If Your In The Music Business, Read This Today you need to view yourself through the new rules of the music industry. Those who play by them will succeed. Gone are the old days where you would hope to get signed and then become a star (i.e. everything would be done for you). Do you wonder why other artists are getting breaks and you are not? Making it in the music industry isn't about catching that big break anymore. Getting your career off the ground can be a long and scary task. In this cutting-edge book Tommy Swindali maps out everything you need to know and provides you with the tools necessary to get to where you want to be. The tools are yours to use, but only if you want it bad enough. Find out why you should run your music career like a business. Then allow me to simplify that process and walk you through all the steps that the professionals take. You don't want to be another tired and broke artist forced to get a job you hate. Do yourself a favor. Whether you are an active or aspiring musician, or an aspiring music manager or agent - this book is perfect for you. In this book you will discover: What to Look for When Making a Deal Understand The Importance of Streaming and Subscription Discover The New Rules of The Music Industry with "360 Degree" Deals Connect With The Right People Who Will Help You to The Next Level Multiply Your Income Forever With Music Licensing How to Get Signed and Have A&Rs Chasing You The Secrets to Using Funding Develop Your Brand and Make a Good First Impression Monetizing Your Music And Much, Much More So if you want to go somewhere big with your music and/or learn the music business Click Add To Cart

The contemporary music magazine.

Issues highlights the publications that have revolutionized magazine design and examines the concepts behind their format, page designs, covers, words and images. David Carson's Raygun, Terry Jones' ID, and Visionaire are three powerful examples that have broken traditions and forged images that are aesthetically individual and unique. Around the world countless magazines are published on a regular basis and the competition to attract readers is extremely fierce. But why is this compact, portable and highly accessible medium so effective in disseminating information to the public? And why contrary to predictions has it not been eclipsed by the world wide web? Issues answers these questions and also demonstrates clearly why the digital encounter has proved unequal to the delightfully tactile and spectacular reading experience afforded by print. If a magazine is 'a storage place for explosives', then Issues is a complete arsenal of the most highly explosive magazine designs ever created.