) The Merciful Knight (1863) Maria Zambaco with Cupid (1870) Pygmalion (First Series) (1870) Love among the Ruins (1873) The Beguiling of Merlin (1874) An Angel Playing a Flageolet (1878) The Golden Stairs (1880) Portrait of Georgiana Burne-Jones, with Philip and Margaret (1883) King Cophetua and the Beggar Maid (1884) The Garden of Pan (1886) The Doom Fulfilled (1888) The Star of Bethlehem (1890) The Legend of Briar Rose (1890) The Last Sleep of Arthur in Avalon (1898) The Paintings The Paintings of Burne-Jones Alphabetical List of Paintings Other Media List of Artworks The Biography Burne-Jones (1907) by A. L. Baldry Sir Edward Burne-Jones (1911) by Robert Laurence Binyon

This publication is issued in conjunction with the 1998 exhibition of the same name held at The Metropolitan Museum of Art in New York and scheduled for venues in England and France. Burnes-Jones (1833-1898) created a style that had widespread influence on both British and European art--a narrative style derived from medieval legend and fused with the influence of Italian Renaissance masters, a style that ceded popularity to a growing taste for abstraction at the end of the 19th century. Now Burne-Jones's star has risen again, and this catalogue contains full discussion of his life and work and representation of his prodigious output of drawings and paintings. 9.5x12.5"Annotation copyrighted by Book News, Inc., Portland, OR

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Sir Edward Burne-Jones (1833–1898) was a master of drawing, painted glass and ceramic art. Little concerned with the details of daily reality, he probed medieval literature for new themes and produced works that idolize Victorian values and the Englishwoman. Burne-Jones was the epitome of politically correct licentiousness, as a recent London exhibition made delightfully plain to all.