Bringing new research from true crime writers, scholars, and media practitioners around the world, this book offers fresh perspectives on how women read, write, and are portrayed in true crime stories across different platforms, including documentaries, podcasts, and TikToks. The genre of true crime is flourishing, and it is overwhelmingly consumed by women. Despite this, there is much we do not know about how women consume true crime and are represented in true crime stories of various kinds. This edited volume helps to fill this gap in our knowledge. Across ten chapters and using a variety of study methods, including creative practice, interviews, surveys, archival research, and case studies, the book reveals the multifaceted ways that true crime matters to women and suggests areas of future research. It also offers new insights on a diverse range of topics, such as racial identities, fraudsters, activism, victimisation, and deviance, as well as highlighting major cases from past to present which have influenced criminal justice responses. True Crime and Women is intended for researchers and students of criminology, literary studies, gender studies, media and journalism studies, and rhetorical studies, as well as media practitioners and writers.

How serialized crime shows became an American obsession TV shows and podcasts like Making a Murderer, Serial, and Atlanta Monster have taken the cultural zeitgeist by storm, and contributed to the release of wrongly imprisoned people—such as Adnan Syed. The popularity of these long-form true crime docuseries has sparked greater attention to issues of inequality, power, social class, and structural racism. More and more, the American public is asking, Who is and is not deserving of punishment, and who is and is not protected by the law? In The New True Crime, Diana Rickard argues that these new true crime series deserve our attention for what they reveal about our societal understanding of crime and punishment, and for the new light they shine on the inequalities of the criminal justice system. Questioning the finality of verdicts, framing facts as in the eye of the beholder—these new series unmoor our faith in what is knowable, even as, Rickard critically notes, they often blur the lines between “fact” and “fiction.” With a focus on some of the most popular true crime podcasts and steaming series of the last decade, Rickard provides an in-depth analysis of the ways in which this new media—which allows for binge-listening or watching—makes crime into a public spectacle and conveys ideological messages about punishment to its audience. Entertainment values have always been entwined with crime news reporting. Newsworthy stories, Rickard reminds us, need to involve sex, violence, or a famous person, and contain events that can be framed in terms of individualism and conservative ideologies about crime. Even as these old tropes of innocent victims and deviant bad guys still dominate these docuseries, Rickard also unpacks how the new true crime has been influenced by the innocence movement, a diverse group of organizers and activists, be they journalists, lawyers, formerly incarcerated people, or family members, who now have a place in mainstream consciousness as DNA evidence exonerates the wrongly convicted. The New True Crime questions the knowability of truth and probes our anxieties about the “real” nature of true crime media. For fans of true crime shows and anyone concerned about justice in America, this book will prove to be essential reading.

"Utilizing the tools of forensic science and Christian theological ethics, this book resituates prominent criminal cases within their social and forensic contexts"--

Women and Crime: A Text/Reader, part of the text/reader series in criminology and criminal justice, incorporates contemporary and classic readings (some including policy implications) accompanied by student-friendly authored text. This unique format provides a theoretical framework and context for students. The comprehensive coverage of the book includes the history and theories of female offending, offenders and their crimes, processing and sentencing of female offenders, women in prison, women and victimization, women and work in the criminal justice system, juveniles and crime, and international crime. Race and diversity will be an underlying theme throughout the text.

Poison is a fairly popular method of murder in true crime history because it doesn't require brute force or a weapon of any kind. You can simply slip it in a cake or a drink. Anything you want. A lot of poisoners think they stand a much better chance of getting away with murder but this is a misguided view. It might be more complex to capture a poisoner than a mad axeman but the police tend to catch up with poisoners in the end. In this book we'll take a look at some of the deadliest poisoners in true crime history. What follows is a grisly gallery of heartless rogues who you definitely wouldn't want making the tea.

"Introduce middle-grade readers to intriguing and exciting unsolved crimes, daring escapes, famous heists, and much more in this first-ever sleuthing book specifically for kids. Curious Cases:True Crime for Kids presents a slew of fascinating stories that are all age-appropriate, including: the cold case of D.B. Cooper, the Isabella Stewart Gardner museum theft, the disappearance of Masterpiece the poodle, two brothers' cunning escape from Alcatraz, Sherlock Holmes and the fairy photographs, the real-life ghost busters, and much more! After reading these cases, kids will be able to dive into some fun forensic science activities they can do at home to help them uncover evidence and solve their own mysteries"--back cove

This exciting collection of original essays on early modern women’s writing offers a range of approaches to a growing field. As a whole, the volume introduces readers to a number of writers, such as Mirabai and Liu Rushi, who are virtually invisible in Anglophone scholarship, and to writers who remain little known, such as Elizabeth Melville, Elizabeth Hatton, and Jane Sharpe. The volume also represents critical strategies designed to open up the emergent canon of early modern women’s writing to new approaches, especially those that have consolidated the integration of literary and intellectual history, with an emphasis on religion, legal issues, and questions of genre. The authors expand the methodological possibilities available to approach early modern women who wrote in a diverse number of genres, from letters to poetry, autobiography and prose fiction. The sixteen essays are a major contribution to an area that has attracted the interest of a number of fields, including literary studies, history, cultural studies, and women’s studies.

Four bizarre true crime stories about serial killers, murder sprees, sideshows, and church pulpits in one sensational volume. These grisly true crime books by a former New York Times columnist chronicle four shocking and disturbing cases. Body Dump: Few people in Poughkeepsie, New York, paid mind when prostitutes started vanishing off the streets. Nor did anyone have hard evidence to link the disappearances to suspect Kendall Francois, a slovenly middle school hall monitor nicknamed Stinky. Then, one woman escaped his house of horrors and led authorities to the ghastly secrets hidden in Francois’s attic. Flesh Collectors: When social misfit Jeremiah Rodgers and racist devil-worshipper Jonathan Lawrence met in a Florida penal system mental hospital, they discovered a mutual lust for sadism. Then, they were released. What followed was a thrill-killing spree of murder, rape, and cannibalism—the makings of an “unforgettable . . . true crime classic” (Dan Zupansky, host of Blog Talk Radio’s True Murder). Lobster Boy: With his lobster-claw hands and stunted legs, Grady Stiles Jr. traveled the carnival circuit as Lobster Boy. He was also a violently dangerous husband and father who had been convicted once before of murder. After years of abuse, his wife—a sideshow wonder known as the Electrified Girl—fought back with a murder-for-hire. Deacon of Death: By day, Sam Smithers, deacon of the Baptist church in Plant City, Florida, was a family man beyond reproach. By night, he was a sex-addicted killer who trolled for prostitutes. When the decomposed bodies of two women were found off a rural road in Tampa, no one suspected the clergyman. Then one day, a local woman saw sweet Mr. Smithers cleaning his bloody axe.

This evocative and gripping investigative look into romantic relationships between incarcerated people and their spouses on the outside “is impossible to put down” (The Globe and Mail, Toronto). What is it like to fall in love with someone in prison? Over the course of five years, Elizabeth Greenwood followed the ups and downs of five couples who met during incarceration. In Love in the Time of Incarceration, she pulls back the curtain on the lives of the husbands and wives supporting some of the 2.3 million people in prisons around the United States. In the vein of Modern Love, this book shines a light on how these relationships reflect the desire and delusion we all experience in our romantic pairings. Love in the Time of Incarceration infiltrates spaces many of us have only heard whispers of—from conjugal visits to prison weddings to relationships between the incarcerated themselves. “A tour de force of empathetic nonfiction storytelling” (Vanessa Grigoriadis, author of Blurred Lines), Love in the Time of Incarceration changes the way you look at the American prison system and perhaps relationships in general. Previously published as Love Lockdown.