The 1950s marked a decade of great fads - Hula-Hoops, Davy Crockett coonskin caps, Roy Rogers or Gene Audrey guns or Cowboy boots, and poodle skirts. It gave us Elvis Presley and rock and roll, crew cuts and sideburns, argyle sweaters, saddle shoes and white bucks. College kids on panty raids and sock hops. In the corner of every sitting room, was a small but ever-expanding eye fixed on an opening world - Television set. Films of the 1950s were wide variety and the stuidios sought to put audiences back in the seats of the theaters.

The decade of space exploration and new rights for women and African Americans. The decade as a pivot of change in world history. The end on The Beatles. Oscar winners were 'Patton' (1970, 'The Godfather' (1972) and 'Kramer vs. Kramer' (1979). Best-selling groupd include The Eagles and Led Zepp;in. The Best-selling rock stars were Elton John and Alice Cooper.

A comprehensive film guide featuring films, directors, actors and actresses from the sixties.

In Europe the war was already old, but while feeding nickels into roadhouse jukeboxes, the Presidential conventions, where the biggest question would be whether That Man in the White House would shatter yet another precedent and run for a third term. To many Americans, there seemed little else worth worrying about. As with all time periods, the 1940s had a set of specific fads that were popular around the country. Read this book and find out about the films of this decade and more...

The decade of the 1980s and its movies and events that shape this Comeback decade. The Reagan Years. Michael Jackson, Whitney Houston, Cher, and Madonna. The Berlin Wall coming down..

The Fabulous Fifties were America's "Happy Days." The Eisenhower Years produced amazing contributions to our American culture -- and to other cultures around the world. In so many ways, Americans innovated, and the world imitated -- from Elvis Presley and rock 'n' roll to the Salk anti-polio vaccine. America's contributions to the world included motion pictures and the Broadway stage; radio and television; amateur and professional sports; jazz, the "blues," country-and-Western music, traditional ballads and popular songs, and rock 'n' roll; domestic and international business and trade; public and private educational opportunities; and a rich and varied literature. While Americans did not invent all these categories, they nevertheless took each to new heights during the Eisenhower Years, and shared their bounty with the world. The Eisenhower Years, generally speaking, were happier, more stable, more prosperous, more optimistic, and simpler times then the preceding decades of the 1930's and '40's and the increasingly turbulent 1960's and '70's that followed. In fact, America's exuberance in so many areas of the arts and everyday life was omnipresent. As for political and military achievements, President Eisenhower kept us safely out of war, and was wise enough to stay out of the way of Americas artists and entrepreneurs. As a result, the Eisenhower Years should forever be remembered as those "Happy Days."

As one of the first post-WWII Baby Boomers, Jim Chambers' childhood and early teenage years were in the 1950s, a remarkable decade for the United States that saw enormous political, technological, and cultural changes. Although many books have covered the headline-making events of the era in great detail, few of these books give the reader a real feel for what daily life was like for Americans living in that decade, especially for kids growing up then. The author remembers the little nuts and bolts things of daily life for families during the fascinating decade known as the Fabulous Fifties. "Recollections" perfectly blends paying homage to the little day-to-day rituals with a larger scale examination of social issues and mores of the times, and it's equally entertaining on either level. "Recollections" is a warm, lovingly honest, and fascinating portrait of America in the mid-20th Century.

Los Angeles Documentary and the Production of Public History, 1958–1977 explores how documentarians working between the election of John F. Kennedy and the Bicentennial created conflicting visions of the recent and more distant American past. Drawing on a wide range of primary documents, Joshua Glick analyzes the films of Hollywood documentarians such as David Wolper and Mel Stuart, along with lesser-known independents and activists such as Kent Mackenzie, Lynne Littman, and Jesús Salvador Treviño. While the former group reinvigorated a Cold War cultural liberalism, the latter group advocated for social justice in a city plagued by severe class stratification and racial segregation. Glick examines how mainstream and alternative filmmakers turned to the archives, civic institutions, and production facilities of Los Angeles in order to both change popular understandings of the city and shape the social consciousness of the nation.