Since the earliest era of archaeological discovery on Crete, vivid renderings of animals have been celebrated as defining elements of Minoan culture. Animals were crafted in a rich range of substances and media in the broad Minoan world, from tiny seal-stones to life-size frescoes. In this study, Emily Anderson fundamentally rethinks the status of these zoomorphic objects. Setting aside their traditional classification as 'representations' or signs, she recognizes them as distinctively real embodiments of animals in the world. These fabricated animals-engaged with in quiet tombs, bustling harbors, and monumental palatial halls-contributed in unique ways to Bronze Age Aegean sociocultural life and affected the status of animals within people's lived experience. Some gave new substance and contour to familiar biological species, while many exotic and fantastical beasts gained physical reality only in these fabricated embodiments. As real presences, the creatures that the Minoans crafted artfully toyed with expectation and realized new dimensions within and between animalian identities.

The eastern Mediterranean was the centre of trade for many centuries, sitting at the junction of what are now Europe, Asia and Africa. It was the place where exotic produce and products could be traded or exchanged for things that had their origins perhaps thousands of miles away. But wherever trade takes place, a similar exchange of ideas, technology and culture also occurs. This book presents thirty papers on this very subject, looking at the ways in which we can measure the transmission of culture, and how this transmission varied across time and space.

"Minoan renderings of animals are some of the most vibrant art of the ancient Mediterranean. Working with current developments in material-culture studies, animal studies, and ancient art, Anderson examines these objects not as mere representations but as uniquely real embodiments of animals that made powerful contributions to sociocultural life"--

This study uses seals to examine and plot cultural interactions between the Aegean and Near Eastern worlds during the period of Minoan dominance (c.2600-1360 BC). By identifying distinctive features of seals from Anatolia, Syria and Egypt it is possible to plot geographical interconnections with the Aegean and the Aegean seals with styles influenced by them. The book contains an extensive catalogue of 253 seals.