Can a two-week romance 12 months ago be anything more than just history? A comedy of errors seen in two different points of view, the He Said-She Said saga is a glimpse to real life relationships and all its complexities. Nicole Thompson is young and at the height of her career. In the midst of a dream vacation with her long-time friends, Nicole finds herself in the arms of the mysterious Mr. Amber Eyes. A two-week encounter becomes a whirlwind romance and all too soon, she is on a flight back to reality. Dr. Dylan Carter is successful and much sought after. After the brown-eyed beauty suddenly vanishes from his life one morning, hes hard-pressed to keep the memories at bay. After a series of near incidents and cosmic twists, fate finally steps in and their two worlds collide yet again. But after all that time, mistaken identities, near relationships and misconceptions, neither one can fathom the others intentions, yet undeniable is the attraction that still runs strong...

Jo de Villiers has a three-year-old son, a six-month-old baby and a husband who’s feeling left out. Her marriage to Nick and her job as a scriptwriter for a local soapie both seem to be heading south, along with her breasts. Between toddler tantrums, dirty nappies, potty training and the nursery-school run, she squeezes in writing assignments and meetings, while dealing with a boss from hell, a self-centred mother, an overly genteel mother-in-law and the ‘Blonde Bob Brigade’. But will she be able to hang on to her job, and what is she going to do about the floozy who is pursuing her man? With the help of her George Clooney-lookalike therapist Jake and best friend Jasmine, Jo discovers an unusual remedy for an ailing relationship ... Racy, honest and wickedly funny, suburban life with small children has never been so entertaining.

Infamy! Infamy! They've All Got It In For Me! Beginning with the feel-good conscription caper Carry On Sergeant (1958) and finishing up with the much-maligned sex farce Carry On Emmannuelle (1978), producer Peter Rogers and director Gerald Thomas tossed off a record-breaking thirty films, all with that unique 'naughty but nice' seaside postcard-style humour. A team of spot-on comedy performers, headed by Kenneth Williams, Sid James, Charles Hawtrey, Hattie Jacques and Kenneth Connor, provided the great unwashed public with brain-achingly corny gags, ridiculous slapstick antics and seminal scenes of mayhem and speeded-up chicanery that would have brought a smile to the most jaded of palates. The Carry On comedy partnership of Rogers and Thomas (later combined with the wit of scriptwriter Talbot Rothwell) was responsible for many a classic production. From historicals such as Carry On Cleo (1964) and Carry On...Up The Khyber (1968) - the latter quite possibly the funniest film ever made in Wales - to such contemporary rib-ticklers as Carry On Doctor (1967) and - possibly the most famous entry of all, thanks to Barbara Windsor's elasticised brassiere - the seminal Carry On Camping (1968). The series may have ended in the gutter with Carry On Behind (1975) and Carry On England (1976), but such was the sheer talent on display throughout those twenty years, we can forgive them this small failing. Any genre was up for ridicule - bored with Lawrence Of Arabia (1962)? Try Carry On...Follow That Camel (1967). Fed up with Hammer horror? Turn off the light and shudder at the spine-chilling Carry On Screaming! (1966). Everyone has a personal favourite Carry On film - look up yours in this concise introduction to the whole, extraordinary phenomenon. What's in it? Every film examined in detail, with full cast and crew listing, key scenes and dialogue gems, and an informed critique; brief biographies of the major players, TV shows and theatre plays; appendices that include an exhaustive bibliography and an overview of the best Carry On websites around; all rounded off with a fiendish quiz on all things Carry On.

Lisa shares her aspiration to help women who face insecurities brought on by the media's ideals of what we should look like and also the expectations we put on ourselves. As a result, Lisa has opened her heart and provided an honest look into how she has overcome the misconceptions of her life and gives the reader the tools to do the same.

In Beverly Hills, fame and wealth can buy everything—except class, grace, and sophistication. In Beverly Hills Manners, Lisa Gaché offers a behind-the-scenes look at the unique social dilemmas of the residents of the hills of Beverly through the eyes of an etiquette expert tasked with transforming her awkward, boorish, and sometimes challenging clients into social virtuosos. From Saudi princesses to Oscar winners, talent agents to intelligence operatives, child actresses, butlers, and football players, Lisa has amassed an astounding roster. She’s taught Oscar nominees how to successfully navigate the red carpet, sorority girls to use forks and knives, and NFL coaches to shake hands. In this book, she reflects on those experiences to teach you how to present yourself as a respectable professional in real-world situations. Beverly Hills Manners covers more than just table manners. It includes advice on what Lisa calls “Child Wrangling”—laying down the law as parents when it comes to cliques, bullying, and cattiness—and netiquette, a vital new discipline in tune with every type of social media. You’ll also learn how to gracefully conduct yourself during life’s most trying moments, such as comforting a friend on the loss of a loved one or agreeing to help a family member who may be down on his luck.