Interviews with young Muslims in Chicago explore the complexity of identities formed at the crossroads of Islam and hip hop This groundbreaking study of race, religion and popular culture in the 21st century United States focuses on a new concept, “Muslim Cool.” Muslim Cool is a way of being an American Muslim—displayed in ideas, dress, social activism in the ’hood, and in complex relationships to state power. Constructed through hip hop and the performance of Blackness, Muslim Cool is a way of engaging with the Black American experience by both Black and non-Black young Muslims that challenges racist norms in the U.S. as well as dominant ethnic and religious structures within American Muslim communities. Drawing on over two years of ethnographic research, Su'ad Abdul Khabeer illuminates the ways in which young and multiethnic US Muslims draw on Blackness to construct their identities as Muslims. This is a form of critical Muslim self-making that builds on interconnections and intersections, rather than divisions between “Black” and “Muslim.” Thus, by countering the notion that Blackness and the Muslim experience are fundamentally different, Muslim Cool poses a critical challenge to dominant ideas that Muslims are “foreign” to the United States and puts Blackness at the center of the study of American Islam. Yet Muslim Cool also demonstrates that connections to Blackness made through hip hop are critical and contested—critical because they push back against the pervasive phenomenon of anti-Blackness and contested because questions of race, class, gender, and nationality continue to complicate self-making in the United States.

In the current environment of a growing Muslim presence in Europe, young Muslims have started to develop a subculture of their own. The manifestations reach from religious rap and street wear with Islamic slogans to morally »impeccable« comedy. This form of religiously permissible fun and of youth-compatible worship is actively engaged in shaping the future of Islam in Europe and of Muslim/non-Muslims relations. Based on a vast collection of youth cultural artefacts, participant observations and in-depth interviews in France, Britain and Germany, this book provides a vivid description of Islamic youth culture and explores the reasons why young people develop such a culture.

How do Muslims who grew up after September 11 balance their love for hip-hop with their devotion to Islam? How do they live the piety and modesty called for by their faith while celebrating an art form defined, in part, by overt sexuality, violence, and profanity? In Representing Islam, Kamaludeen Mohamed Nasir explores the tension between Islam and the global popularity of hip-hop, including attempts by the hip-hop ummah, or community, to draw from the struggles of African Americans in order to articulate the human rights abuses Muslims face. Nasir explores state management of hip-hop culture and how Muslim hip-hoppers are attempting to "Islamize" the genre's performance and jargon to bring the music more in line with religious requirements, which are perhaps even more fraught for female artists who struggle with who has the right to speak for Muslim women. Nasir also investigates the vibrant underground hip-hop culture that exists online. For fans living in conservative countries, social media offers an opportunity to explore and discuss hip-hop when more traditional avenues have been closed. Representing Islam considers the complex and multifaceted rise of hip-hop on a global stage and, in doing so, asks broader questions about how Islam is represented in this global community.

In the inaugural issue of Critical Muslim: Ziauddin Sardar tries to understand the significance of what just happened in the Middle East, Robin Yassin-Kassab spends some quality time in Tahrir Square, Ashur Shamis dodges the bullets of Gaddafi's henchmen, Abdelwahab El-Affendi traces the roots of the uprisings, Anne Alexander tunes into the digital revolution, Fadia Faqir joins women protestors, Shadia Safwan asks how long could Assad last, Jamal Mahjoub contemplates futures of the Sudan, Jasmin Ramsey joins the activists in Tehran, and Jerry Ravetz ponders the significance of Ibn Khaldun to the Arab Spring. Also in this issue: Rachel Holmes visits the Palestinian Festival of Literature, S. Parvez Manzoor asks if Turkey is a good model for the Muslim world, Muhammad Idrees Ahmad is overwhelmed by leaks, Taus Makhacheva takes 'Affirmative Action', Aasia Nasir accuses Pakistan and Merryl Wyn Davies's 'last word' on Saudi women drivers. Plus a new short story from Bilal Tanweer and revolutionary poetry from Nizar Qabbani, Tawfiq Zayyad, Abul-Qasim al-Shabi, Ayat al-Qormezi and Naomi Foyle. About Critical Muslim: A quarterly publication of ideas and issues showcasing groundbreaking thinking on Islam and what it means to be a Muslim in a rapidly changing, interconnected world. Each edition centers on a discrete theme, and contributions include reportage, academic analysis, cultural commentary, photography, poetry, and book reviews.

Latino and Muslim in America examines how so-called "minority groups" are made, fragmented, and struggle for recognition. The U.S. is poised to become the first nation whose collective minorities outnumber the dominant population, and Latinos play no small role in this world-changing demographic shift. Even as many people view Latinos and Muslims as growing threats, Latino Muslims celebrate their intersecting identities in their daily lives and in their mediated representations. In this book, Harold D. Morales follows the lives of several Latino Muslim leaders from the 1970's to the present, tracing their efforts to organize and unify nationally in order to solidify the new identity group's place within the public sphere. Drawing on four years of media analysis, ethnographic and historical research, Morales demonstrates that Latinos embrace Islam within historically specific contexts that include distinctive immigration patterns and new laws, urban spaces, and media technologies that have increasingly brought Latinos and Muslims into contact. He positions this growing community as part of the mass exodus out of the Catholic Church, the growth of Islam, and the digitization of religion. Latino and Muslim in America explores the interactions between religion, race, and media to conclude that these three categories are inextricably entwined.

Why does a country with religious liberty enmeshed in its legal and social structures produce such overt prejudice and discrimination against Muslims? Sahar Aziz’s groundbreaking book demonstrates how race and religion intersect to create what she calls the Racial Muslim. Comparing discrimination against immigrant Muslims with the prejudicial treatment of Jews, Catholics, Mormons, and African American Muslims during the twentieth century, Aziz explores the gap between America’s aspiration for and fulfillment of religious freedom. With America’s demographics rapidly changing from a majority white Protestant nation to a multiracial, multireligious society, this book is an in dispensable read for understanding how our past continues to shape our present—to the detriment of our nation’s future.

This book explores the idea of Muslim diaspora in context of Muslim communities in the United Kingdom. It critically looks at the notion of ummah and presents a comprehensive account of South Asian Muslims in London. Employing qualitative research methods and drawing on extensive fieldwork, it delves into the identification and transnational connections of Muslims in Britain. It shows the ways in which religious identity, practices and experiences may instigate diasporas focusing on South Asian Muslims in London — Indian, Pakistani and Bangladeshi Muslims — who account for 3.6 per cent of the total population. Further, the inter as well as intra group dynamics and studies how Muslims of different ethnic background settled in the same geo-political context engage with the notion of ummah. The volume will be of great interest to scholars and researchers of religion, especially Islam, politics, British studies and South Asian studies.

"The Women's Mosque of America analyzes how American Muslim women cultivate new forms of Islamic authority that contend with gender inequality, anti-Blackness, and global Islamophobia by approaching the Qur'an as a tool for social justice and community building, providing insights on Islamic authority at the intersections of gender, religious space, and national belonging"--

The Routledge Handbook of Global Islam and Consumer Culture is an outstanding inter- and transdisciplinary reference source to key topics, problems, and debates in this challenging research field. The study of Islam is enriched by investigating religion and, notably, Islamic normativity (fiqh) as a resource for product design, attitudes toward commodification, and appropriated patterns of behavior. Comprising 35 chapters (including an extended Introduction) by a team of international contributors from chairholders to advanced graduate students, the handbook is divided into seven parts: Guiding Frameworks of Understanding Historical Probes Urbanism and Consumption Body Manipulation, Vestiary Regimes, and Gender Mediated Religion and Culture Consumer Culture, Lifestyle, and Senses of the Self through Consumption Markets These sections examine vibrant debates around consumption, frugality, Islamic jurisprudence and fatwas in the world economy, capitalism, neoliberalism, trade relations, halalization, (labor) tourism and travel infrastructure, body modification, fashion, self-fashioning, lifestylization, Islamic kitsch, urban regeneration, heritage, Islamic finance, the internet, and Quran recitation versus music. Contributions present selected case studies from countries across the world, including China, Indonesia, Malaysia, Morocco, Nigeria, Qatar, Pakistan, and Turkey. The handbook is essential reading for students and researchers in Islamic studies, Near and Middle Eastern studies, religious studies, and cultural studies. The handbook will also be very useful for those in related fields, such as politics, area studies, sociology, anthropology, and history.

The Islamic tradition has always been flexible, changing over time and constantly adapting to the different societies Muslims find themselves in. Few Muslims today would abide by the fatwa against the printing press under the Ottomans. Moreover, although Islamic law legislates for slavery and child marriage, only a vanishing minority of Muslims consider these practices acceptable today – and some will even argue that Islam never permitted them. Yet some issues, like the prohibition on female-led prayer and female interfaith marriage seem curiously impervious to change. Why is that? Through a mixture of interviews with ordinary Muslims in Texas and critical analysis of contemporary and historical scholarship, Shehnaz Haqqani demonstrates the gendered dimensions of change and negotiation in Islamic tradition. She argues that a reliance on a mostly-male scholarly consensus means that the ‘tradition’ preserves male privilege at the expense of justice for Muslim women.