Colin Falck's book has had a widespread influence since it first appeared in 1989. Hailed as a work that alters the way we think about literary theory and its institutionalisation in America and Britain, it is a philosophically informed account of the 'paradigm-shift' required to replaced structuralism and post-structuralism as modes of perceiving literature and related culture. Falck now supplements this second paperback edition with an appendix and other new material.

This volume brings together 13 original articles which review, re-establish, and rehabilitate the origins, forms, and functions of the mythological elements that are found in the narratives of Herodotus' Histories.

Exposes the truth about common investing myths and misconceptions and shows you how the truth shall set you free—to reap greater long-term and short-term gains Everybody knows that a strong dollar equals a strong economy, bonds are safer than stocks, gold is a safe investment and that high PEs signal high risk...right? While such "common-sense" rules of thumb may work for a time as investment strategies, as New York Times and Wall Street Journal bestselling author, Ken Fisher, vividly demonstrates in this wise, informative, wholly entertaining new book, they'll always let you down in the long run. Ken exposes some of the most common—and deadly—myths investors swear by, and he demonstrates why the rules-of-thumb approach to investing may be robbing you of the kinds returns you hope for. Dubbed by Investment Advisor magazine one of the 30 most influential individuals of the last three decades, Fisher is Chairman, and CEO of a global money management firm with over $32 billion under management Fisher's Forbes column, "Portfolio Strategy," has been an extremely popular fixture in Forbes for more than a quarter century thanks to his many high-profile calls Brings together the best "bunks" by Wall Street's Master Debunker in a fun, easy-to-digest, bite-size format More than just a list of myths, Fisher meticulously explains of why each commonly held belief or strategy is dead wrong and how damaging it can be to your financial health Armed with this book, investors can immediately identify major errors they may be committing and adjust their strategies for greater investing success

The volume focuses on a wide range of thinkers, including Iris Murdoch on truth and art, Stanley Cavell on tragedy, Roland Barthes and Michel Foucault on "the death of the author," and Kendall Walton on fearing fictions. Also included is a consideration of the fifteenth-century Japanese playwright and drama teacher Zeami Motokiyo, the founding father of Noh theather.

The first anthology to present the entire range of ancient Greek and Roman stories- from myths and fairy tales to jokes Captured centaurs and satyrs, talking animals, people who suddenly change sex, men who give birth, the temporarily insane and the permanently thick-witted, delicate sensualists, incompetent seers, a woman who remembers too much, a man who cannot laugh-these are just some of the colorful characters who feature in the unforgettable stories that ancient Greeks and Romans told in their daily lives. Together they created an incredibly rich body of popular oral stories that include, but range well beyond, mythology-from heroic legends, fairy tales, and fables to ghost stories, urban legends, and jokes.

Truth and myth are predominant themes in Martin Heidegger's thinking. Heidegger showed that ancient Greek understanding of truth as aletheia («unconcealment») can teach us about learning from the wisdom that is found in myths and can also enhance human existence. This book describes some of Heidegger's major insights concerning truth as aletheia and their implications. It also shows how Heidegger's thinking on truth discloses the shallowness and the disrespect for truth in the writings of four well-known postmodernist writers: Lyotard, MacIntyre, Rorty, and Derrida.

There has never been a better time to reconsider what really matters in life. The pandemic presented us with a pause and an opportunity to re-evaluate the values that guide our lives. Lisa Standeven used this time to reflect and share her newfound worldview, captured in her new book, The Myth of Success and the Truth of Abundance. This book is a deep, introspective dive into the typical milestones we set for ourselves and our loved ones. Drawing upon her personal stories, and the stories of those around her, Lisa challenges the traditional definition of success and posits a new way to achieve abundance. Each chapter offers an analysis of the common guideposts we use to measure our own levels of achievement. Conventional accomplishments such as wealth, position, beauty, and education are carefully examined from a new perspective, and novel strategies to reimagine and recreate our lives anew are proposed. This is a book that pushes the boundaries of typical belief systems and opens the reader to the possibility of living a life filled with joy, flow, and true abundance.

This book addresses an anomaly in the novel as genre: the generic promise to readers--that "reading a novel" is a familiar and repeatable experience--is challenged by the extravagant exceptions to this rule. Furthermore, these exceptions (such as Moby-Dick, Ulysses, or To the Lighthouse) are sui generis, hybrid concoctions that cannot be said to be typical novels. The novel, then, as literary form, succeeds by extravagantly disregarding or even disavowing the protocols of its own genre. Examining a number of famous examples from Don Quixote to Nostromo, this book offers an anatomy of exceptions that illustrate the structural role of their exceptionality for the prestige of the novel as literary form.

This book rereads five major works by John Okada, Louis Chu, Frank Chin, and Maxine Hong Kingston in order to reconceptualize the relationship between the past and present of post-WWII Asian American literary history. Drawing on work in cultural studies, postmodern and poststructuralist theory, social history, and neo-pragmatism, Ling offers fresh perspectives on the cultural politics and formal strategies of texts too often seen in recent criticism as devoid of complexities and fraught with totalizing implications. In challenging uncritical adoption of posthumanist views of history, agency, and identity in Asian American cultural criticism, this pioneering book opens an approach to Asian American literary texts that simultaneously registers their rich specificity and relatedness to works before and after.

The Truth of Myth is a thorough and accessible introduction to the study of myth, surveying the intellectual history of the topic, methods for studying myth cross-culturally, and emerging trends. Readers will encounter insightful commentaries on such questions as: What is the relation of mythology to religion? To science? To popular culture? Did the events recounted in myths actually occur? Why does the term "myth" have so many contradictory definitions and connotations? Offering serious students with an intellectual "toolkit" for launching into this fascinating field, the book is especially useful in conjunction with case studies of individual mythological traditions.