This anthology of Mississippi crime fiction “has produced a unique, delicious flavor of noir” with stories by Ace Atkins, Megan Abott and more (New York Daily News). From poverty to state corruption, Mississippi has a well-deserved reputation for trouble. Could there be a connection between its many misfortunes and its rich literary legacy? Mississippians from Tennessee Williams and Eudora Welty to Richard Ford and John Grisham certainly know how to tell a good story. Now Mississippi Noir offers “a devilishly wrought introduction” to a new generation of “writers with a feel for Mississippi who are pursuing lonely, haunting paths of the imagination” (Associated Press). Mississippi Noir includes brand-new stories by Ace Atkins, William Boyle, Megan Abbott, Jack Pendarvis, Dominiqua Dickey, Michael Kardos, Jamie Paige, Jimmy Cajoleas, Chris Offutt, Michael Farris Smith, Andrew Paul, Lee Durkee, Robert Busby, John M. Floyd, RaShell R. Smith-Spears, and Mary Miller.

Recipient of the 2018 Special Achievement Award from the Mississippi Institute of Arts and Letters and Recipient of a 2018 Heritage Award for Education from the Mississippi Heritage Trust The perfect book for every Mississippian who cares about the state, this is a mammoth collaboration in which thirty subject editors suggested topics, over seven hundred scholars wrote entries, and countless individuals made suggestions. The volume will appeal to anyone who wants to know more about Mississippi and the people who call it home. The book will be especially helpful to students, teachers, and scholars researching, writing about, or otherwise discovering the state, past and present. The volume contains entries on every county, every governor, and numerous musicians, writers, artists, and activists. Each entry provides an authoritative but accessible introduction to the topic discussed. The Mississippi Encyclopedia also features long essays on agriculture, archaeology, the civil rights movement, the Civil War, drama, education, the environment, ethnicity, fiction, folklife, foodways, geography, industry and industrial workers, law, medicine, music, myths and representations, Native Americans, nonfiction, poetry, politics and government, the press, religion, social and economic history, sports, and visual art. It includes solid, clear information in a single volume, offering with clarity and scholarship a breadth of topics unavailable anywhere else. This book also includes many surprises readers can only find by browsing.

“A collection of stories celebrating the underbelly of the city, its ghosts, and the characters that give Memphis its rich patina of blues.” —Memphis Flyer The Home of the Blues knows how darkness can permeate a person’s soul—and what it can drive you to do. It’s the soundtrack to a city that’s made up of equal parts hope and despair, past and present, death and rebirth. On the streets of Memphis, noir hits the right note. Memphis Noir features stories by city standouts Richard J. Alley, David Wesley Williams, Dwight Fryer, Jamey Hatley, Adam Shaw, Penny Register-Shaw, Kaye George, Arthur Flowers, Suzanne Berube Rorhus, Ehi Ike, Lee Martin, Stephen Clements, Cary Holladay, John Bensko, Sheree Renée Thomas, and Troy L. Wiggins. “A remarkable picture of contemporary Memphis emerges in this Akashic noir volume . . . Something for everyone.” —Publishers Weekly “Covers train cars and Beale Street, hoodoo and segregation, Nathan Bedford Forrest and, of course, Graceland, and even includes a graphic novella.” —Memphis Flyer “Captures the subtlety of the Memphis ethos, where blacks and whites, rich and poor, are intimately entwined. The collection—fifteen stories by some of the city’s finest writers—bleeds the blues and calls down the dark powers that permeate this capital of the Delta.” —The Commercial Appeal (Memphis) “The new anthology Memphis Noir is replete with murders, ghosts, gangsters, a sharp-toothed baby, Boss Crump, and high water on the bluff.” —Memphis Magazine

An authoritative companion that offers a wide-ranging thematic survey of this enduringly popular cultural form and includes scholarship from both established and emerging scholars as well as analysis of film noir's influence on other media including television and graphic novels. Covers a wealth of new approaches to film noir and neo-noir that explore issues ranging from conceptualization to cross-media influences Features chapters exploring the wider ‘noir mediascape’ of television, graphic novels and radio Reflects the historical and geographical reach of film noir, from the 1920s to the present and in a variety of national cinemas Includes contributions from both established and emerging scholars

“Brussels, Belgium’s cosmopolitan, multilingual capital, has it[s] criminal underside, as shown in the 13 dark—and sometimes darkly humorous—stories” (Publishers Weekly). From the historic city center to the Palais de Justice to the pubs, this collection contains crime fiction tales, often with a touch of the surreal and the dystopian, that reveal the stranger and seamier side of the city known as the “capital of Europe.” Includes brand-new stories by Barbara Abel, Ayerdhal, Paul Colize, Jean-Luc Cornette, Patrick Delperdange, Sara Doke, Kenan Görgün, Edgar Kosma, Katia Lanero Zamora, Nadine Monfils, Alfredo Noriega, Bob Van Laerhoven, and Émilie de Béco. “A perfect choice for those who love noir or those who love armchair traveling, this assortment of short stories gives the reader a glimpse into what life in the Belgian capital is like. An excellent entry in Akashic Books’ noir series, which began with Brooklyn Noir more than a decade ago, Brussels Noir takes readers through the underbelly of yet another fascinating locale.” —Shelf Awareness for Readers “Akashic Books deserves kudos for their fine service to noir . . . If these volumes are designed to give crime writers a nifty forum and also capture the local flair and flavor, Brussels Noir is a fine come-hither.” —New York Journal of Books

“Navigates the seedy side of Marseille with 14 stories that range from the creepily introspective to the downright brutal.” —Publishers Weekly The Akashic Noir series first ventured into France with Paris Noir—and now moves one step deeper . . . A crossroads for the people of Europe and the Mediterranean, Marseille is a city that does not discriminate. It embodies the down-and-dirty, tough-guy side of France, but what it lacks in sophistication, it makes up for in spirit. Still, in its shadows lurks a not-so-distant darkness . . . one that can be found in stories translated from French by David Ball and Nicole Ball and written by: François Beaune, Philippe Carrese, Patrick Coulomb, Cédric Fabre, René Frégni, Christian Garcin, Salim Hatubou, Rebecca Lighieri, Emmanuel Loi, Marie Neuser, Pia Petersen, Serge Scotto, Minna Sif, and François Thomazeau. “Gritty from east to west, Marseille is the perfect venue for the latest in Akashic’s venerable Noir series. While earlier entries in this 70-volume series have sometimes been bleak and atmospheric, this one is all red meat. . . . Just as Marseille is tailor-made for noir, this dark banquet is tailor-made for noir fans.” —Kirkus Reviews “The stories . . . are united by vivid and evocative writing, as well as by a distinctive take on the city. Another strong entry in a series that should be required reading for crime fans.” —Booklist

"Stockholm Noir "joins "Copenhagen Noir "and "Helsinki Noir "in powerfully representing the Akashic Noir Series in Scandinavia.

“Offbeat, disturbing, and sometimes darkly comical” crime stories set in upstate New York by Joyce Carol Oates, Lawrence Block, S.J. Rozan, and more (Kirkus Reviews). Buffalo is still the second-largest metropolis in New York State, but in recent years its designation as the Queen City has been elbowed aside by a name that’s pure noir: The City of No Illusions. Presidents came from here—and in 1901 while visiting the Pan-American Exposition, a president was killed here by a man who checked into a hotel under a name that translates as Nobody. As Buffalo saw its prosperity wane, those on the outside could only see harsh winters and Rust Belt grit, chicken wings, and sports teams that came agonizingly close. This collection of crime stories is both a treasure for mystery fans and an atmospheric tour of this moody, gritty city. Featuring brand-new stories by Joyce Carol Oates, Lawrence Block, Ed Park, Gary Earl Ross, Kim Chinquee, Christina Milletti, Tom Fontana, Dimitri Anastasopoulos, Lissa Marie Redmond, S.J. Rozan, John Wray, Brooke Costello, and Connie Porter. “From the Irish enclave of South Buffalo and a Niagara Street bar to a costly house in Nottingham Terrace and a once-grand Gothic structure in Elmwood Village, Buffalo’s past and present come to life . . . by authors who really know their city.” —Kirkus Reviews “Contributors include several mystery heavyweights. . . . Those curious about the criminal side of the second-biggest city in New York will be rewarded.” —Publishers Weekly “Each story represents a different neighborhood and cross-section of the city, and the resulting collection feels like a vivid, comprehensive tour of a distinctive place, administered by locals. There’s nothing quite like noir to shine a light, after all.” —Los Angeles Review of Books “Original short stories by established local authors with flawless credentials . . . .Together, the stories cover cityscapes well-known to Buffalonians—to name a few, Elmwood Avenue, Niagara Street, Black Rock, North Park, Delaware Park, and Allentown. Local landmarks Peace Bridge and the Anchor Bar made it in there, too.” —Examiner “Superb.” —The Buffalo News

With Rio Noir, the Akashic Noir Series delves for the first time into South America.

"In this superior entry in Akashic's noir series, Meno offers nearly a century of Chicago crime fiction....Familiar bylines abound: Max Allan Collins, Richard Wright, Nelson Algren, Sherwood Anderson, Fredric Brown, Patricia Highsmith (with an excerpt from her novel The Price of Salt), Stewart M. Kaminsky, Sara Paretsky. Others may be less familiar to mystery specialists, but all turn in impressive performances." --Publishers Weekly, Starred review "Richard Wright, Nelson Algren, and Sandra Cisneros are not crime-fiction writers, and yet their Chicago certainly embodies the individual-crushing ethos endemic to noir. Meno also includes stories from writers who could easily have been overlooked (Percy Spurlark Parker, Hugh Holton) to ensure that diverse voices, and neighborhoods, are represented. Add in smart and essential choices from Fredric Brown, Sara Paretsky, and Stuart Kaminsky, and you have not an anthology not for crime-fiction purists, perhaps, but a thought-provoking document all the same." --Booklist "The fifteen short stories comprising Chicago Noir: The Classics, which are knowledgeably compiled and deftly edited by Joe Meno, are true gems of the noir literary tradition....Chicago Noir: The Classics is a consistently entertaining and will prove to be an enduringly popular addition to community library Mystery/Suspense collections." --Midwest Book Review "I've always enjoyed reading noir. Dark, ironic mysteries are a good read to me. Since this collection includes old classics as well as some new stories, I knew it would be good....I wasn't disappointed." --Journey of a Bookseller "Chicago Noir The Classics does everything anthologies and noir are supposed to, but this title achieves an unheralded goal that deserves notice....This is wonderful diversity, coming both unexpected and unhearalded. Anthologies are supposed to convey a sense of having covered the territory, Joe Meno has. Ethnically diverse city, ethnically diverse plots. Better, Chicago Noir The Classics showcases diversity as normal, everyday. This adds inescapable satisfaction to a sense of the editor's having covered the territory." --La Bloga "A worthy addition to the Akashic Books noir series." --Book Chase Although Los Angeles may be considered the most quintessentially "noir" American city, this volume reveals that pound-for-pound, Chicago has historically been able to stand up to any other metropolis in the noir arena. Classic reprints from: Harry Stephen Keeler, Sherwood Anderson, Max Allan Collins, Richard Wright, Nelson Algren, Fredric Brown, Patricia Highsmith, Barry Gifford, Stuart M. Kaminsky, Libby Fischer Hellmann, Sara Paretsky, Percy Spurlark Parker, Sandra Cisneros, Hugh Holton, and Stuart Dybek. From the introduction by Joe Meno "More corrupt than New York, less glamorous than LA, Chicago has more murders per capita than any other city its size. With its sleek skyscrapers bisecting the fading sky like an unspoken threat, Chicago is the closest metropolis to the mythical city of shadows as first described in the work of Chandler, Hammett, and Cain. Only in Chicago do instituted color lines offer generation after generation of poverty and violence, only in Chicago do the majority of governors do prison time, only in Chicago do the dead actually vote twice. "Chicago--more than the metropolis that gave the world Al Capone, the Saint Valentine's Day Massacre, the death of John Dillinger, the crimes of Leopold and Loeb, the horrors of John Wayne Gacy, the unprecedented institutional corruption of so many recent public officials, more than the birthplace of Raymond Chandler--is a city of darkness. This darkness is not an act of over-imagination. It's the unadulterated truth. It's a pointed though necessary reminder of the grave tragedies of the past and the failed possibilities