In 1970, Hans Rookmaaker published Modern Art and the Death of a Culture, a groundbreaking work that considered the role of the Christian artist in society. This volume responds to his work by bringing together a practicing artist and a theologian, who argue that modernist art is underwritten by deeply religious concerns.

The operas of the German composer Richard Wagner had a revolutionary influence on the course of Western music. Unlike most opera composers, Wagner wrote both the libretto and the music for each of his works. He went on to revolutionise the music form through his concept of the Gesamtkunstwerk (total work of art), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He achieved these ideas most fully in his epic cycle of operas 'Der Ring des Nibelungen', notable for complex textures, rich harmonies and the elaborate use of leitmotifs. Delphi’s Great Composers Series offers concise illustrated guides to the life and works of our greatest composers. Analysing the masterworks of each composer, these interactive eBooks include links to popular streaming services, allowing you to listen to the pieces of music you are reading about. Evaluating the masterworks of each composer, you will explore the development of their works, tracing how they changed the course of music history. Whether a classical novice or a cultivated connoisseur, this series offers an intriguing overview of the world’s most famous and iconic compositions. This volume presents Wagner’s masterworks in succinct detail, with informative introductions, accompanying illustrations and the usual Delphi bonus features. (Version 1) * Concise and informative overview of Wagner’s masterworks* Learn about the operas that made Wagner a celebrated composer* Links to popular streaming services (free and paid), allowing you to listen to the masterpieces you’re reading about* Features a special ‘Complete Compositions’ section, with an index of Wagner’s complete works and links to streaming services* English translations of the librettos for the major operas, including works appearing for the first time in digital print* A wide selection of the composer’s prose works, including fiction, pioneering essays and Wagner’s celebrated autobiography* Includes Wagner’s letters to Franz Liszt — explore the composer’s personal correspondence* Features six biographies on the great composer — explore Wagner's intriguing musical and personal life Please visit www.delphiclassics.com to browse through our range of exciting eBooks CONTENTS: The MasterworksSymphony in C MajorDas LiebesverbotFaust OvertureRienziDer fliegende HolländerTannhäuserLohengrinDas RhinegoldDie WalküreTristan und IsoldeWesendonck LiederDie Meistersinger von NürnbergSiegfriedSiegfried IdyllGötterdämmerungParsifal Complete CompositionsIndex of Wagner’s Compositions Selected LibrettosDer fliegende HolländerLohengrinDas RhinegoldDie WalküreTristan und IsoldeSiegfriedGötterdämmerungParsifal Selected ProseAutobiographic SketchOn German OperaArt and RevolutionThe Art-Work of the FutureJudaism in MusicA Communication to My FriendsOpera and DramaBeethovenWhat is German?An End in ParisOn ConductingReligion and Art The LettersCorrespondence of Wagner and Liszt The AutobiographyMy Life The BiographiesRichard Wagner: His Life and His Dramas by W. J. HendersonLife of Wagner by Ludwig NohlRichard Wagner, Composer of Operas by John F. RuncimanWagner by Paul RosenfeldWagner as I Knew Him by Ferdinand PraegerRichard Wagner by Rupert Hughes Please visit www.delphiclassics.com to learn more about our wide range of exciting titles

The Routledge Handbook of the Sociology of Arts and Culture offers a comprehensive overview of sociology of art and culture, focusing especially – though not exclusively – on the visual arts, literature, music, and digital culture. Extending, and critiquing, Bourdieu’s influential analysis of cultural capital, the distinguished international contributors explore the extent to which cultural omnivorousness has eclipsed highbrow culture, the role of age, gender and class on cultural practices, the character of aesthetic preferences, the contemporary significance of screen culture, and the restructuring of popular culture. The Handbook critiques modes of sociological determinism in which cultural engagement is seen as the simple product of the educated middle classes. The contributions explore the critique of Eurocentrism and the global and cosmopolitan dimensions of cultural life. The book focuses particularly on bringing cutting edge ‘relational’ research methodologies, both qualitative and quantitative, to bear on these debates. This handbook not only describes the field, but also proposes an agenda for its development which will command major international interest.

Music and Modern Art adopts an interdisciplinary approach to the relationship between these two fields of creative endeavor.

This book seeks to understand culture through the lens of scenes, analyzing them aesthetically and culturally as well as understanding them through the frameworks of gender, social networks, and artworlds. It is common to talk about the cultural and intellectual scenes of early twentieth-century Vienna, the visual art scene of postwar New York, and the music and fashion scene of the swinging London. We often think about artists and works of art as essentially belonging to a certain scene. Scenes might offer a new approach to study what is possible, what is a tradition, and/or to discuss what are the relevant units of contemporary culture for research. The book posits that scenes explain a lot about how the artworld and the cultural field function. Vivienne Westwood, Rene Magritte, Roman Jakobson, Arthur C. Danto, Susan Sontag, James Baldwin, and Didier Eribon are among the figures included in the book, which examines scenes in cities such as Moscow, Bombay, New York, London, Paris, Brussels, Helsinki, and Bratislava. The book will be of interest to scholars working in art history, cultural studies, philosophy, film, literature, and urban studies.

This book proposes new understandings of modern life in Britain by bringing constructs of female spirituality centre stage and examining three ‘forgotten’ artists identified with the Pre-Raphaelites and Victorianism. Thomas Cooper Gotch, Robert Anning Bell and Frederick Cayley Robinson are resituated squarely within the tumultuous social and cultural changes of the period. Becoming visible again, in more inclusive histories, allows such artists not only to re-inhabit but to reshape narratives of modernism, reanimating the scholarly discourse and creating a dynamic cultural history of modern Britain expressed through their striking visions of womanhood. This book will be of interest to scholars in art history, gender studies and British studies.

Employing a wide range of approaches from various disciplines, contributors to this volume explore the diverse ways in which European art and cultural practice from the fourteenth through the seventeenth centuries confronted, interpreted, represented and evoked the realm of the sensual. Sense and the Senses in Early Modern Art and Cultural Practice investigates how the faculties of sight, hearing, touch, taste and smell were made to perform in a range of guises in early modern cultural practice: as agents of indulgence and pleasure, as bearers of information on material reality, as mediators between the mind and the outer world, and even as intercessors between humans and the divine. The volume examines not only aspects of the arts of painting and sculpture but also extends into other spheres: philosophy, music and poetry, gardens, food, relics and rituals. Collectively, the essays gathered here form a survey of key debates and practices attached to the theme of the senses in Renaissance and Baroque art and cultural practice.