It's 1977, 10 years after Big Rock Beat, and Beau Young is back. Now he's playin' the blues -- literally. As he tours smoky dives with blues legend Oakland Slim he uncovers an evil voodoo plot to assassinate the remaining blues masters. But disco rules, so who cares about a few dead blues greats? Then legendary blues martyr Robert Johnson turns up alive 43 years after his reported death, a victim of a New Orleans witch's zombie poison, not a jealous husband as originally reported. Beau knows Johnson could be the key to the murders. But Robert Johnson sold his soul to the devil decades before. With Beau's help he must return to the infamous crossroads and face his destiny. And both of them must face the awesome power of the Mojo Hand. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Presents the life of the acclaimed blues musician, known for songs whose topics ranged from his African American roots to space exploration, and focuses on his eccentric style of guitar playing and his lasting influences in music.

Presents the tragic story of a woman's involvement with the elderly blues singer, Blacksnake Brown.

1931. Bronzeville. Chicago.The mage, Frank "Half Dead" Johnson, is a marked man. Literally. A drunken decision fueled by tragedy has left him with half a soul, sorcerous powers, and two centuries to work off his debt to Scratch (aka The Devil) himself. Half-Dead is visited by a demon from his past who wants him to take on a very dangerous demon today.

Shane Berryhill’s first dark adult fantasy is the story of ZORA BANKS—a beautiful, Southern conjure woman of mixed race—as told through the eyes of her partner, ASH OWENS, a pretty boy-redneck cursed with a monstrous alter ego. When Tennessee State Representative Jack Walker hires Ash to find his missing, drug-addicted wife, Ash finds himself at odds with Chattanooga’s various underworld gangs—both the living and the unliving—as he and Zora become embroiled in a far-reaching occult organization’s grab for ultimate power. Equal parts True Blood and Justified, Bad Mojo is a dark delight for fans of urban fantasy, Southern Gothics, paranormal romance, and hardboiled crime. It's book one in Berryhill's "Zora Banks" series.

The spirits of Harriet Tubman, John Brown, and other heroes of the Underground Railroad guide readers on a magical path to healing, empowerment, and liberation. The historical role that magic and soothsaying played in the Underground Railroad has long been ignored out of fear it might diminish the legacy of Harriet Tubman and other heroes of that time. However, Harriet Tubman was a Conjure woman who relied on her dreams and visionary experiences to lead her followers to freedom. Revered as “Mama Moses,” she, along with John Brown, Mary Ellen Pleasant, and others have been venerated since their deaths. They now have emerged in the 21st century as the pantheon of a new and increasingly popular African-Diaspora tradition. Written by Witchdoctor Utu, founder of the Niagara Voodoo Shrine, this is the first book devoted to the spiritual and magical tradition of the Underground Railroad. In it, the author conjures the spirits of the Underground Railroad, their continued connection to each other, and their “tracks” still leading to freedom from obstacles, bondage, and trouble and tribulations of all kinds. It is a spiritual tradition that is broadly accessible and inclusive, much like the historical Underground Railroad itself, whose participants were black, white, and Native American, male and female, Christians, Jews, Quakers, animists, secret devotees of forbidden African religions, and free thinkers of all kinds. This revelatory book teaches readers how to invoke the blessings of Mama Moses and her followers, access their healing inspiration and magic powers, and seek their own path to freedom.

A bold reconsideration of Hoodoo belief and practice Katrina Hazzard-Donald explores African Americans' experience and practice of the herbal, healing folk belief tradition known as Hoodoo. She examines Hoodoo culture and history by tracing its emergence from African traditions to religious practices in the Americas. Working against conventional scholarship, Hazzard-Donald argues that Hoodoo emerged first in three distinct regions she calls "regional Hoodoo clusters" and that after the turn of the nineteenth century, Hoodoo took on a national rather than regional profile. The spread came about through the mechanism of the "African Religion Complex," eight distinct cultural characteristics familiar to all the African ethnic groups in the United States. The first interdisciplinary examination to incorporate a full glossary of Hoodoo culture, Mojo Workin': The Old African American Hoodoo System lays out the movement of Hoodoo against a series of watershed changes in the American cultural landscape. Hazzard-Donald examines Hoodoo material culture, particularly the "High John the Conquer" root, which practitioners employ for a variety of spiritual uses. She also examines other facets of Hoodoo, including rituals of divination such as the "walking boy" and the "Ring Shout," a sacred dance of Hoodoo tradition that bears its corollaries today in the American Baptist churches. Throughout, Hazzard-Donald distinguishes between "Old tradition Black Belt Hoodoo" and commercially marketed forms that have been controlled, modified, and often fabricated by outsiders; this study focuses on the hidden system operating almost exclusively among African Americans in the Black spiritual underground.

In The Art of Remembering art historian and curator Gwendolyn DuBois Shaw explores African American art and representation from the height of the British colonial period to the present. She engages in the process of "rememory"—the recovery of facts and narratives of African American creativity and self-representation that have been purposefully set aside, actively ignored, and disremembered. In analyses of the work of artists ranging from Scipio Moorhead, Moses Williams, and Aaron Douglas to Barbara Chase-Riboud, Kara Walker, Kehinde Wiley, and Deana Lawson, Shaw demonstrates that African American art and history may be remembered and understood anew through a process of intensive close looking, cultural and historical contextualization, and biographic recuperation or consideration. Shaw shows how embracing rememory expands the possibilities of history by acknowledging the existence of multiple forms of knowledge and ways of understanding an event or interpreting an object. In so doing, Shaw thinks beyond canonical interpretations of art and material and visual culture to imagine “what if,” asking what else did we once know that has been lost.

A guide to the practices, tools, and rituals of New Orleans Voodoo as well as the many cultural influences at its origins • Includes recipes for magical oils, instructions for candle workings, and directions to create gris-gris bags and Voodoo dolls to attract love, money, justice, and healing and for retribution • Explores the major figures of New Orleans Voodoo, including Marie Laveau and Dr. John • Exposes the diverse ethnic influences at the core of Voodoo, from the African Congo to Catholic immigrants from Italy, France, and Ireland One of America’s great native-born spiritual traditions, New Orleans Voodoo is a religion as complex, free-form, and beautiful as the jazz that permeates this steamy city of sin and salvation. From the French Quarter to the Algiers neighborhood, its famed vaulted cemeteries to its infamous Mardi Gras celebrations, New Orleans cannot escape its rich Voodoo tradition, which draws from a multitude of ethnic sources, including Africa, Latin America, Sicily, Ireland, France, and Native America. In The New Orleans Voodoo Handbook, initiated Vodou priest Kenaz Filan covers the practices, tools, and rituals of this system of worship as well as the many facets of its origins. Exploring the major figures of New Orleans Voodoo, such as Marie Laveau and Dr. John, as well as Creole cuisine and the wealth of musical inspiration surrounding the Mississippi Delta, Filan examines firsthand documents and historical records to uncover the truth behind many of the city’s legends and to explore the oft-discussed but little-understood practices of the root doctors, Voodoo queens, and spiritual figures of the Crescent City. Including recipes for magical oils, instructions for candle workings, methods of divination, and even directions to create gris-gris bags, mojo hands, and Voodoo dolls, Filan reveals how to call on the saints and spirits of Voodoo for love, money, retribution, justice, and healing.