Further Reading; Notes; Chapter 9 Transitional Justice: New Democracies Grapple with Their Past; Coming to Terms with the Past: Justice vs. National Reconciliation; The Problem of Punishment; Corrective Justice for Victims of Human Rights Abuses; Summary; Further Reading; Notes; Chapter 10 The Right to be Let Alone: Determining the Scope of Personal Freedom; The Harm Principle; Paternalism; Harm to Third Parties; Moral Relativism and the Diversity of Human Practices; The Possibility of an Offense Principle; Summary; Further Reading; Notes; Part 3 Doing Justice Within the Law.

Retribution. That's the goal of Grace Morgen and a small group of supporters. They exact a vigilante revenge on lowlifes who hurt those who cannot defend themselves. The latest case is Michael Jacobs, a violent abuser who tortured and killed his girlfriend's dog, Pepper. Now Grace, also a bestselling novelist known as Joan Dark, will inflict the same kinds of injuries on the man and leave Jacobs with a dog killer tattoo on his forehead. But just as Grace begins to question if her vigilante quest to stop animal abusers is getting out of control, she stumbles across some important information about her father's death more than seventeen years ago. His death may not have been an accident after all, but could have been an attempt to silence Dr. Brody Morgen's questions about wrongdoing at the Glendale Chemical Corporation. With the help of a reporter, a cop, and a tattooist, Grace and her friends investigate whether GCC illegally used homeless people and animals to foster their experiments. As an advocate for the defenseless, Grace and the group go up against not only a powerful corporation but a Nazi scientist, a gunrunner, and a hit man.

“I say that even later someone will remember us.”—Sappho, Fragment 147, sixth century, BC Sappho’s prediction came true; fragments of work by the earliest woman writer in Western literate history have in fact survived into the twenty-first century. But not without peril. Sappho’s writing remains only in fragments, partly due to the passage of time, but mostly as a result of systematic efforts to silence women’s voices. Sappho’s hopeful boast captures the mission of this anthology: to gather together women engaged in the art of persuasion—across differences of race, class, sexual orientation, historical and physical locations—in order to remember that the rhetorical tradition indeed includes them. Available Means offers seventy women rhetoricians—from ancient Greece to the twenty-first century—a room of their own for the first time. Editors Joy Ritchie and Kate Ronald do so in the feminist tradition of recovering a previously unarticulated canon of women’s rhetoric. Women whose voices are central to such scholarship are included here, such as Aspasia (a contemporary of Plato’s), Margery Kempe, Margaret Fuller, and Ida B. Wells. Added are influential works on what it means to write as a woman—by Virginia Woolf, Adrienne Rich, Nancy Mairs, Alice Walker, and Hélène Cixous. Public “manifestos” on the rights of women by Hortensia, Mary Astell, Maria Stewart, Sarah and Angelina Grimké, Anna Julia Cooper, Margaret Sanger, and Audre Lorde also join the discourse. But Available Means searches for rhetorical tradition in less obvious places, too. Letters, journals, speeches, newspaper columns, diaries, meditations, and a fable (Rachel Carson’s introduction to Silent Spring) also find places in this room. Such unconventional documents challenge traditional notions of invention, arrangement, style, and delivery, and blur the boundaries between public and private discourse. Included, too, are writers whose voices have not been heard in any tradition. Ritchie and Ronald seek to “unsettle” as they expand the women’s rhetorical canon. Arranged chronologically, Available Means is designed as a classroom text that will allow students to hear women speaking to each other across centuries, and to see how women have added new places from which arguments can be made. Each selection is accompanied by an extensive headnote, which sets the reading in context. The breadth of material will allow students to ask such questions as “How might we define women’s rhetoric? How have women used and subverted traditional rhetoric?” A topical index at the end of the book provides teachers a guide through the rhetorical riches. Available Means will be an invaluable text for rhetoric courses of all levels, as well as for women’s studies courses.

THE DIVINE TRUTHLo! Those who believe in the One Alone GOD and those who are the children of Israel and the followers of Jesus and the nation of Noah--WHOEVER will believe in the oneness & the aloneness of GOD and the Day of Judgment and will perform good acts according to the commandments of GOD--surely their reward is with their Lord, and there shall no fear come upon them neither shall they grieve.BECAUSE GOD NEITHER MAKES THE SECTS NOR THE SECTARIANS. GOD IS THE LORD OF MORAL STATE AND BELONGS TO EVERYONE. "GOD guides the righteous heart, inside usSatan tries to de-track, outside us & The affairs of the world are around us." It is a DIVINE TRUTH, unveiling the secrets which remained unknown to mankind. YOU will believe it if you will read it. Please read it once at least.

Mercy works as a pet concierge in the high-class Hush Hotel, and she spends every day devoted to her furry clientele. Mercy was raised by foster parents who never showed her the love of a true family, so for her the hotel is the one place where she feels like she belongs. One day a customer named Will appears in front of her with a puppy dog. He’s handsome and sexy and catches Mercy’s eye in an instant. But unbeknownst to Mercy, Will is a con man who’s getting close to Mercy only to achieve his own secret goals…

The Name of God Is Mercy by Pope Francis | Summary & Analysis Preview: On March 13, 2015, Pope Francis announced a Holy Year of Mercy, to commence on December 8, 2015, and continue through November 20, 2016. In The Name of God Is Mercy, Vatican reporter Andrea Tornielli explores this concept via an extended interview with Pope Francis, elaborating on the notion of mercy through the pope’s eyes, as both man and priest… PLEASE NOTE: This is summary and analysis of the book and NOT the original book. Inside this Instaread Summary of The Name of God Is Mercy: Overview of the book Important People Key Takeaways Analysis of Key Takeaways About the Author With Instaread, you can get the key takeaways, summary and analysis of a book in 15 minutes. We read every chapter, identify the key takeaways and analyze them for your convenience.

Richmond Lattimore, one of the most distinguished living translators of Greek, has in this book completed his rendering of the New Testament in fresh and accurate English for the modern reader. The publication of his translation of The Four Gospels and the Revelation in 1979 was hailed by the New York Times Book Review as "an achievement that places us more deeply in Lattimore's debt than any other in a long diligent career." The Acts of the Apostles, which he calls "the earliest consecutive story of early Christianity that we have," and the three groups of Letters of the Apostles--those of Saint Paul, the letter to the Hebrews, and the General Letters--are now made available to complete the New Testament in his translation. His aim again has been to provide a simple, literal rendering in which the syntax and order of the Greek dictate the character of the English style. Lattimore, as an authority on the Greek language in which these texts have come down to us, and as a writer without pretensions as a biblical scholar, allows the words of the apostles and earliest disciples to speak for themselves with accuracy and fidelity to the Greek. The book's design follows the attractive and readable format of The Four Gospels, and avoids the usual apparatus of biblical texts.