This collection of essays analyzes the relationships that exist between esotericism and music from Antiquity to the 20th century, investigating ways in which magic, astrology, alchemy, divination, and cabbala interact with music. The volume seeks to dissolve artificial barriers between the history of art, music, science, and intellectual history by establishing an interdisciplinary dialogue about music as viewed against a specific cultural background. The synthesis of scientific and historical contexts with respect to music, explored here on a large scale for the first time, opens up a wealth of new approaches to music historical research, music performance, and musical composition. Each chapter presents either a unique example of music functioning within esoteric and scientific traditions or a demonstration of the influence of those traditions upon selected musical works. L’ouvrage analyse les relations entre l’ésotérisme et la musique de l’Antiquité au 20ème siècle étudiant comment la magie, l’astrologie, l’alchimie, la divination et la cabale ont interagit avec la musique. Il vise à dépasser les frontières entre l’histoire de l’art, l’histoire de la musique et l’histoire des sciences et des idées afin de nouer un dialogue interdisciplinaire sur la musique autour de contextes historiques et scientifiques précis. L’ouvrage offre une première synthèse sur les rapports entre ésotérisme et musique ainsi que diverses pistes de recherche à poursuivre.

Scholars explore from many fresh angles the interweavings of two of the richest strands of human culture-music and esotericism-with examples from the medieval period to the modern age. Music and esotericism are two responses to the intuition that the world holds hidden order, beauty, and power. Those who compose, perform, and listen to music have often noted that music can be a bridge between sensory and transcendent realms. Such renowned writers as Boethius expanded the definition of music to encompass not only sounded music but also the harmonic fabric of human and cosmic life. Those who engage in pursuits called "esoteric," from ancient astrology, magic, and alchemy to recent and more novel forms of spirituality, have also remarked on the relevance of music to their quests. Esotericists have composed music in order to convey esoteric meaning, performed music to create esoteric influences, and listened to music to raise their esoteric awareness. The academic study of esotericism is a young field, and few researchers have probed the rich interface between the musical and esoteric domains. In Explorations in Music and Esotericism, scholars from numerous fields introduce the history of esotericism and current debates about its definition and extent. The book's sixteen chapters present rich instances of connections between music and esotericism, organized with reference to four aspects of esotericism: as a form of thought; as the keeping and revealing of secrets; as an identity; and as a signifier. Edited by Marjorie Roth and Leonard George. Contributors: Elizabeth Abbate, Malachai Komanoff Bandy, Adam Bregman, Charles E. Brewer, Benjamin Dobbs, Anna Gawboy, Pasquale Giaquinto, Adam Knight Gilbert, Joscelyn Godwin, Virginia Christy Lamothe, Andrew Owen, Christopher Scheer, Codee Ann Spinner, Woodrow Steinken, and Daphne Tan.

Western esotericism has been a pervasive presence in Western culture from late antiquity to the present day, but until recently it was largely ignored by scholars and surrounded by misconceptions and prejudice. This accessible guide provides readers with the basic knowledge and tools that will allow them to find their way in this bewildering but fascinating field. What is it that unites phenomena as diverse as ancient gnosticism and hermetism, the "occult sciences" of astrology, alchemy, and magic, rosicrucianism, as well as Christian theosophy, occultism, spiritualism, and the contemporary New Age spiritualities? What can the study of them teach us about our common cultural and intellectual heritage, and what is it that makes them relevant to contemporary concerns? How do we distinguish reliable historical knowledge from legends and fictions about esoteric traditions? These and many other questions are answered clearly and succinctly, so that the reader can find his way into the labyrinth of Western esotericism and out of it again.

The Oxford Handbook of the Sociology of Religion draws on the expertise of an international team of scholars providing both an entry point into the sociological study and understanding of religion and an in-depth survey into its changing forms and content in the contemporary world. The role and impact of religion and spirituality on the politics, culture, education and health in the modern world is rigorously discussed and debated. The study of the sociology of religion forges interdisciplinary links to explore aspects of continuity and change in the contemporary interface between society and religion. Using a combination of theoretical, methodological and content-led approaches, the fifty-seven contributors collectively emphasise the complex relationships between religion and aspects of life from scientific research to law, ecology to art, music to cognitive science, crime to institutional health care and more. The developing character of religion, irreligion and atheism and the impact of religious diversity on social cohesion are explored. An overview of current scholarship in the field is provided in each themed chapter with an emphasis on encouraging new thinking and reflection on familiar and emergent themes to stimulate further debate and scholarship. The resulting essay collection provides an invaluable resource for research and teaching in this diverse discipline.

The study of contemporary esoteric discourse has hitherto been a largely neglected part of the new academic field of Western esotericism. Contemporary Esotericism provides a broad overview and assessment of the complex world of Western esoteric thought today. Combining historiographical analysis with theories and methodologies from the social sciences, the volume explores new problems and offers new possibilities for the study of esoterica. Contemporary Esotericism studies the period since the 1950s but focuses on the last two decades. The wide range of essays are divided into four thematic sections: the intricacies of esoteric appeals to tradition; the role of popular culture, modern communication technologies, and new media in contemporary esotericism; the impact and influence of esotericism on both religious and secular arenas; and the recent 'de-marginalization' of the esoteric in both scholarship and society.

An overview of Western esoteric currents since late antiquity, with an emphasis on the last six centuries. Widely received in France, this brief, comprehensive introduction to Western esotericism by the founder of the field is at last available in English. A historical and pedagogical guide, the book is written primarily for students and novices. In clear, precise language, author Antoine Faivre provides an overview of Western esoteric currents since late antiquity. The bulk of the book is laid out chronologically, from ancient and medieval sources (Alexandrian Hermetism, Gnosticism, Neoplatonism), through the Renaissance up to the present time. Its coverage includes spiritual alchemy, Jewish and Christian Kabbalah, Christian theosophy, Rosicrucianism, Illuminism, “mystical” Freemasonry, the “occultist” current, Theosophical and Anthroposophical Societies, the Traditionalist School, and “esotericism” in contemporary initiatic societies and in New Religious Movements. Faivre explores how these currents are connected, and refers to where they appear in art and literature. The book concludes with an annotated bibliography, which makes it an essential resource for beginners and scholars alike. “A characteristically erudite, sweeping brief survey of the field of Western esotericism, at once accessible and bristling with details. This is a valuable overview, from the inimitable perspective of the field’s founder, for those who wish to delve into this fascinating and thriving area of contemporary scholarship.” — Arthur Versluis, author of Restoring Paradise, Wisdom’s Children, and Magic and Mysticism “The classic survey of Western esotericism by the most knowledgeable and influential scholar of his generation is now finally accessible to English readers, in an updated edition that takes account of current developments. This small but precious volume will be indispensable for anybody who wishes to be well informed about the historical backgrounds and development of esoteric currents from antiquity to the present.” — Wouter J. Hanegraaff, University of Amsterdam

Ansgar Martins’s The Migration of Metaphysics into the Realm of the Profane is the first book-length study focusing on Adorno’s idiosyncratic appropriation of Jewish mysticism in the light of his relationship to Gershom Scholem and their shared intellectual contexts.

This is the first encyclopaedic work on Western esotericism in Scandinavia. Structured along the lines of the Dictionary of Gnosis and Western Esotericsm (2005), it contains over 80 articles written by 47 specialists. It consists of critical overviews of all the major esoteric currents in Denmark, Finland, Norway, and Sweden, ranging from Alchemy, Anthroposophy, and Astrology, to Theosophy, Traditionalism, and UFO Movements. This ground-breaking work is of relevance not only for scholars and students of Western esotericism, but for all with an interest in alternative religious traditions and Scandinavian intellectual history.

The Bloomsbury Handbook of Religion and Popular Music is the first comprehensive analysis of the most important themes and concepts in this field. Drawing on contemporary research from religious studies, theology, sociology, ethnography, and cultural studies, the volume comprises thirty-one specifically commissioned essays from a team of international experts. The chapters explore the principal areas of inquiry and point to new directions for scholarship. Featuring chapters on methodology, key genres, religious traditions and popular music subcultures, this volume provides the essential reference point for anyone with an interest in religion and popular music as well as popular culture more broadly. Religious traditions covered include Christianity, Islam, Judaism, Hinduism, Buddhism, Paganism and occultism. Coverage of genres and religion ranges from heavy metal, rap and hip hop to country music and film and television music. Edited by Christopher Partridge and Marcus Moberg, this Handbook defines the research field and provides an accessible entry point for new researchers in the field.