A sensational missing persons case overshadows a darker evil in this supernatural thriller set in the borderlands of Arizona. Lulu Lavender’s mixed-race family has been slaughtered, and she has been taken. But with the high-profile case of a missing white teenager from a wealthy family occupying the attention of law enforcement and the media, it’s left to sheriff’s lieutenant Buck Shelton and his small, rural office to find Lulu, if he can. To Buck’s growing horror, his quest leads him into a world he never knew existed, where the tendrils of an ancient evil reach right into the torn-from-the-headlines present. On the US/Mexico border, supernatural forces using vigilantes, drug dealers, and innocents as pawns clash in a bloody showdown—and not everyone will survive . . .

Bringing new research from true crime writers, scholars, and media practitioners around the world, this book offers fresh perspectives on how women read, write, and are portrayed in true crime stories across different platforms, including documentaries, podcasts, and TikToks. The genre of true crime is flourishing, and it is overwhelmingly consumed by women. Despite this, there is much we do not know about how women consume true crime and are represented in true crime stories of various kinds. This edited volume helps to fill this gap in our knowledge. Across ten chapters and using a variety of study methods, including creative practice, interviews, surveys, archival research, and case studies, the book reveals the multifaceted ways that true crime matters to women and suggests areas of future research. It also offers new insights on a diverse range of topics, such as racial identities, fraudsters, activism, victimisation, and deviance, as well as highlighting major cases from past to present which have influenced criminal justice responses. True Crime and Women is intended for researchers and students of criminology, literary studies, gender studies, media and journalism studies, and rhetorical studies, as well as media practitioners and writers.

**INSTANT NEW YORK TIMES BESTSELLER** "This book is the heartbreaking story that every parent dreads... Cohen sheds light on what really happened the night Lauren was never seen again." —David Crow, author of The Pale-Faced Lie She visited friends. She walked to a bar. She was right there... until she was gone. College student Lauren Spierer was pursuing her dreams, joining her boyfriend at a party school eight hundred miles from home. Social and gregarious, studying fashion and rooming with friends, Lauren embraced her new adventure with the zeal of a young woman who suddenly had everything she desired. But there was a dark side that she and her inner circle kept secret. And one warm June evening, after heading out with friends, she seemingly vanished. When investigators retraced Lauren's last steps using eyewitness accounts and security camera footage, the evidence ended at the doorstep of a group of wealthy, well-connected male students. With original reporting including new testimony witnesses never shared with police, College Girl, Missing takes readers back to that fateful night and dives into the disappearance that captured front-page headlines around the world. Investigative journalist Shawn Cohen breaks more than a decade of silence as he pursues the truth: what really happened to Lauren Spierer?

This title provides a broad overview of how women are portrayed and treated in America's news and entertainment industries, including film, television, radio, the internet, and social media. This book provides a one-stop resource for understanding the participation and representation of women in the U.S. media in such areas as narrative film, scripted television programming, advertising, video games, news, and sports. Coverage is wide-ranging and comprehensive, covering historical developments and trends as well as such relevant issues as gender disparities in pay and advancement opportunities, stereotypical gender portrayals in popular entertainment, sexual harassment in America's media and entertainment industries, and the dearth of positive media representations of women of color. Engaging with this history and reading about current issues related to this topic will be useful to those interested in understanding more about why women's engagement in media—in such roles as performer, journalist, producer, and writer—is important. It will also help readers better understand how and why problematic media representations of women hinder efforts to achieve full gender equality in American society.

Gender and Journalism introduces students to how one facet of our humanity—gender—has a tremendous effect on the people working in journalism; the subjects and framing of the stories they tell; and ultimately the people who consume those stories. This engaging textbook provides a history of gender equality struggles alongside the development of news media in the United States. It provides foundational concepts, theories, and methods through which students can explore the role gender has played in news media. Promoting media literacy, the book empowers students to look at the many factors that influence stories and to become more critical media consumers and creators themselves. While the book centers on women’s experiences in the United States, it also considers the political, economic, and cultural aspects of gender and journalism globally. It addresses experiences of LGBTQ and non-white individuals to give an intersectional context to the ramifications of gender. Students learn important concepts such as hegemonic masculinity, colorblind racism, infantilization, and the double binds and explore issues related to gender in photojournalism, sports journalism, and broadcasting. Designed to humanize media institutions, the book highlights the lives of influential writers, journalists, activists, and media producers. Every chapter includes profiles of key journalists and activists and primary source excerpts, as well as reflection and media critique chapter-ending questions. Highlighted keywords in each chapter culminate in a comprehensive glossary. Instructor materials include suggested activities and sample quizzes. Content Features: Discussion of communication and media studies terms and theory Introduction to gender studies terms and theory Discussion of civil rights and race issues as they intersect with gender and journalism History of first- and second-wave feminism LGBTQ+ examples and history of gay rights Dedicated chapter on masculinity In-Text Features: Journalist and activist profile boxes Primary source excerpt boxes End-of-Chapter reflection and media critique questions Chapter keywords and cumulative glossary Instructor Resources: Online News Guidance Multimedia Resources In-Class Activities Clip Flip Exercise Chapter Quiz Questions Sample Syllabus

This edited collection from leading scholars in the fields of media, communications, cultural studies and a number of aligned areas looks to the intersection of capitalism, crime and the media. The text is founded on the principles of cultural criminology – that how we determine and understand crime lies in the social world and that the determination of crime and its mediation in popular culture have a political basis. The book consists of eleven chapters and is divided into three sections. Section one considers the intersection of crime and capitalism in a range of contemporary cultural texts. Section two examines how various power systems influence the operation of the media in its role of reporting crime and holding the powerful to account. Section three considers how texts in a variety of formats are used to conduct politics, communicate politics and enact political decision making.

'Catch the Sparrow is true crime at its most personal and purposeful - heartfelt and intimate, noble and determined, meticulous and brave' Robert Kolker, New York Times bestselling author of HIDDEN VALLEY ROAD and LOST GIRLS Growing up, Rachel Rear knew the story of Stephanie Kupchynsky's disappearance. The beautiful violinist and teacher had fled an abusive relationship on Martha's Vineyard and made a new start for herself near Rochester, NY. She was at the height of her life - in a relationship with a man she hoped to marry and close to her students and her family. And then, one morning, she was gone. Near Rochester - a region which has spawned such serial killers as Arthur Shawcross and the 'Double Initial' killer - Stephanie's disappearance was just another news item. But Rachel had more reason than most to be haunted by this particular story of a missing white woman: Rachel's mother had married Stephanie's father after the crime, and Rachel grew up in the shadow of her stepsister's legacy. In Catch the Sparrow, Rachel Rear writes a compulsively readable and unerringly poignant reconstruction of the dark and serpentine path, across more than two decades, to try to solve the case. Obsessively cataloging the crime and its costs, drawing intimately closer to the details than any journalist could, she reveals how a dysfunctional justice system laid the groundwork for Stephanie's murder and stymied the investigation for more than twenty years, and what those hard years meant for the lives of Stephanie's family and loved ones. Startling, unputdownable, and deeply moving, Catch the Sparrow is a retelling of a crime like no other.

With the heated discussion around #MeToo, journalistic reporting on domestic abuse, and the popularity of true crime documentaries, gendered media discourse around violence and harassment has never been more prominent. The Routledge Companion to Gender, Media and Violence is an outstanding reference source to the key topics, problems and debates in this important subject and is the first collection on media and violence to take a gendered, intersectional approach. Comprising over 50 chapters by a team of interdisciplinary and international contributors, the book is structured around the following parts: News Representing reality Gender-based violence online Feminist responses The media examples examined range from Australia to Zimbabwe and span print and online news, documentary film and television, podcasts, pornography, memoir, comedy, memes, influencer videos, and digital feminist protest. Types of violence considered include domestic abuse, "honour"-based violence, sexual violence and harassment, female genital mutilation/cutting, child sexual abuse, transphobic violence, and the aftermath of conflict. Good practice is considered in relation to both responsible news reporting and pedagogy. The Routledge Companion to Gender, Media and Violence is essential reading for students and researchers in Gender Studies, Media Studies, Sociology, and Criminology.

Paced like a thriller and full of insider information on the history and science of Crime Scene Investigation, In Light of All Darkness embeds readers in one of the most famous true-crime stories of our generation—the kidnapping of Polly Klaas—a case as pivotal in the history of the FBI as the Unabomber or Oklahoma City bombing. On October 1, 1993, a 12-year-old girl was kidnapped at knifepoint from her bedroom in Petaluma, California, during a sleepover with two friends, while her mother slept soundly in the room next door. This rarest of all kidnappings—a stranger abduction from the home—triggered one of the largest manhunts in FBI history. Many Americans remember Polly's face, which appeared on the national news every night, on the cover of People magazine, and on more than 8 million flyers distributed as far as China. The emotional gravity of Polly’s story touched every agent, police officer, and forensic technician who worked on her case. Many of these investigators have never shared their stories—until now. New York Times bestselling author Kim Cross has written the first comprehensive account of what happened on that fateful night in October, as well as how the case forever transformed the Bureau’s approach to solving crimes. With unprecedented access to case files, crime scene photos, a videotaped murder confession, and inside sources, In Light of All Darkness follows the investigators who pieced together the evidence that led to the arrest and conviction of the kidnapper—and made the victim a household name and a girl who will never be forgotten.

"A remarkable life story. . . Angela Sterritt is a formidable storyteller and a passionate advocate."—Cherie Dimaline, author of The Marrow Thieves "Sterritt's story is living proof of how courageous Indigenous women are."—Tanya Talaga, author of Seven Fallen Feathers and All Our Relations Unbroken is an extraordinary work of memoir and investigative journalism focusing on missing and murdered Indigenous women and girls, written by an award-winning Gitxsan journalist who survived life on the streets against all odds. As a Gitxsan teenager navigating life on the streets, Angela Sterritt wrote in her journal to help her survive and find her place in the world. Now an acclaimed journalist, she writes for major news outlets to push for justice and to light a path for Indigenous women, girls, and survivors. In her brilliant debut, Sterritt shares her memoir alongside investigative reporting into cases of missing and murdered Indigenous women in Canada, showing how colonialism and racism led to a society where Sterritt struggled to survive as a young person, and where the lives of Indigenous women and girls are ignored and devalued. Growing up, Sterritt was steeped in the stories of her ancestors: grandparents who carried bentwood boxes of berries, hunted and trapped, and later fought for rights and title to that land. But as a vulnerable young woman, kicked out of the family home and living on the street, Sterritt inhabited places that, today, are infamous for being communities where women have gone missing or been murdered: Vancouver’s Downtown Eastside, and, later on, Northern BC’s Highway of Tears. Sterritt faced darkness: she experienced violence from partners and strangers and saw friends and community members die or go missing. But she navigated the street, group homes, and SROs to finally find her place in journalism and academic excellence at university, relying entirely on her own strength, resilience, and creativity along with the support of her ancestors and community to find her way. “She could have been me,” Sterritt acknowledges today, and her empathy for victims, survivors, and families drives her present-day investigations into the lives of missing and murdered Indigenous women. In the end, Sterritt steps into a place of power, demanding accountability from the media and the public, exposing racism, and showing that there is much work to do on the path towards understanding the truth. But most importantly, she proves that the strength and brilliance of Indigenous women is unbroken, and that together, they can build lives of joy and abundance.