Sarah and Frank Malloy must catch a scheming killer in this latest gripping installment in the USA Today bestselling Gaslight Mysteries Former policeman Frank Malloy is frustrated when a woman requests his private detective services to implicate her wealthy husband in adultery, the only legal grounds for divorce in New York state. Although Mrs. Bing seems genuinely distressed about her marriage and desperate to end it, she refuses to tell Frank the reason she absolutely must divorce her husband and admits she has no legal grounds. Frank explains he won't manufacture evidence for her and sends her on her way. The following week, Frank and Sarah happen to be attending the first ever auto show in Madison Square Garden when they meet the woman's husband, Alfred Bing, who has invested in a company that produces one of the electric motorcars on display. A few days later, the newspapers report that millionaire Alvin Bing has been found dead, pinned beneath one of the wheels of his very own motorcar. But who was driving it? The obvious suspect is Mrs. Bing, but Frank and Sarah find that nothing is as it seems in their puzzling, dangerous search for truth.

The dream of a lifetime becomes a nightmare. Photojournalist Theodora “Teddy” Schafer’s career has hit the skids thanks to rumors of plagiarism. With any luck, a photo spread with Charles Lindbergh at the America First Rally will salvage her reputation. After an attempted assassination of Lindbergh leaves another man dead, Teddy is left holding the gun. Literally. Can she prove her innocence before the police lock her up for a murder she didn’t commit? Private Investigator Ric Bogart wants nothing to do with women after his wife cleaned out their bank account and left him for another man, but he can’t ignore the feeling he’s supposed to help the scrappy, female reporter who is arrested for murder at the America First rally. Can he believe her claims of innocence and find the real killer without letting Teddy steal his heart?

Everett Larkin works for the Cold Case Squad: an elite—if understaffed and overworked—group of detectives who solve the forgotten deaths of New York City. Larkin is different from others, but his deduction skills are unmatched and his memory for minute details is unparalleled. So when a spring thunderstorm uproots a tree in Madison Square Park, unearthing a crate with human remains inside, the best Cold Case detective is assigned the job. And when a death mask, like those prominent during the Victorian era, is found with the body, Larkin requests assistance from the Forensic Artists Unit and receives it in the form of Detective Ira Doyle, his polar opposite in every way. Factual reasoning and facial reconstruction puts Larkin and Doyle on a trail of old homicide cases and a murderer obsessed with casting his victims’ likeness in death. Include some unapologetic flirting from Doyle, and this case just may end up killing Everett Larkin. Also available as an audiobook! Memento Mori series reading order: #1 Madison Square Murders #2 Subway Slayings #3 Broadway Butchery Same Universe Spin-offs: Southernmost Murder (standalone) Snow & Winter series reading order: #1 The Mystery of Nevermore #2 The Mystery of the Curiosities #3 The Mystery of the Moving Image #4 The Mystery of the Bones #5 The Mystery of the Spirits #1 Interlude (Snow & Winter short story collection) An Auden & O'Callaghan Mystery series reading order: #1 A Friend in the Dark #2 A Friend in the Fire Keywords: gay romance, police procedural, slow burn, opposites attract, detective, whodunit, serial killer, partners-in-crime, mm romance, medical condition, grumpy sunshine

Nominee: Reuben Award for Best Graphic Novel YALSA, Great Graphic Novels for Teens Bringing to life turn-of-the-century New York and the scintillating career of one of its most famous architects, as well as the vices that cost him his life, this true-crime graphic novel tells the story of one of the most scandalous murders of the times. Stanford White was one of New York's most famous architects, having designed many mansions and the first Madison Square Garden; his influence on New York's look at the turn of the century was pervasive. As he became popular and in demand, he also became quite self-indulgent: he had a taste for budding young showgirls on Broadway, even setting up a private apartment to entertain them in, including a room with a red velvet swing. When he met Evelyn Nesbit—an exquisite young nymph, cover girl, showgirl, inspiration for Charles Dana Gibson's drawing The Eternal Question and later for the movie The Girl in the Red Velvet Swing—he knew he was on to something special. However, Evelyn eventually married a young Pittsburgh decadent heir with a dark side who developed a deep hatred for White and what he may or may not have done to her.

Midwife Sarah Malloy and her private detective husband Frank discover that the cure is worse than the disease when they investigate the death of a promising young woman in this atmospheric, riveting mystery from the USA TODAY bestselling author of Murder on Bedford Street. Sarah Malloy has just helped with the delivery of a bouncing baby girl at her women’s clinic, when she receives a visit from an engaging and determined young woman writing an article for New Century Magazine. Louisa Rodgers explains that she is researching the dangers of patent remedies. Sarah is only too happy to tell Louisa exactly what she thinks of the so-called medicines whose ingredients include heavy doses of alcohol and other addictive drugs, and hurt much more than they help. A few days later, Sarah receives a visit from a bereft Bernard Rodgers, who explains that his daughter, Louisa, has been found strangled in the lobby of the building where New Century has its offices. The police have decided it was a random attack and have made no attempt to investigate, hinting that Louisa got what she deserved for sticking her nose where it didn’t belong. Sarah wants justice for the bright young woman but as she and Frank delve deeper into Louisa’s life, they find that nothing is quite as it seemed and Louisa is not who she claimed to be. The Malloys must first solve the mystery of Louisa’s life before they can figure out who wanted to see her dead…

 Inside Madison Square Garden, the City Ring was the altar of pugilism from 1925 until 2007. Hosting countless championship fights, historic main events and memorable undercards, it was center stage of boxing history. The ring now rests at the International Boxing Hall of Fame in Canastota, New York--its 132 assembled pieces memorializing a key facet of 20th century American life. While many books have been written about great fistic contests that took place at Madison Square Garden, this is the first to focus on its Holy Grail.

November 1891, the heart of Gilded Age Manhattan. Thousands filled the streets surrounding Madison Square, fingers pointing, mouths agape. After countless struggles, Stanford White—the country’s most celebrated architect was about to dedicate America’s tallest tower, the final cap set atop his Madison Square Garden, the country’s grandest new palace of pleasure. Amid a flood of electric light and fireworks, the gilded figure topping the tower was suddenly revealed—an eighteen-foot nude sculpture of Diana, the Roman Virgin Goddess of the Hunt, created by Augustus Saint-Gaudens, the country’s finest sculptor and White’s dearest pal. The Grandest Madison Square Garden tells the remarkable story behind the construction of the second, 1890, Madison Square Garden and the controversial sculpture that crowned it. Set amid the magnificent achievements of nineteenth-century American art and architecture, the book delves into the fascinating private lives of the era’s most prominent architect and sculptor and the nature of their intimate relationship. Hinman shows how both men pushed the boundaries of America’s parochial aesthetic, ushering in an era of art that embraced European styles with American vitality. Situating the Garden’s seminal place in the history of New York City, as well as the entire country, The Grandest Madison Square Garden brings to life a tale of architecture, art, and spectacle amid the elegant yet scandal-ridden culture of Gotham’s decadent era.

Elizabeth Bates's latest con just might change the course of history in an all-new Counterfeit Lady Novel from USA Today bestselling author Victoria Thompson. A year has passed since Elizabeth Bates ran her last con. Life has been simpler, although not nearly as exciting, but she has thrown herself into working to get the 19th Amendment ratified by thirty-six states to become the law of the land. Since every other Southern state has already rejected the amendment, it seems unlikely Tennessee will be an exception . . . but it's their only hope, so the suffragists descend on Tennessee for the final battle. Elizabeth’s ability to interact with difficult men and to persuasively explain all the advantages of allowing women to vote—all skills she perfected as a grifter—have made her a valuable member of the team. But she would never have expected the lengths to which some would go to keep the vote out of women's hands. She'll need to devise the perfect con or the suffragists' life's work could all be for nothing.

When a day at the races reveals sabotage and subterfuge, Elizabeth Miles must use every ounce of her craftiness to even the score in this all-new Counterfeit Lady novel from USA Today bestselling author Victoria Thompson. Wealthy but uncouth Sebastian Nolan has invited his lawyer, Gideon Bates, and his lovely new wife, Elizabeth, to attend the famous Belmont Stakes. Nolan is anxious for Gideon and Elizabeth to help his daughter, Irene, acquire a bit of polish, now that his venture into thoroughbred racing has allowed them entry into society. He is also hoping to find her a rich potential suitor. Elizabeth is not exactly the society girl Nolan believes her to be, but she is eager to attend the races. Her con artist family has made a lot of money at racetracks, although not from betting on the horses, and she enjoys the excitement of the track. Irene Nolan seems more interested in horses than husbands, and she jumps at the chance to show Elizabeth her horse, Trench, and introduce her to his rider, Cal Regan. Elizabeth soon realizes there is more than just a working relationship between Irene and Cal. But she also knows that Irene’s father would never allow his only daughter to marry a jockey. When Cal takes a terrible tumble injuring both himself and Irene’s beloved Trench, Elizabeth and Gideon learn that the mishap was not simply bad luck—the horse and rider are victims of sabotage. It turns out that Sebastian Nolan has more than a few skeletons in his closet and someone is out to get their long sought-after revenge. Elizabeth knows that to help Irene and Cal, she is going to need some help in creating the quintessential con. With the ever honest Gideon at her side, she enlists those closest to her to come up with a scheme that will either ensure young Irene and Cal a first-place finish or have disastrous consequence. . . .

Many people express shock and horror when they hear of a wealthy or famous person killing another person. As a society, we seem to expect the rich and famous to behave better, to commit fewer crimes, to be immune to the passions that inspire other, less prominent people to kill. After all, the rich and famous have everything—why would they need to murder? But the rich and famous kill for the very same reasons others do: love, power, money, jealousy, greed, revenge, and rage. Here, Scott takes us on a tour of murders committed by the rich and famous during the last century, looking at the motives, the responses of the community and local law enforcement, the media, and the outcomes. She argues that the rich and famous may kill for the same reasons as others, but they receive vastly different treatment and are often able to get away with murder. Homicide by the rich and famous is not new in this country, nor is fascination with the crimes committed by our most revered citizens. But being among the upper echelon of society does afford such suspects with a greater ability to escape punishment. They have greater access to better respresentation, they have the means to flee the country, they have influential friends in high places willing to put themselves on the line, and they are generally treated better by law enforcement and the criminal justice system. This book profiles the many ways in which homicides committed by the rich and famous are similar to other murders in their motives, but differ from those committed by everyday citizens in their outcomes. Scott provides readers with a showcase of crimes that will infuriate and fascinate readers.