Following Austerity Britain and Family Britain, the third and fulcrum volume in David Kynaston's landmark social history of post-war Britain.

In 1938: Modern Britain, Michael John Law demonstrates that our understanding of life in Britain just before the Second World War has been overshadowed by its dramatic political events. 1938 was the last year of normality, and Law shows through a series of case studies that in many ways life in that year was far more modern than might have been thought. By considering topics as diverse as the opening of a new type of pub, the launch of several new magazines, the emergence of push-button radios and large screen televisions sets, and the building of a huge office block, he reveals a Britain, both modern and intrigued by its own modernity, that was stopped in its tracks by war and the austerity that followed. For some, life in Britain was as consumerist, secular, Americanized and modern as it would become for many in the late 1950s and early 1960s. Presenting a fresh perspective on an important year in British social history, illuminated by six engaging case studies, this is a key study for students and scholars of 20th-century Britain.

This work offers a fresh perspective to the study of 'Europe' by placing the discussion of 'What is Europe?' and 'What is it to be European?', in a wider context of the study of modernity through a collection of nine case studies.

The dramatic social, cultural, and political changes in the twentieth century posed challenges and opportunities to Christian believers in Britain and Ireland: many, whether in the churches or among the laity, sought to adapt their faith to what was seen as a new, “modern” world fundamentally different than the one in which Christianity had risen to a position of institutional and cultural dominance. Alongside the more long-term processes of industrialisation, urbanisation, and democratisation, the formative experiences of war and post-war reconstruction, confrontations with totalitarianism, changing relations between the sexes, and engagements with an increasingly assertive “secular” culture inspired many Christians not only to reconsider their faith but also to try to influence the emerging modernity. The chapters in this volume address various specific topics – from mass politics to sexuality – but are linked by a stress on how Christians played active roles in building “modern” life in twentieth-century Britain and Ireland. Tensions and ambiguities between “religious” and “secular” and between “modern” and “traditional” make understanding Christian encounters with modernity a valuable topic in the exploration of the complexities of twentieth-century cultural and intellectual history. This book will be of great value to students and scholars in the fields of history including modern British history, religion, and the intersectionality of gender and religion. The chapters in this book were originally published as a special issue of Contemporary British History.

In nineteenth-century Britain, the effects of democracy in America were seen to spread from Congress all the way down to the personal habits of its citizens. Bringing together political theorists, historians, and literary scholars, this volume explores the idea of American democracy in nineteenth-century Britain. The essays span the period from Independence to the First World War and trace an intellectual history of Anglo-American relations during that period. Leading scholars trace the hopes and fears inspired by the American model of democracy in the works of commentators, including Thomas Paine, Mary Wollstonecraft, Alexis de Tocqueville, Charles Dickens, John Stuart Mill, Richard Cobden, Charles Dilke, Matthew Arnold, Henry James and W. T. Stead. By examining the context of debates about American democracy and notions of ’culture’, citizenship, and race, the collection sheds fresh light on well-documented moments of British political history, such as the Reform Acts, the Abolition of Slavery Act, and the Anti-Corn Law agitation. The volume also explores the ways in which British Liberalism was shaped by the American example and draws attention to the importance of print culture in furthering radical political dialogue between the two nations. As the comprehensive introduction makes clear, this collection makes an important contribution to transatlantic studies and our growing sense of a nineteenth-century modernity shaped by an Atlantic exchange. It is an essential reference point for all interested in the history of the idea of democracy, its political evolution, and its perceived cultural consequences.

Why and how was the term ‘built environment’ first introduced? Inventing the Built Environment retrieves the origin of this ubiquitous term. The articulation of the ‘built environment,’ Kei demonstrates, coincided with the redefinition of education, research, and professional practices in architecture and town planning in 1960s Britain. Concentrating on the half-decade during which the term permeated the architectural and planning professions, this book recalls a time when the ‘built environment’ was conceived as a part of the British government’s effort in national economic planning. Inventing the Built Environment unpacks the proposal for a Research Council for the Built Environment to mobilise architecture and town planning for political economy. How a relatively small group of architects, planners, politicians, and researchers transposed scientific thoughts from biology, economics, and computation into the ‘built environment’ will be considered, too. Kei highlights the assumptions about and classification of the population that were made when inventing the ‘built environment.’ The architectural and biosocial implications of the making and remaking of this architectural-environmental notion, in Britain and beyond, will be revealed through the works of pre-eminent architect-planners including Richard Llewelyn-Davies and William Holford. At a time when environmental concerns again take the front seat of architectural and planning debates, this book offers, for scholars and students, an alternative lens to reflect on the assumptions and bias that can be embedded in our architectural lexicons.

The introduction of decimal currency in the UK and Ireland in February 1971 is a subject strangely neglected by historians of the period, despite it being a change which affected the daily life of everyone living in the British Isles at the time. Most histories of the 1960s and 1970s treat it as a mere footnote, an administrative reform of little significance, or ignore it altogether. What commentary there has been tends to be ill-informed, seeing decimalisation either as a harbinger of creeping Europeanisation or the trigger for the inflation of the mid-1970s or both. 50 years after “D-Day” there has been no comprehensive historical study of decimalisation, other than an official account by the secretary to the Decimal Currency Board, Noel Moore, in 1973. This ground-breaking work debunks the myths around the decimalisation project, and demonstrates, through an extensive examination of official documents and contemporary media reports, that the reform was an essentially conservative one. Far from ditching tradition in favour of ‘Euro-normality’, by retaining the pound as the ‘heaviest’ currency in the developed world, the UK government, keen to maintain the supposed prestige of Sterling effectively defended British exceptionalism. Only in the Irish Republic was the issue of compatibility with the currencies of Western Europe seriously considered. In examining the debates around decimalisation in Britain and Ireland from the mid-1950s through to 1971, this book fills a gap in the historiography, and through the prism of decimalisation, nuances our understanding of both the internal politics of the UK and Ireland, and relationships with Europe and the Commonwealth.

SPECTATOR BOOKS OF THE YEAR 2015 Britain's empire has gone. Our manufacturing base is a shadow of its former self; the Royal Navy has been reduced to a skeleton. In military, diplomatic and economic terms, we no longer matter as we once did. And yet there is still one area in which we can legitimately claim superpower status: our popular culture. It is extraordinary to think that one British writer, J. K. Rowling, has sold more than 400 million books; that Doctor Who is watched in almost every developed country in the world; that James Bond has been the central character in the longest-running film series in history; that The Lord of the Rings is the second best-selling novel ever written (behind only A Tale of Two Cities); that the Beatles are still the best-selling musical group of all time; and that only Shakespeare and the Bible have sold more books than Agatha Christie. To put it simply, no country on earth, relative to its size, has contributed more to the modern imagination. This is a book about the success and the meaning of Britain's modern popular culture, from Bond and the Beatles to heavy metal and Coronation Street, from the Angry Young Men to Harry Potter, from Damien Hirst toThe X Factor.

This important book exposes the subtle violence in early modern England, showing that moderation was paradoxically an ideology of control.

Literary Tourism and the British Isles: History, Imagination, and the Politics of Place explores literary tourism’s role in shaping how locations in the British-Irish Isles have been seen, historicized, and valued. Within its chapters, contributors approach these topics from vantage points such as feminism, cultural studies, geographic and mobilities paradigms, rural studies, ecosystems, philosophy of history, dark tourism, and marketing analyses. They examine guidebooks and travelogues; oral history, pseudo-history, and absent history; and literature that spans Renaissance drama to contemporary popular writers such as Dan Brown, Diana Gabaldon, and J.K. Rowling. Places discussed in the collection include “the West;” Wordsworth Country and Brontë Country; Stowe and Scotland; the Globe Theatre and its environs; Limehouse, Rosslyn Chapel, and the imaginary locations of the Harry Potter series. Taken as a whole, this collection illuminates some of the ways by which “the British Isles” have been created by literary and historical narratives, and, in turn, will continue to be seen as places of cultural importance by visitors, guidebooks, and site sponsors alike.