An in-depth summary of the Horror Cinema of the 60s and 70s, with references to earlier and later films. The topics examined are: Fear and contamination, Gothic and horror movies before 1968, 1968, Rosemary's Baby: satanic and demonic cinema, Night of the Living Dead, Horror movies in the ‘70s, New frontiers: monsters, zombies and chain saws. The following films were then analysed: Faust, The Curse of Frankenstein, Dracula, Rosemary’s Baby, Night of the Living Dead, Repulsion, The Tenant, The Devil's Daughter, The Antichrist, The Exorcist, The Guardian, Twins of Evil, Lust for a Vampire, Taste the Blood of Dracula, Demons of the Mind, The Abominable Dr. Phibes, Dr. Phibes Rises Again, Whoever Slew Auntie Roo?, The Legend of Hell House, It’s Alive, The Omen, The Brood, Exorcist II: The Heretic, The Exorcist III, Damien: Omen II, Rabid, Shivers, The Fly, Dead Ringers, Dawn of the Dead, The Crazies, Martin, Creepshow, Day of the Dead, Monkey Shines, Psycho, The Texas Chain Saw Massacre, Eaten Alive, Salem's Lot, The Funhouse, Poltergeist, The Mangler, The Last House on the Left, The Hills Have Eyes. Of each film: technical cast, plot, criticism as well as the judgment of the Catholic church (Catholic evaluation). Finally, more than 120 images including posters and images taken from the films.

The evil clown is a subversion of the traditional comic clown character, in which the playful trope is instead rendered as disturbing through the use of horror elements and dark humor. The modern archetype of the evil clown was popularized by DC Comics character the Joker starting in 1940 and again by Pennywise in Stephen King's 1986 novel It. The character can be seen as playing off the sense of unease felt by sufferers of coulrophobia, the fear of clowns This book is the assembly of various texts that are freely available on the web, especially from Wikipedia. The next obvious question is: why buy this book? The answer: because it means you avoid having to carry out long and tedious internet searches. The topics are all linked to each other organically, and as a function of the subject and, in most cases, contain additional unpublished topics, not found on the web. Moreover, the inclusion of images completes the work so as to make it unique and unrepeatable. Contents of the book: The evil clown: Origins, Interpretations, Urban legends and incidents, Clown sightings, Response to evil clowns in media, Depictions. Evil Clowns Horror Movies: Clown Kill, The Clown Murders, Clownhouse, Fear of Clowns, The House on Sorority Row. Horror films about clowns. The poster of each film, scenes from the film, plot, criticism and other curiosities.

A disaster film or disaster movie is a film genre that has an impending or ongoing disaster as its subject and primary plot device. Such disasters include natural disasters such as floods, earthquakes, tsunamis or asteroid collisions, accidents such as shipwrecks or airplane crashes, or calamities like worldwide disease pandemics. A subgenre of action films, these films usually feature some degree of build-up, the disaster itself, and sometimes the aftermath, usually from the point of view of specific individual characters or their families or portraying the survival tactics of different people. These films often feature large casts of actors and multiple plot lines, focusing on the characters' attempts to avert, escape or cope with the disaster and its aftermath. The genre came to particular prominence during the 1970s with the release of high-profile films such as Airport (1970), followed in quick succession by The Poseidon Adventure (1972), Earthquake (1974) and The Towering Inferno (1974). The casts were generally made up of familiar character actors. Once the disaster begins in the film, the characters are usually confronted with human weaknesses, often falling in love and almost always finding a villain to blame. The films usually feature a persevering hero or heroine (Charlton Heston, Steve McQueen, etc.) called upon to lead the struggle against the threat. In many cases, the "evil" or "selfish" individuals are the first to succumb to the conflagration. The genre experienced a renewal in the 1990s boosted by computer-generated imagery (CGI) and large studio budgets which allowed for greater spectacle, culminating in the cinematic phenomenon that was James Cameron's Titanic in 1997. This book is the assembly of various texts that are freely available on the web, especially from Wikipedia. The next obvious question is: why buy this book? The answer: because it means you avoid having to carry out long and tedious internet searches. The topics are all linked to each other organically, and as a function of the subject and, in most cases, contain additional unpublished topics, not found on the web. Moreover, the inclusion of images completes the work so as to make it unique and unrepeatable. Contents of the book: Horror Disasters Movies: Origins, 1970s, Genre revival. Movies: Airport (1970), The Poseidon Adventure (1972), Earthquake (1974), The Towering Inferno, Armageddon (1998). List of disaster films: Meteoroids, asteroids and impact events, End of days. Of each film: Poster, scenes from the film, plot, criticism and other curiosities.

A devil is the personification of evil as it is conceived in many and various cultures and religious traditions. It is seen as the objectification of a hostile and destructive force. It is difficult to specify a particular definition of any complexity that will cover all of the traditions, beyond that it is a manifestation of evil. It is meaningful to consider the devil through the lens of each of the cultures and religions that have the devil as part of their mythos. The history of this concept intertwines with theology, mythology, psychiatry, art and literature, maintaining a validity, and developing independently within each of the traditions. It occurs historically in many contexts and cultures, and is given many different names -Satan, Lucifer, Beelzebub, Mephistopheles - and attributes: It is portrayed as blue, black, or red; It is portrayed as having horns on its head, and without horns, and so on. The idea of the devil has been taken seriously often, but not always, for example when devil figures are used in advertising and on candy wrappers. This book is the assembly of various texts that are freely available on the web, especially from Wikipedia. The next obvious question is: why buy this book? The answer: because it means you avoid having to carry out long and tedious internet searches. The topics are all linked to each other organically, and as a function of the subject and, in most cases, contain additional unpublished topics, not found on the web. Moreover, the inclusion of images completes the work so as to make it unique and unrepeatable. Contents of the book: The Devil: Etymology, Definitions, Bahá'í Faith, Christianity, Apocrypha/Deuterocanon, German paganism, Mandaeanism, Catharism, Hinduism, Islam, In Sufism and mysticism, In Salafism, Judaism, Manichaeism, Tengrism, Yazidism, Zoroastrianism. Demons: Titles. Devil in the arts and popular culture: Entertainment, Music, Classical music, Popular music, Film and television, Film, Television, Animation, Anime and manga, Radio, Literature, Comics, Video games, Role-playing games, The Devil's Dictionary, U.S. Justice. Demons Horror Movies The Most Representative Movies: Angel Heart, The Devil's Advocate, Rosemary's Baby, Constantine, The Greatest Story Ever Told. Of each film: Poster, images taken from the film, plot, criticism and other curiosities. List of films about demons.

Jennifer Lawrence and her films (323 pages and more 100 images) This book is the assembly of various texts that are freely available on the web, especially from Wikipedia, Wikisource and Project Gutenberg. The next obvious question is: why buy this book? The answer: because it means you avoid having to carry out long and tedious internet searches. And of course, because it is always a pleasure to have a book in print. The topics are all linked to each other organically, and as a function of the subject and, in most cases, contain additional unpublished topics, not found on the web. Moreover, the inclusion of numerous images completes the work so as to make it unique and unrepeatable. Contents of the book: JENNIFER LAWRENCE BIOGRAPHY. THE FILMS: GARDEN PARTY, THE BURNING PLAIN, WINTER'S BONE, LIKE CRAZY, THE BEAVER, X-MEN: FIRST CLASS, THE HUNGER GAMES, SILVER LININGS PLAYBOOK, HOUSE AT THE END OF THE STREET, THE DEVIL YOU KNOW, THE HUNGER GAMES: CATCHING FIRE, AMERICAN HUSTLE, X-MEN: DAYS OF FUTURE PAST, SERENA, THE HUNGER GAMES: MOCKINGJAY – PART 1, DIOR AND I, THE HUNGER GAMES: MOCKINGJAY – PART 2, JOY, A BEAUTIFUL PLANET, X-MEN: APOCALYPSE, PASSENGERS, MOTHER!, RED SPARROW, DARK PHOENIX. ACCOLADES. LIST OF AWARDS AND NOMINATIONS RECEIVED.

Analysis and criticism of the film. This book is the assembly of various texts that are freely available on the web, especially from Wikipedia. The next obvious question is: why buy this book? First because it is free, second because it is in eBook format, third because there are images that you cannot find on wikipedia.

Analysis and criticism of the film. This book is the assembly of various texts that are freely available on the web, especially from Wikipedia. The next obvious question is: why buy this book? First because it is free, second because it is in eBook format, third because there are images that you cannot find on wikipedia.

Analysis and criticism of the film. This book is the assembly of various texts that are freely available on the web, especially from Wikipedia. The next obvious question is: why buy this book? First because it is free, second because it is in eBook format, third because there are images that you cannot find on wikipedia.

De Sade (German title: Das Ausschweifende Leben des Marquis De Sade) is a 1969 American-German drama film starring Keir Dullea and Senta Berger. It is based on the life of Donatien Alphonse François, Marquis de Sade, named Louis Alphonse Donatien in the film. Dullea, in his first film role since the 1968 release of 2001: A Space Odyssey, plays the title character in a film characterized by its psychedelic imagery and go-go sensibilities. As the dying Marquis recalls his life out of sequence, he is terrorized by his uncle and haunted by his own past of debauchery.