This collection of 44 pieces spotlights the works of important Russian composers who popularized their native folk music. Contributors include Michael Glinka, Alexander Borodin, Modest Mussorgsky, Nikolas Rimsky-Korsakov, Alexander Scriabin, and others.

A great musical tradition flourished in the late 19th- and early-20th–century Russia, nurturing such renowned composers as Mussorgsky, Tchaikovsky, Rachmaninov, and Prokofiev. Unfortunately, many superb compositions by lesser Russian composers have been eclipsed by the works of these giants. In this volume, University of Kentucky musicologist Dmitry Feofanov presents eleven overlooked masterpieces — important Russian piano works of the late 18th to 20th centuries virtually unobtainable elsewhere. Here is Mikhail Glinka's Prayer, a rare program piece by the founder of Russian opera, the first composer whose music was performed in the West; German-born Johann Hässler's Sonata-Fantasie, Op. 4, which anticipates Beethoven in structure; and Sergey Liapunov's Transcendental Etude, Op. 11, No. 10, a stunning tour de force of piano technique. Also included in this impressive collection: Balakirev: Rêverie Glazunov: Prelude and Fugue in D Minor, Op. 62 Griboyedov: Two Waltzes Kalinnikov: Nocturne in F-Sharp Minor Liadov: Prelude, Op. 11, No.1 Medtner: Sonata in G Minor, Op. 22 Schlözer: Etude in A-flat, Op. 1, No. 2 Taneyev: Prelude and Fugue, Op. 29 All scores are authoritative, reprinted from rare Russian texts, many of which are now out of print — with new translations of performance instructions. Short biographies of each composer and background information on each piece round out this fine, modestly priced performance and study edition — sure to appeal to pianists, students, music historians, and music lovers everywhere.

A fully updated new edition of this overview of contemporary Russia and the influence of its Soviet past.

"The Hinson" has been indispensable for performers, teachers, and students. Now updated and expanded, it's better than ever, with 120 more composers, expertly guiding pianists to solo literature and answering the vital questions: What's available? How difficult is it? What are its special features? How does one reach the publisher? The "new Hinson" includes solo compositions of nearly 2,000 composers, with biographical sketches of major composers. Every entry offers description, publisher, number of pages, performance time, style and characteristics, and level of difficulty. Extensively revised, this new edition is destined to become a trusted guide for years to come.

Guide to the Pianist's Repertoire continues to be the go-to source for piano performers, teachers, and students. Newly updated and expanded with more than 250 new composers, this incomparable resource expertly guides readers to solo piano literature and provides answers to common questions: What did a given composer write? What interesting work have I never heard of? How difficult is it? What are its special musical features? How can I reach the publisher? New to the fourth edition are enhanced indexes identifying black composers, women composers, and compositions for piano with live or recorded electronics; a thorough listing of anthologies and collections organized by time period and nationality, now including collections from Africa and Slovakia; and expanded entries to account for new material, works, and resources that have become available since the third edition, including websites and electronic resources. The "newest Hinson" will be an indispensible guide for many years to come.