This substantial work explores the impact of monetization in premodern Southeast Asia from the third century BCE to the rise of Maleka in the early fifteenth century. The author explores why concepts of money developed unevenly throughout the region. He considers trade policies, price controls, exchange ratios, monopolies, variant standards of value, and the administrative structures required to support such a complex economic innovation.

A collection of the classic essays of O. W. Wolters, reflecting his radiant and meticulous lifelong study of premodern Southeast Asia, its literature, trade, government, and vanished cities. Included is an intellectual biography by the editor, which covers Wolters's professional lives as a member of the Malayan Civil Service and, later, as a scholar. This volume displays the extraordinary range of Oliver Wolters's work in early Indonesian, Vietnamese, Cambodian, and Thai history.

This conference volume unites a wide range of scholars working in the fields of history, archaeology, religion, art, and philology in an effort to explore new perspectives and methods in the study of primary sources from premodern South and Southeast Asia. The contributions engage with primary sources (including texts, images, material artefacts, monuments, as well as archaeological sites and landscapes) and draw needed attention to highly adaptable, innovative, and dynamic modes of cultural production within traditional idioms. The volume works to develop categories of historical analysis that cross disciplinary boundaries and represent a wide variety of methodological concerns. By revisiting premodern sources, Asia Beyond Boundaries also addresses critical issues of temporality and periodization that attend established categories in Asian Studies, such as the “Classical Age” or the “Gupta Period”. This volume represents the culmination of the European Research Council (ERC) Synergy project Asia Beyond Boundaries: Religion, Region, Language and the State, a research consortium of the British Museum, the British Library and the School of Oriental and African Studies, in partnership with Leiden University.

Burmese master silversmiths produced a magnificent body of work from the mid-19th to the early 20th centuries – the Burmese Silver Age. This aesthetic and functional work is characterized by a unique decorative style and superb technical artistry. Many of the artefacts are embellished with mysterious visual narratives drawn from ancient religious and mythological sources, communicating spiritual beliefs and values that resonate to this day. Burmese silverwork is a distinct and little-known genre of silver art. This book tackles this obscurity by illuminating and describing for the first time 100 Burmese silver artefacts in a stunning photographic gallery. This silverwork – from the Noble Silver Collection – represents some of the rarest and finest quality work from the Burmese Silver Age. The centrepiece gallery of silverwork masterpieces is bookended by two well-illustrated and informative chapters that provide readers with deeper insights into Burmese silverwork: a robust frame of reference chapter summarises the 2,000-year history and cultural tradition of Burmese silverwork; and a chapter following the gallery deciphers the complex and allegorical iconography of the decoration, which gives the reader a deeper appreciation of its religious and cultural meaning and origin. This book captures the great, almost mystical, allure of Burmese silverwork – from the sublime artistry of the decoration, to the extraordinary skill of the silversmith and the profound meaning and importance of the visual narratives. In doing so, Burmese Silver Art takes its place as a definitive reference work for any art historian, collector, expert, student, or general reader interested in this hitherto-overlooked body of noble art.

Fluid Iron is the first extended treatment of state formation in Southeast Asia from early to contemporary times and the first book-length analysis of Western historical and ethnographic writing on the region. It includes critical assessments of the work of Clifford Geertz, O.W. Wolters, Benedict Anderson, and other major scholars who have written on early, colonial, and modern Southeast Asian history and culture. Making use of the ideas of Weber, Marx, Foucault, and postmodern and postcolonial theory, Tony Day argues that culture must be restored to the study of Southeast Asian history so that the state and historical developments in the region can be returned to their own "alternative" historical contexts and trajectories. He employs a wide range of contemporary scholarship, as well as Southeast Asian literary and historical texts, inscriptions, and temples to explore the kinds of concepts and practices--kinship networks, cosmologies, gender identities, bureaucracies, rituals, violence and aesthetics--that have been used for centuries to build states.Highly readable and accessibly written, Fluid Iron demonstrates that Southeast Asian state building has taken place in a part of the world that has always been a crossroads of cultural and transcultural change. Day urges Southeast Asians to learn more about the history of their own state formations so they can safeguard not only human freedom, but also the "incongruity" of their unique region in the years ahead.

A stunning showcase of exceptional and rare works of Buddhist art, presented to the international community for the first time The practice of Buddhism in Myanmar (Burma) has resulted in the production of dazzling objects since the 5th century. This landmark publication presents the first overview of these magnificent works of art from major museums in Myanmar and collections in the United States, including sculptures, paintings, textiles, and religious implements created for temples and monasteries, or for personal devotion. Many of these pieces have never before been seen outside of Myanmar. Accompanied by brilliant color photography, essays by Sylvia Fraser-Lu, Donald M. Stadtner, and scholars from around the world synthesize the history of Myanmar from the ancient through colonial periods and discuss the critical links between religion, geography, governance, historiography, and artistic production. The authors examine the multiplicity of styles and techniques throughout the country, the ways Buddhist narratives have been conveyed through works of art, and the context in which the diverse objects were used. Certain to be the essential resource on the subject, Buddhist Art of Myanmar illuminates two millennia of rarely seen masterpieces.

Trade, Travel, and Exploration: An Encyclopedia is a reference book that covers the peoples, places, technologies, and intellectual concepts that contributed to trade, travel and exploration during the Middle Ages, from the years A.D. 525 to 1492.

Combining autobiography and ethnography, Damrong Tayanin examines the lifestyles, customs, practices, and beliefs of the Kammu people by describing his own early experiences.

As suggested by the title, this collection of essays focuses upon American involvement in the Vietnamese War. These essays were originally written for a symposium in 1988 in which (for the first time since 1975) scholars from both the U.S. and Vietnam met to discuss and debate the war and its impact on their respective nations. Thus, these works (by American authors) though alternately probing and guarded, are always thought-provoking. They display the mind at work in its search for answers, explanations, and meaning. Questions of politics and history (diplomacy, the Tet offensive, Chinese involvement, U.S. war veterans) are considered and reconsidered by such authors as Allen Whiting, Jayne Werner, Nyo Vinh Long, and Paul Comacho.

This volume, by offering a score of new insights derived from a wide variety of recent archaeological and textual sources, bring to life an important overseas trading port in Southeast Asia: Quanzhou. During the Song and Yuan dynasties active official and unofficial engagement in trade had formative effects on the development of the maritime trade of Quanzhou and its social and economic position both regionally and supraregionally. In the first part subjects such as the impact of the Song imperial clan and the local élites on these developments, the economic importance of metals, coins, paper money, and changes in the political economy, are amply discussed. The second part concentrates on the quantitative and qualitative analysis of archaeological data and materials, the investigation of commodities from China, their origins, distribution and final destinations, the use of foreign labour, and the particular role of South Thailand in trade connections, thus supplying the hard data underlying the main argument of the book.