From the files of Scotland Yard's "Black Museum" (open only to police officers) come true crime stories of some of the most infamous murder cases of the 19th and 20th centuries--the Lambeth Poisoner, "baby farmer" Amelia Elizabeth Dyer, the Gentleman Vampire of Bournemouth, the Brides in the Bath Murders, the Rillington Place murders and many others. Along the way, investigators pass a number of crime-solving milestones, included the first use of fingerprint technology, the early use of photography and the first time "The Yard" enlisted the press to help hunt down a killer.

A riveting true-crime history of London's first modern police force as told through its most notorious murder cases. The idea of "Scotland Yard" is steeped in atmospheric stories of foggy London streets, murder by lamplight, and fiendish killers pursued by gentleman detectives. From its establishment in 1829 through the eve of World War II, Scotland Yard—the world’s first modern, professional, and centrally organized police force—set new standards for policing and investigating. Scotland Yard advanced ground-breaking use of forensics—from fingerprints to ballistics to evidence collection—made the first attempt at criminal profiling, and captivated the public on both sides of the Atlantic with feats of detective work that rivaled any fictional interpretation. Based on official case files, contemporary newspaper reporting, trial transcripts, and the first-hand accounts of the detectives on the beat, Scotland Yard tells the tales of some of history’s most notorious murders—with cases that proved to be landmarks in the field of criminal inquiry.

Considered a primary suspect in the unsolved Jack the Ripper murders, Polish-born Severin Antoniovich Klosowski also gained considerable notoriety as "The Borough Poisoner of Southwark" in the late 1800s. Within a span of five years, Klosowski took on three women as his wives and lethally poisoned each with deadly doses of antimony. This study of Klosowski's murders of Mary Spink, Elizabeth "Bessie" Taylor and Maud Marsh includes extensive accounts of the individual crimes, the accompanying investigations and Klosowski's conviction and execution. The final chapter examines intense police and media speculation that Klosowski may also have been the unidentified serial killer Jack the Ripper, citing period news articles and more recent developments in the notorious case. One appendix provides a detailed timeline of Klosowski's "poison period" from 1892 to 1903.

The first walking guide to London’s role in the evolution of horror cinema, inspired by the city’s dark histories and labyrinthine architectures. Death Lines is the first walking guide to London’s role in the evolution of horror cinema, inspired by the city’s dark histories, labyrinthine architectures, atmospheric streetscapes, and uncanny denizens. Its eight walks lead you on a series of richly researched yet undeniably chilling tours through Chelsea, Notting Hill, Westminster, Bloomsbury, Covent Garden, and the East End, along the haunted banks of the river Thames, and down into the depths of the London Underground railway. Each tour weaves together London’s stories and takes the reader to magnificent, eerie, and sometimes disconcertingly ordinary corners of the city, unearthing the literature, legends, and history behind classics like Peeping Tom and An American Werewolf in London, and lesser-known works such as mind-control melodrama The Sorcerers; Gorgo, Britain’s answer to Godzilla; tube terror Death Line; and Bela Lugosi's mesmeric vehicle The Dark Eyes of London. Tinged with humor, social critique, and more than a few scares, Death Lines delights in revealing the hidden and often surprising relationship between the city and the dark cinematic visions it has evoked. Whether read on the streets or from the comfort of the grave, Death Lines is a treat for all cinephiles, horror fans, and lovers of London lore.

New Scotland Yard, the headquarters of London's Metropolitan Police, houses the notorious Black Museum, a unique collection of exhibits, photographs and other items connected with some of the most famous crimes of the last century. Fifty of those crimes were murders and they are explored in detail in this compelling book. Recently renamed The Crime Museum the author Gordon Honeycombe was given privileged access to its darkest secrets. His book spans a hundred years of murder, manslaughter and attempted assassinations and reveals the true facts behind some of the country's most notorious murder cases, including Jack the Ripper, Dr Crippen and the Krays. This is the ultimate guide to the most incredible crimes ever committed, featuring contemporary photographs never seen outside Scotland Yard. • Closely researched and objective, this book is a fascinating guide to murder and a grim insight into the minds of those who practice it. Honeycombe takes an unflinching look at why people murder and asks important questions about this most appalling of crimes, execution and the law itself.

From the author of Profiling the Criminal Mind comes these true stories of cold cases and true mysteries. A truly compelling collection of adventures from the files of a career police detective and university professor that takes the reader inside the mysteries and murders that intrigue the author and make the reader listen for "things that go bump in the night." From spies to ghosts to celebrities and the places we like to spend time reading spy and murder mystery adventures, this collection has something for every mind that seeks adventure.

When Ron and Reg Kray were sentenced to life imprisonment in 1968, most people thought that was the last they'd hear of two of the most notorious and vicious criminals Britain has ever produced. Instead, the twins and their evil doings have since achieved almost iconic status. Simultaneously, they have become 'Ronnie and Reggie', cuddly Robin Hood characters, little more than a couple of bad lads who loved their mum. The Kray Files is an explosive investigative work which strips away the myths that have grown up around the brothers. It examines why the twins were put away, the true extent of their crimes and the truth about the last 30 years, which Ron and Reg spent at the expense of the country while making a quiet fortune through duplicitous dealings from behind bars. It looks at why their brother Charlie turned to drugs as his only way out of a life of deprivation and misery, and tries to discover the reason why some women have found the Krays fatally attractive. For the first time ever, The Kray Files goes behind the scenes, painting a vivid picture of the brothers' world through psychological profiling, studying the sociology of the East End of London with the help of academics, and investigating the violent legacy the brothers have left behind.

During the 19th century, London was a complex, vibrant, and multi-faceted city, the first true metropolis. As such, it contained within it a widely disparate array of worlds and cultures. Representations of London in literature varied just as widely. In the late 1830s, London began appearing as a site of literary terror, and by the end of the century a large proportion of the important Victorian "Gothic revival" novels were set in the city: The Strange Case of Dr. Jekyll and Mr. Hyde, The Picture of Dorian Gray, The Three Impostors, The Beetle, Dracula, and many others. In Darkest London is a full-length study of the Victorian Urban Gothic, a pervasive mode that appears not only in straightforward novels of terror like those mentioned above but also in the works of mainstream authors such as Charles Dickens and in the journalism and travel literature of the time. In this volume, author Jamieson Ridenhour looks beyond broad considerations of the Gothic as a historical mode to explore the development of London and the concurrent rise of the Urban Gothic. He also considers very specific aspects of London's representation in these works and draws upon recent and then-contemporary theories, close readings of relevant texts, and cartography to support and expand these ideas. This book examines the work of both canonical and non-canonical authors, including Dickens, Bram Stoker, Robert Louis Stevenson, G.W.M. Reynolds, Richard Marsh, Arthur Machen, Marie Belloc Lowndes, and Oscar Wilde. Placing the conventions of the Gothic form in their proper historical context, In Darkest London will appeal to scholars and students interested in an in-depth survey of the Urban Gothic.

Nicolas Roeg is one of the most distinctive and influential film-makers of his generation. The generation of film-makers who define contemporary movie-making - Danny Boyle, Kevin Macdonald ( The Last King of Scotland), Christopher Nolan ( The Dark Knight), James Marsh ( Man on Wire), and Guillermo Del Toro ( Pan's Labyrinth), all acknowledge their debt to the work of Nicolas Roeg. Roeg began as a cameraman, working for such masters as Francois Truffaut and David Lean. His explosive debut as a director with Performance, established an approach to film-making that was unconventional and ever-changing, creating works such as Don't Look Now, The Man Who Fell to Earth, Bad Timing, Insignificance, and, more recently, Puffball. Having now reached eighty years of age, Roeg has decided to pass on to the next generations, the wealth of wisdom and experience he has garnered over fifty years of film-making.

Bruce Murphy's Encyclopedia of Murder and Mystery is a comprehensive guide to the genre of the murder mystery that catalogues thousands of items in a broad range of categories: authors, titles, plots, characters, weapons, methods of killing, movie and theatrical adaptations. What distinguishes this encyclopedia from the others in the field is its critical stance.