From the publisher of the beloved Water Bugs and Dragonflies comes a new picture book to support grieving children: My Heart Sings a Sad Song. The heart-warming artwork holds the reader tenderly through the ache of grief, as a young rabbit remembers a loved one who has died. Hospice chaplain Jennifer Fargo Lathrop says of My Heart Sings a Sad Song: “The illustration of talking to ‘my heart’ is especially meaningful, offering children a model of how to engage their emotions and their memories.”

"You Make My Heart Sing" is an anthology with an essence of happiness which makes you fly in the air. This book leaves the reader with an experience of a fresh breeze , a magnificent rainbow, celestial twinkling stars, calm ocean and everything in this world and beyond, which makes you bloom even when everything around you seems to wither. This book is an aesthetic amalgamation of many writers' works who have penned down their heart. It is their favourite choice to lift, and motivate readers in all phases of life. Attachments area

In 'The Complete Works of Rabindranath Tagore,' readers are presented with a collection of writings that showcase the diverse talent of the author. Tagore's literary style is characterized by its lyrical prose, deep philosophical insights, and exploration of themes such as love, nature, and spirituality. This comprehensive volume includes poetry, short stories, plays, and essays, providing a holistic view of Tagore's exceptional literary contributions to Bengali literature and beyond. Tagore's work is deeply rooted in the cultural and social context of his time, reflecting the complexities of Indian society during the late 19th and early 20th centuries. His writing transcends boundaries and continues to resonate with readers around the world, making him a literary icon of global significance. Rabindranath Tagore, a Nobel laureate and polymath, was a prolific writer, composer, and artist whose impact on Indian literature and culture cannot be overstated. His deep connection to nature, spiritual beliefs, and advocacy for social reform are evident throughout his works, reflecting his profound understanding of human emotions and relationships. Tagore's vast body of work continues to inspire readers and scholars alike, cementing his legacy as one of the greatest literary figures of the 20th century. I highly recommend 'The Complete Works of Rabindranath Tagore' to any reader interested in exploring the rich tapestry of Tagore's writings. This collection offers a comprehensive insight into the depth and brilliance of Tagore's literary genius, making it a must-read for anyone passionate about literature, poetry, and philosophical discourse.

Tagore's 'The Complete Poetical Works of Rabindranath Tagore' is a timeless collection of poetry that epitomizes the depth of human emotions and the beauty of nature. His lyrical verses, often described as delicate and profound, transport readers to a world where love, spirituality, and the human experience are intricately intertwined. Influenced by both traditional Indian literature and Western poetic forms, Tagore's poetry is a harmonious blend of Eastern and Western sensibilities, making it a truly unique and captivating read. This collection showcases Tagore's mastery of language and his ability to evoke powerful emotions through his words. Readers will find themselves mesmerized by the imagery and themes present in each poem, resulting in a truly enriching literary experience. Rabindranath Tagore, a Nobel laureate and one of India's most celebrated literary figures, draws from his own experiences and observations of life to create poetry that resonates with readers of all backgrounds. His deep connection to nature, spirituality, and human relationships shines through in each poem, offering profound insights into the complexities of the human condition. 'The Complete Poetical Works of Rabindranath Tagore' is a must-read for poetry enthusiasts, spiritual seekers, and anyone looking to explore the profound beauty of language and emotion in verse.

PEN/HEMINGWAY AWARD FINALIST A fiercely poetic literary debut re-creating the life of an 19th-century slave woman in South Africa. Slavery as it existed in Africa has seldom been portrayed—and never with such texture, detail, and authentic emotion. Inspired by actual 19th-century court records, Unconfessed is a breathtaking literary tour de force. They called her Sila van den Kaap, slave woman of Jacobus Stephanus Van der Wat of Plettenberg Bay, South Africa. A woman moved from master to master, farm to farm, and—driven by the horrors of slavery to commit an unspeakable crime—from prison to prison. A woman fit for hanging . . . condemned to death on April 30, 1823, but whose sentence the English, having recently wrested authority from the Dutch settlers, saw fit to commute to a lengthy term on the notorious Robben Island. Sila spends her days in the prison quarry, breaking stones for Cape Town's streets and walls. She remembers the day her childhood ended, when slave catchers came — whipping the air and the ground and we were like deer whipped into the smaller and smaller circle of our fear. Sila remembers her masters, especially Oumiesies ("old Missus"), who in her will granted Sila her freedom, but Theron, Oumiesies' vicious and mercenary son, destroys the will and with it Sila's life. Sila remembers her children, with joy and with pain, and imagines herself a great bird that could sweep them up in her wings and set them safely on a branch above all harm. Unconfessed is an epic novel that connects the reader to the unimaginable through the force of poetry and a far-reaching imagination.

Tagore S English Writings Originals And Translations Have Not Received The Attention That They Deserve. The Purpose Of This Edition Is To Make The English Writings Of Tagore Available To The Widest Possible Range Of Readers Interested In The Writings Of Tagore All Over The World, With Just The Bare, Minimum Information Necessary For Appreciating The Writings, And Leave The Critical Assessment To The Readers Themselves.There May Be Two Possible Reasons For The Neglect Of Tagore S English Writings. Firstly, Tagore S Prolific Output, Shakespearean Felicity And Protean Plasticity As A Bengali Poet, Who, Though Well-Versed In English, Chose To Write In The Medium Of His Mother Tongue For Nearly The First Fifty Years Of His Life, And There Is Hardly Any Literary Form That He Did Not Touch Upon And Turn Into Gold. His Creative Genius Found Expression In Poems, Plays, Novels, Essays, Short Stories, Satirical Pieces, Textbooks For Children, And Songs Of All Kinds. The Only Literary Form That He Did Not Try Is Epic. But In His Long, Eventful And Creative Eighty Years Of Life He Virtually Lived An Epic. It Is Largely Due To His Mighty Stature As A Bengali Poet That Nobody Really Bothered About His English Writings And His Own Translations Of His Own Writings.Secondly, It Is Owing To The Supposedly Poor Quality Of His Translations Subsequent To The Translation Of Gitanjali. It Was Only After Tagore Received The Nobel Prize For Literature In 1913 That There Was A Growing Demand For His Writings In The West, And As Tagore Was Not Apparently Satisfied By The Translations That Others Mainly His Admirers Made, He Began To Translate His Writings Himself. But The Tremendous Haste With Which He Had To Translate, Possibly Affected The Quality Of Translations. Come What May, The Point Is Whether Tagore S English Translations Are Good Or Bad, Whether The Translation Furthered His Reputation Or Damaged It, Is Immaterial. The Fact Of The Matter Is That They Are His, And His Own Translation Of Whatever Quality It May Be Is More Valuable To A Tagore Lover Than The Best Translation Made By Somebody Else, As Van Gogh S One Original Single Scratch Is More Valuable Than The Best Possible Copy By Some Other Artist.The Value Of Tagore S English Writings Lies Here : They Constitute An Important Part Of His Total Oeuvre, Add A New Magnificent Dimension To It And Offer Us A Glimpse Into The Mystique Of The Creative Anxiety That Could Have Haunted Even The Greatest Writer Of The Twentieth Century, About His Possible Reception In An Alien Culture.

This is the third volume of the First of the Year annual series. Contributors such as Armond White, Philip Levine, Charles O'Brien, Uri Avnery, Donna Gaines, Tom Smucker, Scott Spencer, and Amiri Baraka are back (and fractious as ever). And First's family of writers keeps growing. This volume includes vital new voices such as A. B. Spellman, Bernard Avishai, Rudolph Wurlitzer, and Diane di Prima.First never shies away from hot button issues Fredric Smoler, for example, offers a definitive consideration of America's recent history with torture. But First's approach to current political firestorms is often marked by a cool sense of the past. History is always in the mix when First writers examine the roots of Glenn Beck and Sarah Palin and contemporary right-wing pundits who falsely claim the mantle of Whittaker Chambers. First's refusal to toe "correct" lines is apparent in Benj DeMott's reconsideration of Chambers' work.The new volume is also marked by its cultivation of radical imaginations. The ideas of the Situationists and Cornelius Castoriadis are revived. A young historian, David Waldstreicher, recovers the radical, useable past in the 60s work of Staughton Lynd. Amiri Baraka evokes the felt quality of Jesse Jackson's 1988 campaign and another poet remembers (in verse) long-forgotten, extreme political acts of American Renaissance poets.A recent review of First of the Year: 2009 used a phrase of Kenneth Burke's "perspective by incongruity" to make sense of the method that shaped it. First is committed to thought-provoking incongruities. Faith that wonder is our best teacher informs this volume. First's music writing provides a high-low soundtrack of surprise. Beyond the section on Michael Jackson, there are serious responses to John Coltrane and Bach, World Saxophone Quartet and Mariah Carey, Sonny Rollins and Willie Mitchell. First's message is in

This comprehensive book explores the Malaysian form of shadow puppet theatre, highlighting its unique nature within the context of Southeast Asian and Asian shadow puppet theatre traditions. Intended for a Western audience not familiar with Asian performance and practices, the text serves as a bridge to this highly imaginative form. An in-depth examination of the Malaysian puppet tradition is provided, as well as performance scripts, designs for puppet characters, instructions for creating a shadow screen, and easy directions for performance. Another section then considers the practical, pedagogical, and ethical issues that arise in the teaching of this art.