Music for Multi-Percussion: A World View is designed as a progression of complex skills required to play multi-percussion. Ten percussion solos and two duets are presented with the intention of being performed in recitals, auditions, studio classes and contests. The collection of solos and duets is organized into four categories which focus on specific skill sets: Category 1: Single instruments (or instrument set) Category 2: Changing implements on a single instrument (or instrument set) Category 3: Multiple instruments and implements Category 4: Three- and four-way coordination

In-depth coverage of popular percussion instruments, including history, tuning, maintenance, techniques, exercises, ensembles, and more, from a world-renowned educator and performer, Kalani. This book comes with an enhanced CD featuring additional multimedia content, including demonstrations of all rhythms and techniques.

From Reich's 1968 essay, ¿7FMusic as a gradual process," which was the founding call for the development of minimalism, to his work on non-Western music such as the Balinese and African influences that contributed to "Drumming."

Ethnographic and archaeological records feature a rich body of data suggesting that understandings of the mineral world are in fact both culturally variable and highly diverse. Soils, Stones and Symbols highlights studies from the fields of anthropology, archaeology and philosophy that demonstrate that not all individuals and societies view minerals as commodities to be exploited for economic gain, or as passive objects of disembodied scientific enquiry. In visiting such diverse contexts as contemporary India, colonial-period Australia and prehistoric Europe and the Americas, the papers in this volume demonstrate that in pre-industrial societies, minerals are often symbolically meaningful, ritually powerful, and deeply interwoven into not just economic and material, but also social, cosmological, mythical, spiritual and philosophical aspects of life. In addressing the theme of the mineral world, this book is not only unique within the social and geo-sciences, but also at the forefront of recent attempts to demonstrate the importance of materiality to processes of human cognition and sociality. It draws upon theoretical developments relating to meaning, experience, the body, and material culture to demonstrate that studies of rock art, landscapes, architecture, technology and resource use are all linked through the minerals that constantly surround us and are the focus of our never-ending attempts to understand and transform them.

The first ethnomusicological study of the people who created a transnational connection in and through a world music culture

This book offers a critical introduction to trends and developments in contemporary criminological theory. Designed both as a companion to An Introduction to Criminological Theory – also by Roger Hopkins Burke and published by Routledge – and as a standalone advanced textbook, it develops themes introduced previously in more detail, incorporates new critical and radical concepts and explores cutting-edge advances in theory. Key topics include the following: • Constitutive, anarchist, green and species, bio-critical, cultural, abolitionist and convict criminologies • Globalization and organized crime • Southern theory • Critical race theory • Terrorism and state violence • Gender, feminism and masculinity • Ultra-realism • Radical moral communitarianism These key issues are discussed in the context of debates about the fragmentation of modernity and the postmodern condition; the rise of political populism, risk, surveillance and social control, and speculation about living in post-COVID-19 society and the future of neoliberalism. Written in a clear and direct style, this book will appeal to both undergraduate and postgraduate students of criminology, sociology and politics and is essential reading for advanced students of criminology looking for a way to engage with contemporary themes and concepts in theory.

Theodore Levin takes readers on a journey through the rich sonic world of inner Asia, where the elemental energies of wind, water, and echo; the ubiquitous presence of birds and animals; and the legendary feats of heroes have inspired a remarkable art and technology of sound-making among nomadic pastoralists. As performers from Tuva and other parts of inner Asia have responded to the growing worldwide popularity of their music, Levin follows them to the West, detailing their efforts to nourish global connections while preserving the power and poignancy of their music traditions.