Lei are the very expression of traditional Hawaiian culture and were once an essential part of community and family life. Following in the footsteps of Samuel Kamakau, Abraham Fornander, and others, the authors have collected here a wealth of written and oral information to reveal the significance of making and wearing lei and their role in Hawaiian ritual and dance. This volume covers eighty-five flowers and plants (and another dozen color variations) used in traditional lei construction. They are arranged according to their Hawaiian names and accompanied by botanical information and descriptions gleaned from legends and chants that illustrate the cultural uses and special meanings of lei prior to Western contact. Many are introduced by poems written especially for this work by master kumu hula, linguist, and ethnologist Pualani Kanakaole Kanahele. The authors present the lei art form in not only words, but also pictures. Lavish color photographs by Jean Coté showcase each plant and lei (shown by itself or worn), as well as places throughout the Islands associated with specific flowers and plants. An appendix includes a complete list of lei plants, basic instructions for their propagation, and other sources for material.

Folk art is as varied as it is indicative of person and place, informed by innovation and grounded in cultural context. The variety and versatility of 300 American folk artists is captured in this collection of informative and thoroughly engaging essays. American Folk Art: A Regional Reference offers a collection of fascinating essays on the life and work of 300 individual artists. Some of the men and women profiled in these two volumes are well known, while others are important practitioners who have yet to receive the notice they merit. Because many of the artists in both categories have a clear identity with their land and culture, the work is organized by geographical region and includes an essay on each region to help make connections visible. There is also an introductory essay on U.S. folk art as a whole. Those writing about folk art to date tend to view each artist as either traditional or innovative. One of the major contributions of this work is that it demonstrates that folk artists more often exhibit both traits; they are grounded in their cultural context and creative in the way they make work their own. Such insights expand the study of folk art even as they readjust readers' understanding of who folk artists are.

The new pocket edition is an ideal resource for beginning speakers and students of the Hawaiian language or anyone interested in Hawaiian language, history, and culture. Illustrated with line drawings, it includes over 5,000 entries in Hawaiian and English, an additional 2,500 synonyms and related words and phrases, grammar notes, and thousands of example sentences in both Hawaiian and English that illustrate practical and cultural uses of the language.

The enormous impact of sugarcane plantations in Hawai‘i has overshadowed the fact that Native Hawaiians introduced sugarcane to the islands nearly a millennium before Europeans arrived. In fact, Hawaiians cultivated sugarcane extensively in a broad range of ecosystems using diverse agricultural systems and developed dozens of native varieties of kō (Hawaiian sugarcane). Sugarcane played a vital role in the culture and livelihood of Native Hawaiians, as it did for many other Indigenous peoples across the Pacific. This long-awaited volume presents an overview of more than one hundred varieties of native and heirloom kō as well as detailed varietal descriptions of cultivars that are held in collections today. The culmination of a decade of Noa Lincoln’s fieldwork and historical research, Kō: An Ethnobotanical Guide to Hawaiian Sugarcane Cultivars includes information on all known native canes developed by Hawaiian agriculturalists before European contact, canes introduced to Hawai‘i from elsewhere in the Pacific, and a handful of early commercial hybrids. Generously illustrated with over 370 color photographs, the book includes the ethnobotany of kō in Hawaiian culture, outlining its uses for food, medicine, cultural practices, and ways of knowing. In light of growing environmental and social issues associated with conventional agriculture, many people are acknowledging the multiple benefits derived from traditional, sustainable farming. Knowledge of heirloom plants, such as kō, is necessary in the development of new crops that can thrive in diversified, place-specific agricultural systems. This essential guide provides common ground for discussion and a foundation upon which to build collective knowledge of indigenous Hawaiian sugarcane.

Explore Hawaiian culture through the art of lei making with flower inspirations and gorgeous photography from stylist, fashion designer, and local island icon Meleana Estes. Brimming with vibrant photos of the most famous flower garlands of Hawai’i—the lei—in dreamy island settings, Lei Aloha tells the story of the flowers, craftsmanship, and community of lei culture, offering a window into this beautiful world where life is a little slower, flowers are abundant, and personal connections run deep. Local style icon Meleana Estes continues the legacy of her native Hawaiian grandmother, who was well known for her intricate and stunning lei. Sprinkled throughout the book also are anecdotes about the fascinating history of flowers, lei, and island traditions. Each chapter tells the story of a grouping of flowers and lei, such as plumerias for a sweet gathering of neighborhood keiki (kids), elegant strands of white and yellow ginger for a candle-lit party, or striking lei haku made for hula performances. It’s an easy craft for the homesteader with roots in a full backyard garden or the digital nomad who keeps her possessions in one suitcase and can pick up flowers on her travels. With evocative photos of vintage mu’umu’us, lush tropical gardens, lei-bedecked longboard surfers, striking tablescapes, and graceful hula dancers, Lei Aloha shares a side of the islands that only locals usually get to see.

The story of one woman’s remarkable work with a trio of charismatic, endangered bird species—and her discoveries about the devastating threats that imperil them. In Feather Trails, wildlife biologist and birder Sophie A. H. Osborn reveals how the harmful environmental choices we’ve made—including pesticide use, the introduction of invasive species, lead poisoning, and habitat destruction—have decimated Peregrine Falcons, Hawaiian Crows, and California Condors. In the Rocky Mountains, the cloud forests of Hawai’i, and the Grand Canyon, Sophie and her colleagues work day-to-day to try to reintroduce these birds to the wild, even when it seems that the odds are steeply stacked against their survival. With humor and suspense, Feather Trails introduces us to the fascinating behaviors and unique personalities of Sophie’s avian charges and shows that what endangers them ultimately threatens all life on our planet. More than a deeply researched environmental investigation, Feather Trails is also a personal journey and human story, in which Sophie overcomes her own obstacles—among them heat exhaustion, poachers, rattlesnakes, and chauvinism. Ultimately, Feather Trails is an inspiring, poignant narrative about endangered birds and how our choices can help to ensure a future not only for the rarest species, but for us too. "An intimate look at the wonder and effort needed for working with endangered species in the wild. [Osborn's] matter-of-fact writing style and wry humor make the reader part of the action."—Booklist (starred review)

Hawaiian legends figure greatly in the image of tropical paradise that has come to represent Hawai'i in popular imagination. But what are we buying into when we read these stories as texts in English-language translations? Cristina Bacchilega poses this question in her examination of the way these stories have been adapted to produce a legendary Hawai'i primarily for non-Hawaiian readers or other audiences. With an understanding of tradition that foregrounds history and change, Bacchilega examines how, following the 1898 annexation of Hawai'i by the United States, the publication of Hawaiian legends in English delegitimized indigenous narratives and traditions and at the same time constructed them as representative of Hawaiian culture. Hawaiian mo'olelo were translated in popular and scholarly English-language publications to market a new cultural product: a space constructed primarily for Euro-Americans as something simultaneously exotic and primitive and beautiful and welcoming. To analyze this representation of Hawaiian traditions, place, and genre, Bacchilega focuses on translation across languages, cultures, and media; on photography, as the technology that contributed to the visual formation of a westernized image of Hawai'i; and on tourism as determining postannexation economic and ideological machinery. In a book with interdisciplinary appeal, Bacchilega demonstrates both how the myth of legendary Hawai'i emerged and how this vision can be unmade and reimagined.

Moe‘uhane, the Hawaiian word for dream, means "soul sleep." Hawaiians of old believed they communicated with ‘auma-kua, their ancestral guardians, while sleeping, and this important relationship was sustained through dreaming. During "soul sleep," people received messages of guidance from the gods; romantic relationships blossomed; prophecies were made; cures were revealed. Dreams provided inspiration, conveying songs and dances that were remembered and performed upon waking. Specialists interpreted dreams, which were referred to and analyzed whenever important decisions were to be made. Having no written language, Hawaiians passed their history and life lessons down in the form of legends, which were committed to memory and told and retold. And within these stories are a multitude of dreams--as in a famous legend of the goddess Pele, who travels in a dream to meet and entrance the high chief Lohi‘au. Dreams continue to play an important role in modern Hawaiian culture and are considered by some to have as powerful an influence today as in ancient times. In this companion volume to her award-winning Hawaiian Legends of the Guardian Spirits, artist Caren Loebel-Fried retells and illuminates nine dream stories from Hawai‘i's past that are sure to please readers young and old, kama‘aina and malihini, alike.

"This book is for the person who lives in the tropics or subtropics and is interested in native plants, who wants to know about plants that are useful, who loves to watch plants grow, and who is willing to work with them. Such a person might ask questions like, Where will they grow? How do I grow them? Are they good to eat? How are they used? What are their names? These questions and more are answered here."--Préface