When we think about the process of European unification, our conversations inevitably ponder questions of economic cooperation and international politics. Salvatore Pappalardo offers a new and engaging perspective, arguing that the idea of European unity is also the product of a modern literary imagination. This book examines the idea of Europe in the modernist literature of primarily Robert Musil, Italo Svevo, and James Joyce (but also of Theodor Däubler and Srecko Kosovel), all authors who had a deep connection with the port city of Trieste. Writing after World War I, when the contested city joined Italy, these authors resisted the easy nostalgia of the postwar period, radically reimagining the origins of Europe in the Mediterranean culture of the Phoenicians, contrasting a 19th-century nationalist discourse that saw Europe as the heir of a Greek and Roman legacy. These writers saw the Adriatic city, a cosmopolitan bazaar under the Habsburg Empire, as a social laboratory of European integration. Modernism in Trieste seeks to fill a critical gap in the extant scholarship, securing the literary history of Trieste within the context of current research on Habsburg and Austrian literature.

Winner of the 2000 Barbara Jelavich Prize in Habsburg, Russian or Ottoman history (American Association for the Advancement of Slavic Studies) and finalist in the 1999 National Jewish Book Awards, History category. “Dubin’s brilliant study of the cosmopolitan entrepôt of goods and peoples that was Trieste breaks new ground in our understanding of Jewish life in the Old Regime Europe. It demonstrates with exacting detail the extensive privileges such ‘port Jews’ enjoyed and the effect enlightened absolutism and emancipation politics exercised upon them, while skillfully portraying the Jews’ political and cultural responses. It is a classic study in modern Jewish history.” — David Sorkin, University of Wisconsin, Madison “Lois C. Dubin has produced a solid and original monograph that explores the economic, legal, political, and cultural changes experienced by Trieste’s Jewish community within the context of the reform policy of the Austrian enlightened absolutists and Enlightenment ideology... Dubin has written an outstanding work on Trieste’s Jews... a very valuable study that I recommend to any reader interested in Jewish and Habsburg history, as well as the Enlightenment.” — The American Historical Review “A valuable and carefully researched book... Dubin’s book is an important contribution not only to the study of Habsburg Jewry but also to our understanding of eighteenth-century absolutism.” — The Journal of Modern History “The book is replete with keen insights into the experiences of European Jews during the initial phases of the transition from the world of corporate orders to modern class society... Dubin's discussion of the dynamics of Haskalah in Trieste is a sophisticated and nuanced analysis of one of the crucial chapters in the modernization of European Jewry.” — Journal of Urban History “With this superb book, Lois C. Dubin has successfully and elegantly slain the two-headed dragon of modern Jewish historiography: nationalism and Germanocentrism. She has also provided Habsburg historians with a much-needed treatment of the complex interaction between state-building, reforming absolutism and the Jews, one of several significant ‘national minorities’ within the heterogeneous empire... The essential economic role played by Triestine Jewry once Charles VI declared Trieste a free port in 1719 made them indispensable to the Habsburg state. This indispensability itself is a critical marker in the shift between medieval and early modern Jewish history. What had been a liability, Jewish predominance in middle-class professions, particularly in trade, became an asset with the rise of mercantilism and a state-centralized economy. Coupled with the distinctive culture of Italian Jews, toleration shaped the ways in which Triestine Jews responded to Josephinian reforms, the Jewish Enlightenment in Berlin, challenges to Jewish marriage and divorce law, educational changes, and the dissolution of the ghetto, all of which Dubin explores with nuance and clarity... The Port Jews of Habsburg Trieste employs source material in all the essential languages, German, Hebrew and Italian, and Dubin is equally at home analyzing Viennese and Triestine archival material and rare Hebrew periodical literature published in Vienna and Berlin. Her assured use of such diverse materials is also welcome because it restores historical agency to the Jewish population which is at the center of her study... The Port Jews of Habsburg Trieste will undoubtedly remain the classic treatment of this fascinating city and of Habsburg state-building in one of its most important ports.” — Nancy Sinkoff, H-Net “Dubin has made here an important contribution that belongs in every library that addresses Judaism and the modern world.” — German Studies Review “Un travail magistral.” — Annales: Histoire, Sciences Sociales

Speaking Memory evokes the complex "language-scapes" that form at the crossroads of culture and history in cities. While engaging with current debates on the nature and role of translation in globalized urban landscapes, the contributors offer a series of detailed and nuanced readings of “translational” cities – their histories, their construction and transformation in memory, and the artistic projects that tell their stories. The three sections of the book highlight historical case studies, conceptual issues, and text-based analyses of city scripts, in particular as they relate to creative literary practices and language interventions on the surface of the city itself. In this volume, translation points to the dissonance of city life, but also to the possibility of a generalized, public discourse – a space vital to urban citizenship, where the convergence of languages can be the source of new conversations. Essays cover a variety of topics and approaches, bringing new voices and insights to discussions on multilingualism and translation in the urban contexts of cities including Dublin, Montevideo, Montreal, Prague, and Vilnius. Defining cities as fields of translational forces where languages are both in conversation and in tension, translation in Speaking Memory is stretched beyond its usual confines, encompassing literary, artistic, and cultural practices that permeate everyday contemporary life. Contributors include Liamis Briedis (Vilnius University), Matteo Colombi (University of Leipzig), Michael Cronin (Dublin City University), Michael Darroch (Windsor University), Roch Duval (Université de Montréal), Andre Furlani (Concordia University), Simon Harel (Université de Montréal), William Marshall (Stirling University), Sarah Mekdjian (Université Paris III), Alexis Nouss (Université d’Aix en Provence), Katia Pizzi (University of London), Sherry Simon (Concordia University), Will Straw (McGill University), and Miriam Suchet (Université Paris III).

The volume offers an overview of the diverse Jewish experiences in Southeastern Europe from the 19th to the 21st centuries, and the various forms and strategies of their representation in literature, the arts, historiography and philosophy. Southeastern Europe is characterized by a high degree of ethnical, religious and cultural diversity. Jews, whether Sephardim, Ashkenazim or Romaniots – settling there in different periods – experienced divergent life worlds which engendered rich cultural production. Though recent scholarly and popular interest in this heterogeneous region has grown impressively, Jewish cultural production is still an under-researched area. The volume offers an overview of the diverse Jewish experiences in Southeastern Europe from the 19th to the 21st centuries, and the various forms and strategies of their representation in literature, the arts, historiography and philosophy, thus creating a dialogue between Jewish studies, Balkan studies, and current literary and cultural theories.

In this highly original study Joseph Mali explores how four attentive and inventive readers of Giambattista Vico's New Science (1744) - the French historian Jules Michelet (1798–1874), the Irish writer James Joyce (1882–1941), the German literary scholar Erich Auerbach (1892–1957) and the English philosopher Isaiah Berlin (1909–97) - came to find in Vico's work the inspiration for their own modern theories (or, in the case of Joyce, stories) of human life and history. Mali's reconstruction of the specific biographical and historical occasions in which these influential men of letters encountered Vico reveals how their initial impressions and interpretations of his theory of history were decisive both for their intellectual development and their major achievements in literature and thought. This new interpretation of the legacy of Vico's New Science is essential reading for all those engaged in the history of ideas and modern cultural history.

Donald J. Murphy Prize for a Distinguished First Book "Pearson is convincing in arguing that Irish writers often straddle the space between national identity and a sense of belonging to a larger, more cosmopolitan environment."--Choice "Demonstrat[es]. . .just what it is that makes comparative readings of history, politics, literature, theory, and culture indispensable to the work that defines what is best and most relevant about scholarship in the humanities today."--Modern Fiction Studies "[An] admirable book . . . Repositions the artistic subject as something different from the biographical Joyce, Bowen, or Beckett, cohering as a series of particular aesthetic responses to the dilemma of belonging in an Irish context."--James Joyce Broadsheet "A smart and compelling approach to Irish expatriate modernism. . . . An important new book that will have a lasting impact on postcolonial Irish studies."--Breac "Clearly written, convincingly argued, and transformative."--Nicholas Allen, author of Modernism, Ireland and Civil War "Goes beyond 'statism' and postnationalism toward a cosmopolitics of Irish transnationalism in which national belonging and national identity are permanently in transition."--Gregory Castle, author of The Literary Theory Handbook "Shows how three important Irish writers crafted forms of cosmopolitan thinking that spring from, and illuminate, the painful realities of colonialism and anti-colonial struggle."--Marjorie Howes, author of Colonial Crossings: Figures in Irish Literary History "Asserting the simultaneity of national and global frames of reference, this illuminating book is a fascinating and timely contribution to Irish Modernist Studies."--Geraldine Higgins, author of Heroic Revivals from Carlyle to Yeats Looking at the writing of three significant Irish expatriates, Nels Pearson challenges conventional critical trends that view their work as either affirming Irish anti-colonial sentiment or embracing international identity. In reality, he argues, these writers constantly work back and forth between a sense of national belonging that remains incomplete and ideas of human universality tied to their new global environments. For these and many other Irish writers, national and international concerns do not conflict, but overlap--and the interplay between them motivates Irish modernism. According to Pearson, Joyce 's Ulysses strives to articulate the interdependence of an Irish identity and a universal perspective; Bowen's exiled, unrooted characters are never firmly rooted in the first place; and in Beckett, the unsettled origin is felt most keenly when it is abandoned for exile. These writers demonstrate the displacement felt by many Irish citizens in an ever-changing homeland unsteadied by long and turbulent decolonization. Searching for a sense of place between national and global abstractions, their work displays a twofold struggle to pinpoint national identity while adapting to a fluid cosmopolitan world.

This collection charts the vital contextual backgrounds to James Joyce's life and writing. The essays collectively show how Joyce was rooted in his times, how he is both a product and a critic of his multiple contexts, and how important he remains to the world of literature, criticism and culture.