Music in the Andes is one of the first books to offer a comprehensive overview of the uniquely rich and diverse musical crossroads of southern Peru and Bolivia. It explores the ways in which modern styles meet and interact with older, indigenous music to create a continuously evolving musical heritage. The book examines the major contemporary indigenous, mestizo, and urban musical traditions of the region through a series of case studies. Throughout the book, author Thomas Turino underscores the dynamic interplay between musical/cultural continuity and innovation. He also emphasizes the exceptional communicative potential of music, dance, and festivals to express ethnic, class, regional, national, and gendered identities. In addition, he considers the ethical and stylistic differences between "participatory" and "presentational" modes of making music.

Music and the Poetics of Production in the Bolivian Andes is a musical ethnography of a Quechua speaking community of northern Potosí, in the Bolivian Andes. Through rich and evocative ethnography, the book delves into the powerful meanings ascribed to sound; charts unfamiliar aesthetic territories; suggests how modernity can contribute to indigeneity; and reveals remarkable musical perspectives on llama husbandry and potato cultivation. As we follow the lives, shifting fortunes and musical year of this, in many ways, fragile community, a seasonally shifting array of musical instruments, genres, dances and tunings are introduced. The book is accompanied by an audio CD, photographs, musical transcriptions and explanatory diagrams.

Stretching for over 5500 miles, and containing the highest active volcanoes in the world, the largest salt flat, the highest lake, and peaks rivalled in size only by the Himalayas, the Andes impress by statistics alone. But beyond the range's sheer immensity is its concentration of radically contrasting scenery and climates. In this remarkable book, Michael Jacobs journeys from the balmy Caribbean to the inhospitable islands of the Tierra del Fuego, through the relics of ancient civilizations, to retrace the footsteps of previous travellers. His route begins in Venezuela, following the path of the great 19th-century revolutionary Simn Bolvar. On his way Jacobs attempts to uncover the stories of those who have shared his fascination, and to reveal the secrets of a region steeped in history, science and myth.

The aim of this book is to explore the current research into the ways in which Andean peoples create, transmit, maintain and transform their knowledge in culturally significant ways, and how processes of teaching and learning relate to these. The contributions, from eminent researchers in anthropology, sociology, cultural studies and linguistics, include cross-disciplinary approaches, and cover a diverse geographic area from Ecuador to Peru, Bolivia and Northern Chile. The case studies reflect on the variously harmonious and conflictive relationships between knowledge, power, communicative media and cultural identities in Andean societies, from within local, national and global perspectives.

The Andes form the backbone of South America. Irradiating from Cuzco--the symbolic "navel" of the indigenous world--the mountain range was home to an extraordinary theocratic empire and civilization, the Incas, who built stone temples, roads, palaces, and forts. The clash between Atahualpa, the last Inca, and the illiterate conquistador Pizarro, between indigenous identity and European mercantile values, has forged Andean culture and history for the last 500 years. Jason Wilson explores the 5,000-mile chain of volcanoes, deep valleys, and upland plains, revealing the Andes' mystery, inaccessibility, and power through the insights of chroniclers, scientists, and modern-day novelists. His account starts at sacred Cuzco and Machu Picchu, moves along imagined Inca routes south to Lake Titicaca, La Paz, Potosí, and then follows the Argentine and Chilean Andes to Patagonia. It then moves north through Chimborazo, Quito, and into Colombia, along the Cauca Valley up to Bogotá and east to Caracas. Looking at the literature inspired by the Andes as well as its turbulent history, this book brings to life the region's spectacular landscapes and the many ways in which they have been imagined.

When thinking of indigenous music, many people may imagine acoustic instruments and pastoral settings far removed from the whirl of modern life. But, in contemporary Peru, indigenous chimaycha music has become a wildly popular genre that is even heard in the nightclubs of Lima. In Making Music Indigenous, Joshua Tucker traces the history of this music and its key performers over fifty years to show that there is no single way to “sound indigenous.” The musicians Tucker follows make indigenous culture and identity visible in contemporary society by establishing a cultural and political presence for Peru’s indigenous peoples through activism, artisanship, and performance. This musical representation of indigeneity not only helps shape contemporary culture, it also provides a lens through which to reflect on the country’s past. Tucker argues that by following the musicians that have championed chimaycha music in its many forms, we can trace shifting meanings of indigeneity—and indeed, uncover the ways it is constructed, transformed, and ultimately recreated through music.

A guidebook that contains reports and travel conditions in the areas South of Lima devastated by the August 2007 Pisco Earthquake. It helps visitors to explore Peru's ruins, including the Ollantaytambo, Cusco, the fortress of Kuelap, and also the white city of Arequipa, surrounded by snow capped volcanoes.

This book offers a new anthropological understanding of the socio-cosmological and ontological characteristics of the Isthmo–Colombian Area, beyond established theories for Amazonia, the Andes and Mesoamerica. It focuses on a core region that has been largely neglected by comparative anthropology in recent decades. Centering on relations between Chibchan groups and their neighbors, the contributions consider prevailing socio-cosmological principles and their relationship to Amazonian animism and Mesoamerican and Andean analogism. Classical notions of area homogeneity are reconsidered and the book formulates an overarching proposal for how to make sense of the heterogeneity of the region’s indigenous groups. Drawing on original fieldwork and comparative analysis, the volume provides a valuable anthropological addition to archaeological and linguistic knowledge of the Isthmo・Colombian Area.

Omnibus edition contains the following titles: Into the Green Prism, Beyond the Green Prism, Through The Andes, Monsters of the Ray,