Musical Culture and the Spirit of Irish Nationalism is the first comprehensive history of music’s relationship with Irish nationalist politics. Addressing rebel songs, traditional music and dance, national anthems and protest song, the book draws upon an unprecedented volume of material to explore music’s role in cultural and political nationalism in modern Ireland. From the nineteenth-century Young Irelanders, the Fenians, the Home Rule movement, Sinn Féin and the Anglo-Irish War to establishment politics in independent Ireland and civil rights protests in Northern Ireland, this wide-ranging survey considers music’s importance and its limitations across a variety of political movements.

Irish land in the 1880s was a site of ideological conflict, with resonances for liberal politics far beyond Ireland itself. The Irish Land War, internationalised partly through the influence of Henry George, the American social reformer and political economist, came at a decisive juncture in Anglo-American political thought, and provided many radicals across the North Atlantic with a vision of a more just and morally coherent political economy. Looking at the discourses and practices of these agrarian radicals, alongside developments in liberal political thought, Andrew Phemister shows how they utilised the land question to articulate a natural and universal right to life that highlighted the contradictions between liberty and property. In response to this popular agrarian movement, liberal thinkers discarded many older individualistic assumptions, and their radical democratic implications, in the name of protecting social order, property, and economic progress. Land and Liberalism thus vividly demonstrates the centrality of Henry George and the Irish Land War to the transformation of liberal thought.

Joe Mulhall uncovers how music has shaped resistance movements across the globe, from Irish protest songs to Apartheid South Africa to the artists in Ukraine today. While the global history of the dictatorships, oppression, racism and state violence over the last century is well known – the role that music played in people’s lives during these times is less understood. This book is a collection of stories and hidden histories about how music provided light in the darkest of times over the past century. How it steeled souls and inspired resistance to oppression. Rebel Sounds will explore the horror of the Nazi regime, the Soviet Union’s oppression behind the Berlin Wall, authoritarian dictatorships in Brazil and Nigeria, institutionalised racism and police violence in America and South Africa, street violence in Britain, ethnic cleansing in the Balkans and musical resistance in war-torn Ukraine. This is a social history of the twentieth century but one that takes in the human impulse to create, share and enjoy the one thing that connects cultures and spans generations: music.

This book analyzes the formation of a mass anarchist movement in Spain over the turn of the twentieth century. In this period, the movement was transformed from a dislocated collection of groups and individuals into the largest organized body of anarchists in world history: the anarcho-syndicalist National Confederation of Labour (Confederación Nacional del Trabajo: CNT). At the same time, anarchist cultural practices became ingrained in localities across the whole of Spain, laying foundations which maintained the movement’s popular support until the end of the Spanish Civil War in 1939. The book shows that grassroots print culture was central to these developments: driving the development of ideology and strategy – broadly defined as terrorism, education and workplace organization – and providing an informal structure to a movement which shunned recognized leadership and bureaucracy. This study offers a rich analysis of the cultural foundations of Spanish anarchism. This emphasis also challenges claims that the movement was "exceptional" or "peculiar" in its formation, by situating it alongside other decentralized, bottom-up mobilizations across historical and contemporary contexts, from the radical pamphleteering culture of the English Civil War to the use of social media in the Arab Spring.

This book proposes an innovative conceptual framework to explore cultural organizations at a multilateral level and cultural mediators as key figures in cultural and institutionalization processes. Specifically, it analyzes the role of Ibero-American mediators in the institutionalization of Hispanic and Lusophone cultures in the first half of the 20th century by means of two institutional networks: PEN (the non-governmental writer’s association) and the International Institute of Intellectual Cooperation (predecessor to UNESCO). Attempting to combine cultural and global history, sociology, and literary studies, the book uses an analytical focus on intercultural networks and cultural transfer to investigate the multiple activities and roles that these mediators and cultural organizations set in motion. Literature has traditionally studied major figures and important centers of cultural production, but other regions and localities also played a crucial role in the development of intellectual cooperation. This book reappraises the place of Ibero-America in international cultural relations and retrieves the lost history of key secondary actors. The book will appeal to scholars from international relations, global and cultural history, sociology, postcolonial Studies, world and comparative literature, and New Hispanisms. The Open Access version of this book, available at http://www.taylorfrancis.com/books/e/9780429299407, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

Today Europe stands at a crossroads unlike any it has faced since 1945. Since the 2008 financial crash, Europe has weathered the Greek debt crisis, the 2015 refugee crisis, and the identity crisis brought about by Brexit in 2016. The future of the European project is in doubt. How will Europe respond? Reform and revolution have been two forms of response to crisis that have shaped Europe’s history. To understand Europe’s present, we must understand that past. This interdisciplinary book considers, through the prism of several landmark moments, how the dynamics of reformation and revolution, and the crises they either addressed or created, have shaped European history, memory, and thought.

Tattoo Histories is an edited volume which analyses and discusses the relevance of tattooing in the socio-cultural construction of bodies, boundaries, and identities, among both individuals and groups. Its interdisciplinary approach facilitates historical as well as contemporary perspectives. Rather than presenting a universal, essentialized history of tattooing, the volume’s objective is to focus on the entangled and transcultural histories, narratives, and practices related to tattoos. Contributions stem from various fields, including Archaeology, Art History, Classics, History, Linguistics, Media and Literary Studies, Social and Cultural Anthropology, and Sociology. They advance the current endeavour on the part of tattoo scholars to challenge Eurocentric and North American biases prevalent in much of tattoo research, by including various analyses based in locations such as Malaysia, Israel, East Africa, and India. The thematic focus is on the transformative capacity of tattoos and tattooing, with regard to the social construction of bodies and subjectivity; the (re-)creation of social relationships through the definition of (non-)tattooed others; the formation and consolidation of group identities, traditions, and authenticity; and the conceptualization of art and its relevance to tattoo artist–tattooee relations.

This collection brings together world-leading and emerging scholars to explore how the concept of "protection" was applied to Indigenous peoples of Britain’s antipodean colonies. Tracing evolutions in protection from the 1830s until the end of the nineteenth century, the contributors map the changes and continuities that marked it as an inherently ambivalent mode of colonial practice. In doing so, they consider the place of different historical actors who were involved in the implementation of protective policy, who served as its intermediaries on the ground, or who responded as its intended "beneficiaries." These included metropolitan and colonial administrators, Protectors or similar agents, government interpreters and church-affiliated missionaries, settlers with economic investments in the politics of conciliation, and the Indigenous peoples who were themselves subjected to colonial policies. Drawing out some of the interventions and encounters lived out in the name of protection, the book examines some of the critical roles it played in the making of colonial relations.

Bringing together scholars from Russia, the United States and Europe, this collection of essays is the first to explore the slippery phenomenon of post-Soviet nostalgia by studying it as a discursive practice serving a wide variety of ideological agendas. The authors demonstrate how feelings of loss and displacement in post-Soviet Russia are turned into effective tools of state building and national mobilization, as well as into weapons for local resistance and the assertion of individual autonomy. Drawing on novels, memoirs, documentaries, photographs and Soviet commodities, Post-Soviet Nostalgia is an invaluable resource for historians, literary scholars and anthropologists interested in how Russia comes to terms with its Soviet past.

This book analyzes an example of life-writing, an autobiography that was written in the early nineteenth century and will appeal to readers of many disciplines who are interested in understanding the interconnectedness of memory, textual narrative, and ideas of selfhood. Moreover, this book reasserts the importance of the individual in history. It explains how personal narratives reveal the individual as a purposeful social actor pursuing particular objectives, but framed by cultural and social contexts, in this case by eighteenth-century London and Imperial India. The author of this autobiography, William Hickey, projects a sense of self formed by a combination of an interiorized self-consciousness (an awareness of himself as an autonomous individual, although not one prone to deep self-reflection) and a socially-turned self-fashioning. Like so many autobiographers of his time, Hickey’s self is realized through the production of a narrative, his self fixed and defined through the act of writing. As he wrote his memoirs, Hickey was engaged in purposeful textual representation to satisfy his perceived sense of place in that culture (above all, as a gentleman) while tacitly reflecting the constraints of that culture imposed upon the form and content of the text.