“My Philosophy” is a 1949 work by Benedetto Croce containing many of his essays on philosophy together with various writings on the subjects of morality ad politics. Contents include: “Discourses on Philosophy”, “Philosophy of Politics”, “Problems of Ethics and Aesthetics”, “Philosophy of History”, and “Various Thoughts”. Benedetto Croce (1866–1952) was an Italian historian, philosopher, and politician. A prolific writer, he who wrote on many different subjects including history, philosophy, aesthetics, and historiography. This vintage book is highly recommended for those with an interest in philosophy and is not to be missed by fans and collectors of Croce's seminal work. Many vintage books such as this are becoming increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with an introduction to Croce's philosophy by Raffaello Piccoli.

A work of political theory with a focus on questions of strategy that examines the politics of the New Left in the 1960s, showing how its expressivism led to political division and also prepared the ground for postmodernism. It shows also how the political economy of academic life in an increasingly commodified society strengthened the basis of postmodernism. Develops a brilliant account of a Marxism that sets itself the task of building a collective political subject capable of challenging capitalism in its moment of global crisis. [publisher web site].

This book examines the encounters between leading 'analytic' and 'continental' philosophers: Frege and Husserl, Carnap and Heidegger, Merleau-Ponty, Bataille and Ayer, the Royaumont colloquium, and Derrida with Searle.

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During the early decades of the twentieth century, Italy produced distinctive innovations in both the intellectual and political realms. On the one hand, Benedetto Croce (1866-1952) and Giovanni Gentile (1875-1944) spearheaded a radical rethinking of historicism and philosophical idealism that significantly reoriented Italian culture. On the other hand, the period witnessed the first rumblings of fascism. Assuming opposite sides, Gentile became the semi-official philosopher of fascism while Croce argued for a renewed liberalism based on 'absolute' historicism. In Historicism and Fascism in Modern Italy, David D. Roberts uses the ideological conflict between Croce and Gentile as a basis for a wider discussion of the interplay between politics and ideas in Italy during the early-twentieth century. Roberts examines the connection between fascism and the modern Italian intellectual tradition, arguing that the relationship not only deepens our understanding of fascism and liberalism but also illuminates ongoing dangers and possibilities in the wider Western world. This set of twelve essays by one of the leading scholars in the field represents an authoritative view of the modern Italian intellectual tradition, its relationship with fascism, and its enduring implications for history, politics, and culture in Italy and beyond.

Originally published in 1949, Croce’s essays on political, philosophic and aesthetic subjects, selected from both his earlier and later writings possess a remarkable underlying unity. The political essays which form a major part of this volume display a criticism, either direct or implied of the mass creeds and movements that subordinate the individual to history. They combine a passionate belief in liberty with critical and historical judgment.

This book argues that R.G. Collingwood's philosophy is best understood as a diagnosis of and response to a crisis of Western civilisation. The various and complementary aspects of the crisis of civilisation are explored and Collingwood is demonstrated to be working in the traditions of Romanticism and ‘historicism'. On these subjects, the theories of Collingwood and Ortega y Gasset are contrasted with those of Nietzsche and Weber.

The originality and depth of Gramsci's theory of hegemony is now evidenced in the wide-ranging intellectual applications within a growing corpus of research and writings that include social, political and cultural theory, historical interpretation, gender and globalization. The reason that hegemony has been so widely and diversely adopted lies in the unique way that Gramsci formulated the 'problematics' of structure/superstructure, coercion/consensus, materialism/idealism and regression/progression within the concept hegemony. However, in much of the contemporary literature the full complexity of hegemony is either obfuscated or ignored. Hegemony, through comprehensive and systematic analyses of Gramsci's formulation, a picture of hegemony as a complex syncretism of these dichotomies. In other words, hegemony is presented as a concept that is as much about aspiration and progressive politico-social relations as it is about regressive and dominative processes. Thus, the volume recognises and presents this complexity through a selection of contemporary theoretical as well as historico-social investigations that mark a significantly innovative moment in the work on hegemony.

This book focuses on the relationship between public morality and personal action in the American political community. It emphasizes the responsibilities of citizens and government to find and confirm truth, looking to specific sources: religious scripture and empirical events. Recognizing that we have a natural preference for distraction and distance from both sources of truth, Slack uses qualitative, open-ended interviews and direct observation to uncover the intimate consequences of life-taking in open societies. Abortion and murder/capital punishment are instances in which there is a sequence of events that result in life-taking. The act of murder denies the sanctity of life of someone else. Abortion and capital punishment also deny the sanctity of the lives of others. The intimacy of life-taking is not typically acknowledged or remains hidden. This makes it difficult to assess the consequences for victims, survivors, and the political community as a whole. As a result, there is only a tenuous link between public actions that question the sanctity of human life and the moral compass professed by the American democracy. The volume presumes a theocentric foundation envisioned by the American Founders. It explores the model's first source of truth, biblical scripture, as it applies to the public actions of murder, abortion, and capital punishment. Then it investigates the intimate reality of these acts. These realities are examined in a variety of settings, resulting in a mosaic pattern of public action about capital punishment and abortion. Slack underscores the importance of government's role of providing outward justice, as well as the citizen's responsibility to be supportive of government tasks in order to reconcile the reality of life-taking with the moral compass professed in the American political community.

Into the Mle probes the mercurial relationship between culture and politics through versatile critical writing on Conrad, Orwell, Sartre, Raymond Williams and Roberto Schwarz, among others. The 'mle' that Romain Rolland wrote to deplore was the Great War of 1914. The phrase gained general currency as a call to cultural service beyond the pressures of everyday political and social strife, a vocation 'above the fray'. Francis Mulhern writes in the contrary belief that there is no social location corresponding to this desire, strong and appealing though it may be. Into the Mle opens with questions of nationality, from F. R. Leavis's efforts to assert an English literary subject to Tom Nairn's political vision of England and Scotland 'after Britain'. Other essays concern intellectuals and, in one way or another, the politics of revolution and counterrevolution, from Burke to the present. The book closes with a portrait of the New York magazine n+1 as heir to the militant traditions of Partisan Review. In its embrace of provisionality and its magpie curiosity, the essay is a mode especially well suited to the purposes of a Marxist criticism morally committed to the value of being surprised. These are key texts for cultural and literary studies from the author of the critically acclaimed The Moment of 'Scrutiny'.