The standard work on lost New Mexico civilization's extraordinary craft. Stunning photos.

The famous and highly sought-after Mimbres painted pottery in southwestern New Mexico continues to fascinate people today as much as it did when it first became known more than a century ago. Despite several publications promoting Mimbres archaeology and innumerable analyses of style, dating, iconography, meaning, identity, use wear, and trade and travel implications, however, there had been little interest in the actual production of Mimbres pottery. This changed with the professional investigations of the 1970s when petrographic analysis began, and then again, in the late 1980s and 1990s, when Instrumental Neutron Activation Analysis (INAA) was first employed in the study of Mimbres pottery production and distribution. The Production and Distribution of Mimbres Pottery assesses a much-expanded INAA data set and presents a new and more-informed interpretation of ceramic production and distribution in the Mimbres region. The results should guide future research in the region and will also serve as an example of how INAA data can help students and scholars understand many other interrelated aspects of prehistoric Mimbres society in addition to Mimbres pottery production.

Following two decades of excavations and research at the NAN Ranch Ruin in southwestern New Mexico, Harry Shafer offers new information and interpretations of the rise and disappearance of the ancient Mimbres culture that thrived in the area from about A.D. 600 to 1140. The NAN Ranch site gives evidence of a fascinating restructuring of Mimbres culture and society, owing to the introduction of irrigation agriculture in the late ninth century. The social restructuring that accompanied this shift in technology resulted in changes that are visible in architecture, mortuary practices, and ceramic decoration. The NAN Ranch ruin has yielded the largest body of evidence ever gathered at a single Mimbres site and thus offers the clearest picture to date of who the ancient Mimbreños were in relation to their Anasazi and Hohokam neighbors to the north and east. Shafer introduces us to the Mimbres people, gives a history of archaeological research in the Mimbres Valley, and traces the occupation of the NAN Ranch site from pithouses to classic pueblo to abandonment. Social customs, subsistence, biological information, and the symbolism of the distinctive Mimbres designs in their ceramics, pottery, stone artifacts, textiles, and jewelry are all addressed in this comprehensive survey.

A fascinating exploration of the rich artistic heritage and beauty of Casas Grandes ceramics

This book offers a detailed account of the archaeological excavation of one of the last possible Mimbres Classic pueblos, including photography of the painted black-on-white pottery--Provided by publisher.

Drawing on architecture and pottery, US and Canadian archaeologists explore the organizational complexity of the Mimbres people before, during, and after the Classic period, AD 1000-1130, in the southwestern US. They use architectural data to provide insight into family, household, communal, and community structure and also to complement analysis of the composition and design of the painted pottery that the Mimbres are best known for.

In Art in the Pre-Hispanic Southwest: An Archaeology of Native American Cultures, Radosław Palonka reconstructs the development of pre-Hispanic Native American cultures and tribes in the American Southwest and Mexican Northwest. Palonka also examines the wider context through the lenses of settlement studies and social transformation, while paying close attention to the material manifestations of pre-Hispanic beliefs, including intricately decorated ceramics and rock art iconography in paintings and petroglyphs.

Here, at last, is the massively updated and augmented second edition of this landmark encyclopedia. It contains approximately 1000 entries dealing in depth with the history of the scientific, technological and medical accomplishments of cultures outside of the United States and Europe. The entries consist of fully updated articles together with hundreds of entirely new topics. This unique reference work includes intercultural articles on broad topics such as mathematics and astronomy as well as thoughtful philosophical articles on concepts and ideas related to the study of non-Western Science, such as rationality, objectivity, and method. You’ll also find material on religion and science, East and West, and magic and science.

Here are 95 versatile patterns based on authentic Southwest Indian designs. Included are details from a Navajo blanket and sand painting, Pueblo, Maricopa, and Zuñi pottery, a Hopi wedding shawl, Apache baskets, and other artifacts. Easily adaptable for use in embroidery, appliqué work, fabric painting, and other crafts.

A distinguished scholar of Southwestern Native arts for over thirty years, J.J. Brody here returns to his early work on the Mimbres ceramic tradition, which established him as the leading authority on the arts of this ancient people. The Mimbres cultural florescence between A.D. 1000 and A.D. 1140 remains one of the most visually astonishing and anthropologically intriguing questions in Southwest prehistory. In this revised edition, Dr. Brody incorporates the extensive fieldwork done on Mimbres sites since the original publication in 1977, updating his discussion of village life, the larger world in which the Mimbres people lived, and how the art that they practiced illuminates these wider issues. He addresses human and animal iconography, the importance of perspective and motion in perceiving Mimbres artistry, and the technology used to produce the ceramics. Placing the study of ancient art and artifacts in the present, he notes the impact of the antiquities market on archaeological and artistic research.