Mythic Imagination Today is an illustrated guide to the interpenetration of mythology and science throughout the ages. This monograph brings alive our collective need for story as a guide to the rules, roles, and relationships of everyday life.

Mythology is the universal tongue of human imagination. As a tool for self-discovery, mythology is also a way of gaining access to the secrets of the psyche. The Mythic Imagination is a quest for the ancient source of vision and meaning in the world of dream, myth, and archetype. In the footsteps of Joseph Campbell, Stephen Larsen guides the reader on a journey through the mythic landscape of the psyche. His insight is that all of us, at one time or another, are engaged in creating personal mythologies that reflect the larger myths of the culture and our own deepest desires and aspirations. This book is a guide for bringing the deeper mythic structures of experience into awareness, for learning to recognize the archetypal content embedded in our dreams and daydreams, feelings, beliefs, relationships, conscious creations, and behavior. Student and authorized biographer of Joseph Campbell, Larsen teaches us how to bring myth into our lives. Reissue of the Bantam bestseller.

In Mythic Imagination and the Actor, Marissa Chibás draws on over three decades of experience as a Latinx actor, writer, filmmaker, and teacher to offer an approach to acting that embraces collective imagination, archetypal work, and the mythic. The book begins with a comparative analysis between method acting and mythic acting, encouraging actors to push past the limits of singular life experience and move to a realm where imagination and metaphor thrive. In the context of mythic acting, the book explores awareness work, solo performance creation, the power of archetypes, character building exercises, creating a body/text connection, and how to be the detective of your own process. Through this inclusive guide for a new age of diverse performers traversing gender, ability, culture, and race, readers are able to move beyond their limits to a deep engagement with the infinite possibilities of rich imagination. The final chapter empowers and motivates artists to live healthfully within the practice and create a personal artistic vision plan. Written for actors and students of acting, American Drama, and film and theatre studies, Mythic Imagination and the Actor provides practical exercises and prompts to unlock and interpret an actor’s deepest creative sources.

The world is increasingly polarized along religious, ethnic, race, gender, class, and ideological lines. But must such diversity necessarily breed suspicion, fear, or violence? Richard Kearney invites us to consider another path. He wagers that the cause of our divisions often lies not in difference but in a lack of creative imagination. Ever in a spirit of dialogue, he shows how poetics and narrative imagination can break the hold of hostility and open new possibilities of reconciliation, accomplishing what moral arguments alone cannot. Now, more than ever, there is an urgent need for Kearney’s work, which addresses our current moment of crisis and division, providing pathways of creative response and healing. This book follows Kearney’s journey through the fields of philosophy of the imagination, hermeneutics, philosophy of religion, ethics, psychology, practical philosophy, and politics. The selection of writings in this volume offers to the specialist and the general reader a concise, well-rounded entry into one of the most prolific and wide-ranging thinkers in contemporary philosophy.

Of all the topics in the history of philosophy, the history of different forms of thinking and contemplation is one of the most important, and yet is also relatively overlooked. What is it to think philosophically? How did different forms of thinking—reflection, contemplation, critique and analysis—emerge in different epochs? This collection offers a rich and diverse philosophical exploration of the history of contemplation, from the classical period to the twenty-first century. It covers canonical figures including Plato, Aristotle, Descartes and Kant, as well as debates in less well-known areas such as classical Indian and Islamic thought and the role of speculation in twentieth-century Russian philosophy. Comprising twenty-two chapters by an international team of contributors, the volume is divided into five parts: • Flourishing and Thinking from Homer to Hume • The Thinking of Thinking from Augustine to Gödel • Images and Thinking from Plotinus to Unger • Bodies of Thought and Habits of Thinking from Plato to Irigaray • The Efficacy of Thinking from Sextus to Bataille Thought: A Philosophical History is the first comprehensive investigation of the history of philosophical thought and contemplation. As such, it is a landmark publication for anyone researching and teaching the history of philosophy, and a valuable resource for those studying the subject in related fields such as literature, religion, sociology and the history of ideas.

Climate change and ecological instability have the potential to disrupt human societies and their futures. Cultural, social and ethical life in all societies is directed towards a future that can never be observed, and never be directly acted upon, and yet is always interacting with us. Thinking and acting towards the future involves efforts of imagination that are linked to our sense of being in the world and the ecological pressures we experience. The three key ideas of this book – ecologies, ontologies and mythologies – help us understand the ways people in many different societies attempt to predict and shape their futures. Each chapter places a different emphasis on the linked domains of environmental change, embodied experience, myth and fantasy, politics, technology and intellectual reflection, in relation to imagined futures. The diverse geographic scope of the chapters includes rural Nepal, the islands of the Pacific Ocean, Sweden, coastal Scotland, North America, and remote, rural and urban Australia. This book will appeal to researchers and students in anthropology, sociology, environmental studies, cultural studies, psychology and politics.

Exegesis - interpretation and explanation of sacred texts - is the quintessence of rabinic thought. This volume delineates the connections between biblical interpretation and Jewish religious thought.

This innovative and original book examines the broad range of Jewish interpretation from antiquity through the medieval and renaissance periods. Its primary focus is on Midrash and midrashic creativity, including the entire range of nonlegal interpretations of the Bible. Considering Midrash as a literary and cultural form, the book explores aspects of classical Midrash from various angles including mythmaking and parables. The relationship between this exoteric mode and more esoteric forms in late antiquity is also examined. This work also focuses on some of the major genres of medieval biblical exegesis: plain sense, allegory, and mystical.

In this book, Eva Brann sets out no less a task than to assess the meaning of imagination in its multifarious expressions throughout western history. The result is one of those rare achievements that will make The World of the Imagination a standard reference.

Frontcover -- Contents -- Acknowledgments -- Introduction: Hawthorne, Updike, and the Immoral Imagination -- 1: John Updike and the Existentialist Imagination -- Part I. The "Mythic Immensity" of the Parental Imagination -- 2: "Flight," "His Mother Inside Him," and "Ace in the Hole"--3: The Centaur -- 4: Of the Farm, "A Sandstone Farmhouse," and "The Cats"--Part II. Collective Hallucination in the Adulterous Society -- 5: "Man and Daughter in the Cold," "Giving Blood," "The Taste of Metal," and "Avec la Bébé-Sitter" -- 6: Marry Me -- 7: Couples and "The Hillies" -- Part III. Imaginative Lust in the Scarlet Letter Trilogy -- 8: "The Football Factory," "Toward Evening," "Incest," "Still Life," "Lifeguard," "Bech Swings?" and "Three Illuminations in the Life of an American Author" -- 9: A Month of Sundays -- 10: Roger's Version -- 11: S. -- Part IV. Female Power and the Female Imagination -- 12: "Marching through Boston," "The Stare," "Report of Health," "Living with a Wife," and "Slippage" -- 13: The Witches of Eastwick -- Part V. The Remembering Imagination -- 14: "In Football Season," "First Wives and Trolley Cars," "The Day of the Dying Rabbit," "Leaving Church Early," and "The Egg Race" -- 15: Memories of the Ford Administration -- 16: "The Dogwood Tree," "A Soft Spring Night in Shillington," and "On Being a Self Forever" -- Conclusion: Updike, Realism, and Postmodernism -- Bibliography -- Index -- Credits