This volume of essays covers all phases and geographical areas of African literature, including lesser known areas such as oral literature, literature written in African languages and Lusophone literature. Also included are articles on Caribbean literature, developments in South African theatre, and two articles on African film. Several writers receive special attention: Chinua Achebe, Maryse Conde, Wole Soyinka, Niyi Osundare, Ngugi wa Thiong'o and Hampate Ba. Also included are the key-note addresses by Achebe, Conde and Osundare.

This collection of essays includes a variety of approaches to different interpretations of 'space'. Some deal with aspects of (post)colonialism, mapping, and identity formation, while others grapple with the positionality of 'in between' as well as with issues of multiculturalism and intertextuality. The spaces of art, beliefs and institutions are examined, as are the intellectual and artistic activities involved in articulating and defining space. It is a book of tendencies, which gives some indication of the new work being done in South Africa as well as in the broader global context, and reflects different moments of conflict and negotiation within the social relations of different societies from pre-apartheid South Africa to the present. The essays chosen for this volume broach the fantastic and sexual dimensions of cultural spaces and cultural production, issues of marginality and power, hybridity, gender identity, ideology and technology.

Hybridity and its Discontents explores the history and experience of 'hybridity' - the mixing of peoples and cultures - in North and South America, Latin America, Britain and Ireland, South Africa, Asia and the Pacific. The contributors trace manifestations of hybridity in debates about miscengenation and racial purity, in scientific notions of genetics and 'race', in processes of cultural translation, and in ideas of nation, community and belonging. The contributors begin by examining the persistence of anxieties about racial 'contamination', from nineteenth-century fears of miscegenation to more recent debates about mixed race relationships and parenting. Examining the lived experiences of children of 'mixed parentage', contributors ask why such fears still thrive in a supposedly tolerant culture? The contributors go on to discuss how science, while apparently neutral, is part of cultural discourses, which affect its constructions and classifications of gender and 'race'. The contributors examine how new cultural forms emerge from borrowings, exchanges and intersections across ethnic and cultural boundaries, and conclude by investigating the contemporary experience of multiculturalism in an age of contested national borders and identities.

Hybrid narrative forms are used frequently by authors exploring or living in multicultural societies as a method of reflecting multicultural lives. This timely book examines this rhetorical strategy, which permits an author to bridge cultures via literary technique. Strategies covered include multilingualism, magical realism, ironic humor, the use of mythological figures from the characters' heritage cultures, and the presentation of different perspectives on landscapes and other spaces as related to ethnicity. By investigating elements of ethnic literature comparatively, this book reaches beyond the boundaries of any one ethnic group, a vital quality in today's world.

A name that never fails to ring a bell for literary as well as non-literary persons for a variety of reasons is Sir Salman Rushdie. A writer of international stature, Rushdie is a man of many talents juggling between various genres of literature to other related artistic fields of an actor, copywriter and producer. A conscientious literary artist, Rushdie is a sensitive writer who is concerned for the human race. He is pained by the gradual loss of multiculturalism and increasing hatred and violence in the world. Depicting contemporary society and modern man's struggle, Rushdie's novels have a central theme of hybridity and cultural plurality that endorses his belief in the positive influence of 'chutnified' culture and his faith in the resilient and regenerative quality of the human spirit and humanity. The present book Multiculturalism in Salman Rushdie is an attempt to focus on this particular aspect of Rushdie's work that characterizes his related portrayal of themes like tension and collision that man is grappling with, his quest for self and the bond of relationships that fulfill, compliment and complete his search.

This book is a significant and original contribution to the ongoing conversation on modernity. It uses the creative and critical works of Nigerian playwright and novelist Femi Euba to demonstrate the place and function of African cultures in modernity and makes the case for the vibrancy of such cultures in the shaping and constitution of the modern world. In addition to a critique of Euba’s fifty-year artistic career, this book offers an account of Euba’s formative relationship with the 1986 Nobel Prize for Literature winner Wole Soyinka, during the promising days of the Nigerian theatre in the immediate post-independence period, and the effect of this relationship on Euba’s artistic choices and reflections. Euba contributes to our understanding of Africa’s negotiation of modernity in significant ways, especially in his sensitive reading of Esu, the Yoruba god of fate and chance, as an artistic consciousness whose historical and ideological mobility during New World slavery, during Africa’s colonial period, and in the manifestations in the black diaspora today emblematizes the process we call modernity. By using ritual, myth, and satire as avenues to the debate on modernity, Euba lays emphasis on the transformative possibilities at the crossroads of history. His works engage the psychological interconnections between old gods and new worlds and the dialogic relationship between tradition and modernity. Delineating the philosophical and literary debates that reject an easy division between a stereotypically traditional Africa and a modern West, the author shows how Euba’s plays and novel engage the entwined and intimate relationships between the modern and the traditional in contemporary Africa, and thereby she asserts the global resonance of Euba’s African, and specifically Yoruba, conception of the world. By meticulously collecting, cataloguing, and critiquing Euba’s works, Osagie models a new way of practicing African literary studies and invites us to glimpse narrative genius on the continent that she firmly believes African scholars should both promote and celebrate.

This compilation was inspired by an international symposium held on the Legon campus in September 2003. Hosted by the CODESRIA African Humanities Institute Programme, the symposium had the theme 'Canonical Works and Continuing Innovation in African Arts & Humanities'.

This book contains an extraordinary collection of short stories and novel extracts written by Africans living outside Africa. It is a collection that also examines the little unknown area of an African experience of living abroad, with themes of identity, belonging and culture as well. Where is home? How does our identity change when we move to a new country, or when national borders are eroded by globalization? These are some of the themes explored in this collection of new fiction from African writers living outside the continent. The writers of the stories and novel extracts come from countries as diverse as Egypt, Nigeria, Kenya, Uganda, Ghana, Tanzania and the Sudan. They include both established writers, such as Buchi Emecheta, Ama Ata Aidoo and Abdulrazak Gurnah, and many exciting new voices. By turns humorous, fantastic, satirical and moving, the fiction reveals new worlds to us. This book travels the globe with African writers.

This collection of contemporary postcolonial plays demonstrates the extraordinary vitality of a body of work that is currently influencing the shape of contemporary world theatre. This anthology encompasses both internationally admired 'classics' and previously unpublished texts, all dealing with imperialism and its aftermath. It includes work from Canada, the Carribean, South and West Africa, Southeast Asia, India, New Zealand and Australia. A general introduction outlines major themes in postcolonial plays. Introductions to individual plays include information on authors as well as overviews of cultural contexts, major ideas and performance history. Dramaturgical techniques in the plays draw on Western theatre as well as local performance traditions and include agit-prop dialogue, musical routines, storytelling, ritual incantation, epic narration, dance, multimedia presentation and puppetry. The plays dramatize diverse issues, such as: *globalization * political corruption * race and class relations *slavery *gender and sexuality *media representation *nationalism